Canon T6s vs Panasonic G9
The Canon EOS Rebel T6s (called Canon 760D in some regions) and the Panasonic Lumix DC-G9 are two digital cameras that were revealed to the public, respectively, in February 2015 and November 2017. The T6s is a DSLR, while the G9 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T6s) and a Four Thirds (G9) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon T6s||Panasonic G9|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|24 MP, APS-C Sensor||20.2 MP, Four Thirds Sensor|
|1080/30p Video||4K/60p Video|
|ISO 100-12,800 (100 - 25,600)||ISO 200-25,600|
|Optical viewfinder||Electronic viewfinder (3680k dots)|
|3.0 LCD, 1040k dots||3.0 LCD, 1040k dots|
|Swivel touchscreen||Swivel touchscreen|
|5 shutter flaps per second||20 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|not weather sealed||Weathersealed body|
|440 shots per battery charge||400 shots per battery charge|
|132 x 101 x 78 mm, 565 g||137 x 97 x 92 mm, 658 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T6s and the Panasonic Lumix DC-G9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon T6s and the Panasonic G9 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T6s and the Panasonic G9 are of equal size. However, the G9 is markedly heavier (16 percent) than the T6s. It is noteworthy in this context that the G9 is splash and dust-proof, while the T6s does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T6s) and the Micro Four Thirds Lens Catalog (G9). Mirrorless cameras, such as the G9, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the T6s gets 440 shots out of its LP-E17 battery, while the G9 can take 400 images on a single charge of its DMW-BLF19 power pack. The power pack in the G9 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon T6s||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649|
|Panasonic G9||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699|
|Canon 77D||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899|
|Canon T7i||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749|
|Canon T6i||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749|
|Canon T5||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449|
|Canon T4i||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849|
|Canon T2i||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699|
|Canon T1i||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799|
|Canon XSi||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799|
|Canon XTi||5.0 in||3.3 in||2.6 in||19.6 oz||370||n||Aug 2006||799|
|Canon XT||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899|
|Olympus E-M1 III||5.3 in||3.6 in||2.7 in||20.5 oz||420||Y||Feb 2020||1,799|
|Olympus E-M1 II||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999|
|Panasonic GH5||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999|
|Panasonic G85||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899|
|Panasonic GH4||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The T6s was launched at a markedly lower price (by 62 percent) than the G9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon T6s features an APS-C sensor and the Panasonic G9 a Four Thirds sensor. The sensor area in the G9 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the T6s has a native 3:2 aspect ratio, while the one in the G9 offers a 4:3 aspect.
With 24MP, the T6s offers a higher resolution than the G9 (20.2MP), but the T6s nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 3.34μm for the G9) due to its larger sensor. However, the G9 is a much more recent model (by 2 years and 9 months) than the T6s, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the G9 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon T6s implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T6s for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G9 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The T6s has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the T6s, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS Rebel T6s has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DC-G9 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G9 provides a better video resolution than the T6s. It can shoot movie footage at 4K/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G9 has an electronic viewfinder (3680k dots), while the T6s has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G9 offers a wider field of view (100%) than the one in the T6s (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G9 has a higher magnification (0.83x vs 0.51x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon T6s and Panasonic G9 along with similar information for a selection of comparators.
|Olympus E-M1 III||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
|Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The T6s has one, while the G9 does not. While the built-in flash of the T6s is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G9 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the T6s and the G9 write their files to SDXC cards. The G9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the T6s only has one slot. The G9 supports UHS-II cards (on both slots), while the T6s can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T6s and Panasonic Lumix DC-G9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Olympus E-M1 III||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y|
|Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
It is notable that the G9 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The T6s lacks such a headphone port.
Studio photographers will appreciate that the Panasonic G9 (unlike the T6s) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The G9 is a recent model that features in the current product line-up of Panasonic. In contrast, the T6s has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the T6s was succeeded by the Canon 77D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Which of the two cameras – the Canon T6s or the Panasonic G9 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS Rebel T6s:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 93g or 14 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (62 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2015).
Arguments in favor of the Panasonic Lumix DC-G9:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4K/60p vs 1080/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.83x vs 0.51x).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 9 months of technical progress since the T6s launch.
If the count of relative strengths (bullet points above) is taken as a measure, the G9 is the clear winner of the contest (21 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T6s and the Panasonic G9 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the T6s and the G9 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon T6s||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649|
|Panasonic G9||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699|
|Canon 77D||..||82/100||4.5/5||4.5/5||4/5||Feb 2017||899|
|Canon T7i||..||80/100||4.5/5||4/5||4/5||Feb 2017||749|
|Canon T6i||..||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749|
|Canon T5||+||..||4/5||4/5||4.5/5||Feb 2014||449|
|Canon T4i||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849|
|Canon T2i||+ +||77/100||4/5||5/5||4.5/5||Feb 2010||699|
|Canon T1i||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799|
|Canon XSi||+ +||+ +||4/5||5/5||4.5/5||Jan 2008||799|
|Canon XTi||+ +||+ +||o||4.5/5||4/5||Aug 2006||799|
|Canon XT||80/100||+ +||o||o||..||Feb 2005||899|
|Olympus E-M1 III||..||83/100||4.5/5||..||4/5||Feb 2020||1,799|
|Olympus E-M1 II||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999|
|Panasonic GH5||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Panasonic G85||+ +||84/100||5/5||4.5/5||4.5/5||Sep 2016||899|
|Panasonic GH4||+ +||85/100||5/5||5/5||5/5||Feb 2014||1,499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 10D vs Panasonic G9
- Canon 800D vs Panasonic G9
- Canon M6 Mark II vs Panasonic G9
- Canon SX510 vs Canon T6s
- Canon SX60 vs Panasonic G9
- Canon T6s vs Fujifilm X100T
- Canon T6s vs Panasonic FZ200
- Canon T6s vs Pentax K-5
- Fujifilm X-T10 vs Panasonic G9
- Leica V-LUX Typ 114 vs Panasonic G9
- Nikon D50 vs Panasonic G9
- Panasonic G9 vs Pentax K-3 II
Specifications: Canon T6s vs Panasonic G9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T6s||Panasonic G9|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2015||November 2017|
|Launch Price||USD 649||USD 1,699|
|Sensor Specs||Canon T6s||Panasonic G9|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||20.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.72 μm||3.34 μm|
|Pixel Density||7.22 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/60p Video|
|ISO Setting||100 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 6||Venus 10|
|DXO Sensor Quality (score)||70||..|
|DXO Color Depth (bits)||22.6||..|
|DXO Dynamic Range (EV)||12.0||..|
|DXO Low Light (ISO)||915||..|
|Screen Specs||Canon T6s||Panasonic G9|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||3680k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon T6s||Panasonic G9|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||20 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon T6s||Panasonic G9|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon T6s||Panasonic G9|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||440 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
132 x 101 x 78 mm
(5.2 x 4.0 x 3.1 in)
137 x 97 x 92 mm
(5.4 x 3.8 x 3.6 in)
|Camera Weight||565 g (19.9 oz)||658 g (23.2 oz)|
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