Canon T4i vs Sony NEX-5T
The Canon EOS Rebel T4i (called Canon 650D in some regions) and the Sony Alpha NEX-5T are two digital cameras that were officially introduced, respectively, in June 2012 and August 2013. The T4i is a DSLR, while the NEX-5T is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 17.9 megapixels, whereas the Sony provides 16 MP.
As their names suggest, both the Canon EOS Rebel T4i and the Sony Alpha NEX-5T belong to Canon's Rebel line of DSLR cameras. This range of APS-C cameras, which started out with the Canon EOS Digital Rebel in 2003, has been a big commercial success and the backbone of Canon's dominance in the digital camera market. The popularity of the Rebel cameras is the result of them inheriting much of the sensor and shooting technology from earlier released professional DSLRs, while being sold at a much more budget-friendly price point. The strong brand reputation of Canon and the comprehensive EOS system of compatible lenses and accessories further contributes to the appeal of the Rebel cams, including the Canon T4i and Sony NEX-5T. Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon T4i||Sony NEX-5T|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|17.9 MP, APS-C Sensor||16 MP, APS-C Sensor|
|1080/30p Video||1080/60p Video|
|ISO 100-12800 (100-25600)||ISO 100-25600|
|Optical viewfinder||Viewfinder optional|
|3.0" LCD, 1040k dots||3.0" LCD, 922k dots|
|Swivel touchscreen||Tilting touchscreen|
|5 shutter flaps per second||10 shutter flaps per second|
|440 shots per battery charge||330 shots per battery charge|
|133 x 100 x 79 mm, 575 g||111 x 59 x 39 mm, 2776 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T4i and the Sony Alpha NEX-5T? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon T4i and the Sony NEX-5T are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The NEX-5T can be obtained in two different colors (black, silver), while the T4i is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5T is considerably smaller (51 percent) than the Canon T4i. However, the NEX-5T is substantially heavier (383 percent) than the T4i. In this context, it is worth noting that neither the T4i nor the NEX-5T are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T4i) and the Sony E-Mount Lens Catalog (NEX-5T). Mirrorless cameras, such as the NEX-5T, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon T4i»||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||-||Canon T4i|
|Sony NEX-5T«||4.4 in||2.3 in||1.5 in||97.9 oz||330||n||Aug 2013||699||-||Sony NEX-5T|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon T6s|
|Canon T5« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon T5|
|Canon T5i« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon T5i|
|Canon T3i« »||5.2 in||3.9 in||3.1 in||20.1 oz||440||n||Feb 2011||599||-||Canon T3i|
|Canon T2i« »||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699||-||Canon T2i|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon T1i|
|Canon XSi« »||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799||-||Canon XSi|
|Canon XTi« »||5.0 in||3.3 in||2.6 in||19.6 oz||370||n||Aug 2006||799||-||Canon XTi|
|Canon XT« »||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899||-||Canon XT|
|Canon Rebel« »||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||-||Canon Rebel|
|Sony A5100« »||4.3 in||2.5 in||1.4 in||10.0 oz||400||n||Aug 2014||549||Sony A5100|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-||Sony A6000|
|Sony NEX-5R« »||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||-||Sony NEX-F3|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||-||Sony NEX-3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The NEX-5T was launched at a somewhat lower price (by 18 percent) than the T4i, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-5T is 10 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (T4i) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon T4i offers a higher resolution of 17.9 megapixels, compared with 16 MP of the Sony NEX-5T. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.31μm versus 4.78μm for the NEX-5T). Moreover, it should be noted that the NEX-5T is a somewhat more recent model (by 1 year and 2 months) than the T4i, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Canon T4i implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T4i for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inch or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inch or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inch or 43.9 x 29.3 cm. The corresponding values for the Sony NEX-5T are 24.6 x 16.3 inch or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inch or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inch or 41.6 x 27.6 cm for excellent quality prints.
The T4i has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel T4i has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha NEX-5T are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the NEX-5T offers substantially better image quality than the T4i (overall score 16 points higher). The advantage is based on 1.9 bits higher color depth, 1.8 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon T4i»||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon T4i|
|Sony NEX-5T«||APS-C||16.0||4912||3264||1080/60p||23.6||13.0||1015||78||Sony NEX-5T|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon T5« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon T5|
|Canon T5i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon T5i|
|Canon T3i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon T3i|
|Canon T2i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon T2i|
|Canon T1i« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Canon XSi« »||APS-C||12.2||4272||2848||-||21.9||10.8||692||61||Canon XSi|
|Canon XTi« »||APS-C||10.1||3888||2592||-||22.1||11.0||664||62||Canon XTi|
|Canon XT« »||APS-C||8.0||3456||2304||-||21.8||10.8||637||60||Canon XT|
|Canon Rebel« »||APS-C||6.3||3072||2048||-||21.0||10.8||544||55||Canon Rebel|
|Sony A5100« »||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony NEX-5R« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Sony NEX-F3« »||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
|Sony NEX-3« »||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the NEX-5T provides a faster frame rate than the T4i. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the T4i has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the NEX-5T relies on live view and the rear LCD for framing. That said, the NEX-5T can be equipped with an optional viewfinder – the FDA-EV1S. The adjacent table lists some of the other core features of the Canon T4i and Sony NEX-5T along with similar information for a selection of comparators.
|Canon T4i»||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T4i|
|Sony NEX-5T«||-||n||3.0||922||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5T|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6s|
|Canon T5« »||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon T5|
|Canon T5i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T5i|
|Canon T3i« »||optical||n||3.0||1040||swivel||n||1/4000s||3.7||Y||n||Canon T3i|
|Canon T2i« »||optical||n||3.0||1040||fixed||n||1/4000s||3.7||Y||n||Canon T2i|
|Canon T1i« »||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon T1i|
|Canon XSi« »||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon XSi|
|Canon XTi« »||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Canon XTi|
|Canon XT« »||optical||n||1.8||115||fixed||n||1/4000s||3.0||Y||n||Canon XT|
|Canon Rebel« »||optical||n||1.8||118||fixed||n||1/4000s||2.5||Y||n||Canon Rebel|
|Sony A5100« »||-||n||3.0||922||tilting||Y||1/4000s||6.0||Y||n||Sony A5100|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony NEX-5R« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Sony NEX-F3« »||-||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
|Sony NEX-3« »||-||n||3.0||920||tilting||n||1/4000s||7.0||n||n||Sony NEX-3|
One difference between the cameras concerns the presence of an on-board flash. The T4i has one, while the NEX-5T does not. While the built-in flash of the T4i is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The T4i writes its imaging data to SDXC cards, while the NEX-5T uses SDXC or Memory Stick PRO Duo cards. The T4i supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-5T cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T4i and Sony Alpha NEX-5T and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon T4i»||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T4i|
|Sony NEX-5T«||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Sony NEX-5T|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon T5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T5|
|Canon T5i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T5i|
|Canon T3i« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon T3i|
|Canon T2i« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon T2i|
|Canon T1i« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Canon XSi« »||Y||-||-||-||-||mini||2.0||-||-||-||Canon XSi|
|Canon XTi« »||Y||-||-||-||-||-||2.0||-||-||-||Canon XTi|
|Canon XT« »||Y||-||-||-||-||-||2.0||-||-||-||Canon XT|
|Canon Rebel« »||Y||-||-||-||-||-||1.1||-||-||-||Canon Rebel|
|Sony A5100« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony NEX-5R« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Sony NEX-F3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
|Sony NEX-3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
It is notable that the T4i has a microphone port, which is missing on the NEX-5T. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the T4i and the NEX-5T have been discontinued, but can regularly be found used on eBay. The T4i was replaced by the Canon T5i, while the NEX-5T was followed by the Sony A5100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Which of the two cameras – the Canon T4i or the Sony NEX-5T – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS Rebel T4i:
- More detail: Offers more megapixels (17.9 vs 16MP) with a 6% higher linear resolution.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Less heavy: Is lighter (by 2201g or 79 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (440 versus 330) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been on the market for longer (launched in June 2012).
Advantages of the Sony Alpha NEX-5T:
- Better image quality: Scores substantially higher (16 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.9 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.5 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (111x59mm vs 133x100mm) and will fit more readily into a bag.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was released into a lower priced segment (18 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 2 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the NEX-5T comes out slightly ahead of the T4i (12 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T4i and the Sony NEX-5T place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the T4i and the NEX-5T in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon T4i»||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon T4i|
|Sony NEX-5T«||-||-||4.5/5||-||4.5/5||Aug 2013||699||-||Sony NEX-5T|
|Canon T6s« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon T6s|
|Canon T5« »||+||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon T5|
|Canon T5i« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon T5i|
|Canon T3i« »||o||77/100||4.5/5||5/5||4.5/5||Feb 2011||599||-||Canon T3i|
|Canon T2i« »||+ +||77/100||4/5||5/5||4.5/5||Feb 2010||699||-||Canon T2i|
|Canon T1i« »||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon T1i|
|Canon XSi« »||+ +||+ +||4/5||5/5||4.5/5||Jan 2008||799||-||Canon XSi|
|Canon XTi« »||+ +||+ +||o||4.5/5||4/5||Aug 2006||799||-||Canon XTi|
|Canon XT« »||80/100||+ +||o||o||-||Feb 2005||899||-||Canon XT|
|Canon Rebel« »||-||+ +||-||o||-||Aug 2003||899||-||Canon Rebel|
|Sony A5100« »||+||-||4.5/5||4.5/5||5/5||Aug 2014||549||Sony A5100|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony NEX-5R« »||-||-||4.5/5||-||4.5/5||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||-||74/100||4.5/5||4.5/5||4.5/5||May 2012||599||-||Sony NEX-F3|
|Sony NEX-3« »||-||70/100||4.5/5||5/5||4/5||May 2010||599||-||Sony NEX-3|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D vs Canon T4i
- Canon SX540 vs Canon T4i
- Canon T4i vs Fujifilm X-T100
- Canon T4i vs Olympus E-PM1
- Canon T4i vs Pentax K-1
- Canon T4i vs Ricoh WG-60
- Fujifilm X-Pro2 vs Sony NEX-5T
- Fujifilm X-T100 vs Sony NEX-5T
- Leica C-LUX vs Sony NEX-5T
- Leica M-E Typ 240 vs Sony NEX-5T
- Nikon D5200 vs Sony NEX-5T
- Sigma fp vs Sony NEX-5T
Specifications: Canon T4i vs Sony NEX-5T
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T4i||Sony NEX-5T|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||June 2012||August 2013|
|Launch Price||USD 849||USD 699|
|Sensor Specs||Canon T4i||Sony NEX-5T|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.4 x 15.6 mm|
|Sensor Area||332.27 mm2||365.04 mm2|
|Sensor Diagonal||26.8 mm||28.1 mm|
|Sensor Resolution||17.9 Megapixels||16 Megapixels|
|Image Resolution||5184 x 3456 pixels||4912 x 3264 pixels|
|Pixel Pitch||4.31 μm||4.78 μm|
|Pixel Density||5.39 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100-12800 ISO||100-25600 ISO|
|ISO Boost||100-25600 ISO||no Enhancement|
|Image Processor||DIGIC 5||BIONZ|
|DXO Sensor Quality (score)||62||78|
|DXO Color Depth (bits)||21.7||23.6|
|DXO Dynamic Range (EV)||11.2||13.0|
|DXO Low Light (ISO)||722||1015|
|Screen Specs||Canon T4i||Sony NEX-5T|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||922k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon T4i||Sony NEX-5T|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||5 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon T4i||Sony NEX-5T|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon T4i||Sony NEX-5T|
|Battery Life (CIPA)||440 shots per charge||330 shots per charge|
133 x 100 x 79 mm
(5.2 x 3.9 x 3.1 in)
111 x 59 x 39 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||575 g (20.3 oz)||2776 g (97.9 oz)|
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