Canon T4i vs Panasonic GF1
The Canon EOS Rebel T4i (called Canon 650D in some regions) and the Panasonic Lumix DMC-GF1 are two digital cameras that were announced, respectively, in June 2012 and September 2009. The T4i is a DSLR, while the GF1 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T4i) and a Four Thirds (GF1) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T4i and the Panasonic Lumix DMC-GF1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon T4i and the Panasonic GF1. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF1 is considerably smaller (36 percent) than the Canon T4i. Moreover, the GF1 is markedly lighter (33 percent) than the T4i. In this context, it is worth noting that neither the T4i nor the GF1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T4i) and the Micro Four Thirds Lens Catalog (GF1). Mirrorless cameras, such as the GF1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|2.||Panasonic GF1||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749|
|3.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|4.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|5.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|6.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|7.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|8.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|9.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|10.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|11.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|12.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899|
|13.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|14.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|15.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|16.||Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899|
|17.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GF1 was launched at a somewhat lower price (by 12 percent) than the T4i, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon T4i features an APS-C sensor and the Panasonic GF1 a Four Thirds sensor. The sensor area in the GF1 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the T4i has a native 3:2 aspect ratio, while the one in the GF1 offers a 4:3 aspect.
With 17.9MP, the T4i offers a higher resolution than the GF1 (12MP), but the T4i has marginally smaller individual pixels (pixel pitch of 4.31μm versus 4.33μm for the GF1). However, the T4i is a much more recent model (by 2 years and 9 months) than the GF1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon T4i implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T4i for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic GF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The T4i has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel T4i has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GF1 are ISO 100 to ISO 3200 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the T4i has a notably higher overall DXO score than the GF1 (overall score 8 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.5 bits higher color depth, 0.9 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|13.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|14.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|15.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|16.||Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|17.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the T4i provides a higher video resolution than the GF1. It can shoot video footage at 1080/30p, while the Panasonic is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the T4i has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF1 relies on live view and the rear LCD for framing. That said, the GF1 can be equipped with an optional viewfinder – the DMW-LVF1. The adjacent table lists some of the other core features of the Canon T4i and Panasonic GF1 along with similar information for a selection of comparators.
|1.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|2.||Panasonic GF1||optional||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|3.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|4.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|5.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|6.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7||Y||n|
|7.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|8.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4||Y||n|
|9.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5||Y||n|
|10.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|11.||Canon XT||optical||n||1.8 / 115||fixed||n||1/4000s||3.0||Y||n|
|12.||Canon Rebel||optical||n||1.8 / 118||fixed||n||1/4000s||2.5||Y||n|
|13.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2||Y||n|
|14.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6||Y||n|
|15.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6||Y||n|
|16.||Panasonic GH1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|17.||Panasonic G1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The T4i has a touchscreen, while the GF1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The T4i has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GF1 does not have a selfie-screen.
The T4i writes its imaging data to SDXC cards, while the GF1 uses SDHC cards. The T4i supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the GF1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T4i and Panasonic Lumix DMC-GF1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|2.||Panasonic GF1||Y||mono / mono||-||-||mini||2.0||-||-||-|
|3.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|5.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|6.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|8.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|9.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|10.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Canon XT||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Canon Rebel||Y||- / -||-||-||-||1.1||-||-||-|
|13.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|15.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic GH1||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|17.||Panasonic G1||Y||- / -||-||-||mini||2.0||-||-||-|
It is notable that the T4i has a microphone port, which is missing on the GF1. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the T4i and the GF1 have been discontinued, but can regularly be found used on eBay. The GF1 was replaced by the Panasonic DMC-GF2, while the T4i was followed by the Canon T5i. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Which of the two cameras – the Canon T4i or the Panasonic GF1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS Rebel T4i:
- More detail: Offers more megapixels (17.9 vs 12MP) with a 25% higher linear resolution.
- Better image quality: Scores markedly higher (8 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (0.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.5 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (440 versus 380) on a single battery charge.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 2 years and 9 months of technical progress since the GF1 launch.
Advantages of the Panasonic Lumix DMC-GF1:
- More compact: Is smaller (119x71mm vs 133x100mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 190g or 33 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was released into a lower priced segment (12 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2009).
If the count of individual advantages (bullet points above) is taken as a guide, the T4i is the clear winner of the match-up (16 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T4i and the Panasonic GF1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the T4i and the GF1 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|2.||Panasonic GF1||..||85/100||..||69/100||4.5/5||4.5/5||Sep 2009||749|
|3.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|4.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|5.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|6.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|7.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|8.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|9.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|10.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799|
|11.||Canon XT||..||80/100||..||+ +||o||..||Feb 2005||899|
|12.||Canon Rebel||..||..||..||+ +||..||..||Aug 2003||899|
|13.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|14.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|15.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|16.||Panasonic GH1||..||+ +||..||72/100||4.5/5||4.5/5||Mar 2009||899|
|17.||Panasonic G1||..||+ +||..||70/100||4/5||4.5/5||Sep 2008||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D vs Panasonic GF1
- Canon T4i vs Fujifilm X-E3
- Canon T4i vs Fujifilm X-M1
- Canon T4i vs Leica V-LUX 5
- Canon T4i vs Olympus E-M10 III
- Canon T4i vs Panasonic G6
- Canon T4i vs Sony A6000
- Canon T6i vs Panasonic GF1
- Nikon Coolpix A vs Panasonic GF1
- Nikon D700 vs Panasonic GF1
- Olympus E-PL3 vs Panasonic GF1
- Panasonic G110 vs Panasonic GF1
Specifications: Canon T4i vs Panasonic GF1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T4i||Panasonic GF1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||June 2012||September 2009|
|Launch Price||USD 849||USD 749|
|Sensor Specs||Canon T4i||Panasonic GF1|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||12 Megapixels|
|Image Resolution||5184 x 3456 pixels||4000 x 3000 pixels|
|Pixel Pitch||4.31 μm||4.33 μm|
|Pixel Density||5.39 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||720/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 3,200 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||DIGIC 5||Venus HD|
|DXO Sensor Quality (score)||62||54|
|DXO Color Depth (bits)||21.7||21.2|
|DXO Dynamic Range (EV)||11.2||10.3|
|DXO Low Light (ISO)||722||513|
|Screen Specs||Canon T4i||Panasonic GF1|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon T4i||Panasonic GF1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon T4i||Panasonic GF1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon T4i||Panasonic GF1|
|Battery Life (CIPA)||440 shots per charge||380 shots per charge|
133 x 100 x 79 mm
(5.2 x 3.9 x 3.1 in)
119 x 71 x 36 mm
(4.7 x 2.8 x 1.4 in)
|Camera Weight||575 g (20.3 oz)||385 g (13.6 oz)|
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