Canon T3i vs Panasonic G95
The Canon EOS Rebel T3i (called Canon 600D in some regions) and the Panasonic Lumix DC-G95 (labelled Panasonic G90 in some countries) are two digital cameras that were revealed to the public, respectively, in February 2011 and April 2019. The T3i is a DSLR, while the G95 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T3i) and a Four Thirds (G95) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T3i and the Panasonic Lumix DC-G95? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon T3i and the Panasonic G95 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G95 is notably smaller (8 percent) than the Canon T3i. Moreover, the G95 is markedly lighter (6 percent) than the T3i. It is noteworthy in this context that the G95 is splash and dust-proof, while the T3i does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T3i) and the Micro Four Thirds Lens Catalog (G95). Mirrorless cameras, such as the G95, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the T3i gets 440 shots out of its LP-E8 battery, while the G95 can take 290 images on a single charge of its DMW-BLC12 power pack. The power pack in the G95 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|2.||Panasonic G95||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999|
|3.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|4.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|5.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|6.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|7.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|8.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|9.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|10.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|11.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|12.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|13.||Olympus E-M1 III||134 mm||91 mm||69 mm||580 g||420||Y||Feb 2020||1,799|
|14.||Olympus E-M5 III||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199|
|15.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|16.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|17.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The T3i was launched at a markedly lower price (by 40 percent) than the G95, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon T3i features an APS-C sensor and the Panasonic G95 a Four Thirds sensor. The sensor area in the G95 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the T3i has a native 3:2 aspect ratio, while the one in the G95 offers a 4:3 aspect.
Despite having a smaller sensor, the G95 offers a higher resolution of 20.2 megapixels, compared with 17.9 MP of the T3i. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.31μm for the T3i). However, it should be noted that the G95 is much more recent (by 8 years and 1 month) than the T3i, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the G95 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon EOS Rebel T3i has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DC-G95 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Panasonic G95||Four Thirds||20.2||5184||3888||4K/30p||23.2||13.0||1273||75|
|13.||Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||23.3||13.1||1356||76|
|14.||Olympus E-M5 III||Four Thirds||20.2||5184||3888||4K/30p||23.3||13.1||1324||76|
|15.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||23.1||12.8||1163||74|
|16.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|17.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G95 provides a better video resolution than the T3i. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G95 has an electronic viewfinder (2360k dots), while the T3i has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G95 offers a wider field of view (100%) than the one in the T3i (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G95 has a higher magnification (0.74x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon T3i and Panasonic G95 in connection with corresponding information for a sample of similar cameras.
|1.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|2.||Panasonic G95||2360||n||3.0 / 1240||swivel||Y||1/4000s||9.0/s||Y||Y|
|3.||Canon SL2||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|4.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|7.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3/s||n||n|
|9.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|10.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|12.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|13.||Olympus E-M1 III||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|14.||Olympus E-M5 III||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|15.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0/s||Y||Y|
|16.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0/s||Y||Y|
|17.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G95 has a touchscreen, while the T3i has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G95 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G95 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the T3i and the G95 write their files to SDXC cards. The G95 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the T3i cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T3i and Panasonic Lumix DC-G95 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|2.||Panasonic G95||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|3.||Canon SL2||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|6.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|12.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Olympus E-M1 III||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|14.||Olympus E-M5 III||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|15.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|16.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|17.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
It is notable that the G95 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the T3i does not provide wifi capability.
The G95 is a recent model that features in the current product line-up of Panasonic. In contrast, the T3i has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the T3i was succeeded by the Canon T4i. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Canon T3i or the Panasonic G95 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS Rebel T3i:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (440 versus 290) on a single battery charge.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2011).
Reasons to prefer the Panasonic Lumix DC-G95:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.53x).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (9 vs 3.7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More modern: Reflects 8 years and 1 month of technical progress since the T3i launch.
If the number of relative strengths (bullet points above) is taken as a guide, the G95 is the clear winner of the contest (19 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T3i and the Panasonic G95 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the T3i or the G95. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|2.||Panasonic G95||4.5/5||+||4.5/5||83/100||4.5/5||4.5/5||Apr 2019||999|
|3.||Canon SL2||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|4.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|5.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|6.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|7.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|8.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599|
|9.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|10.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|11.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|12.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|13.||Olympus E-M1 III||5/5||..||5/5||83/100||4.5/5||4/5||Feb 2020||1,799|
|14.||Olympus E-M5 III||5/5||+||5/5||82/100||4.5/5||4.5/5||Oct 2019||1,199|
|15.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849|
|16.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|17.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon T3i vs Fujifilm X-T2
- Canon T3i vs Leica S Typ 007
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- Leica CL vs Panasonic G95
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Specifications: Canon T3i vs Panasonic G95
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T3i||Panasonic G95|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2011||April 2019|
|Launch Price||USD 599||USD 999|
|Sensor Specs||Canon T3i||Panasonic G95|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||20.2 Megapixels|
|Image Resolution||5184 x 3456 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.31 μm||3.34 μm|
|Pixel Density||5.39 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 12,800 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 4||Venus|
|DXO Sensor Quality (score)||65||..|
|DXO Color Depth (bits)||22.1||..|
|DXO Dynamic Range (EV)||11.5||..|
|DXO Low Light (ISO)||793||..|
|Screen Specs||Canon T3i||Panasonic G95|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1240k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon T3i||Panasonic G95|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3.7 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-II|
|Connectivity Specs||Canon T3i||Panasonic G95|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon T3i||Panasonic G95|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||440 shots per charge||290 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
133 x 100 x 80 mm
(5.2 x 3.9 x 3.1 in)
130 x 94 x 77 mm
(5.1 x 3.7 x 3.0 in)
|Camera Weight||570 g (20.1 oz)||536 g (18.9 oz)|
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