Canon T3 vs Sony A6300
The Canon EOS Rebel T3 (called Canon 1100D in some regions) and the Sony Alpha A6300 are two digital cameras that were revealed to the public, respectively, in February 2011 and February 2016. The T3 is a DSLR, while the A6300 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 12.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T3 and the Sony Alpha A6300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon T3 and the Sony A6300 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The A6300 can be obtained in two different colors (black, silver), while the T3 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is considerably smaller (38 percent) than the Canon T3. Moreover, the A6300 is markedly lighter (18 percent) than the T3. It is noteworthy in this context that the A6300 is splash and dust-proof, while the T3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T3) and the Sony E-Mount Lens Catalog (A6300). Mirrorless cameras, such as the A6300, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the T3 gets 700 shots out of its LP-E10 battery, while the A6300 can take 400 images on a single charge of its NP-FW50 power pack. The power pack in the A6300 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449||ebay.com|
|2.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||ebay.com|
|3.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399||amazon.com|
|4.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||ebay.com|
|5.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||ebay.com|
|6.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799||ebay.com|
|7.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429||ebay.com|
|8.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849||ebay.com|
|9.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599||ebay.com|
|10.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699||ebay.com|
|11.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449||ebay.com|
|12.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799||ebay.com|
|13.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799||ebay.com|
|14.||Sony A6400||120 mm||67 mm||50 mm||403 g||410||Y||Jan 2019||899||amazon.com|
|15.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399||ebay.com|
|16.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||ebay.com|
|17.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The T3 was launched at a markedly lower price (by 55 percent) than the A6300, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A6300 is 14 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (T3) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A6300 offers a higher resolution than the T3 (12.2MP), but the A6300 has smaller individual pixels (pixel pitch of 3.91μm versus 5.15μm for the T3). Yet, the A6300 is a much more recent model (by 4 years and 11 months) than the T3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6300 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon T3 are 21.4 x 14.2 inches or 54.3 x 36.2 cm for good quality, 17.1 x 11.4 inches or 43.4 x 28.9 cm for very good quality, and 14.2 x 9.5 inches or 36.2 x 24.1 cm for excellent quality prints.
The A6300 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel T3 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Alpha A6300 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6300 offers substantially better image quality than the T3 (overall score 23 points higher). The advantage is based on 2.5 bits higher color depth, 2.7 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|6.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|16.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6300 provides a better video resolution than the T3. It can shoot movie footage at 4K/30p, while the Canon is limited to 720/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6300 has an electronic viewfinder (2359k dots), while the T3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A6300 offers a wider field of view (100%) than the one in the T3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A6300 has a higher magnification (0.70x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon T3, the Sony A6300, and comparable cameras.
|1.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|2.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|3.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|5.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9/s||Y||Y|
|7.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2/s||Y||Y|
|8.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|9.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|10.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|11.||Canon XS||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|12.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5/s||Y||n|
|13.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|14.||Sony A6400||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||n|
|15.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||Y|
|16.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|17.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The T3 writes its imaging data to SDXC cards, while the A6300 uses SDXC or Memory Stick PRO Duo cards. The A6300 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T3 and Sony Alpha A6300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|5.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|6.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|11.||Canon XS||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Sony A6400||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|15.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the A6300 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the T3 does not provide wifi capability.
Both the T3 and the A6300 have been discontinued, but can regularly be found used on ebay. The T3 was replaced by the Canon T5, while the A6300 was followed by the Sony A6500. Further information on the features and operation of the T3 and A6300 can be found, respectively, in the Canon T3 Manual (free pdf) or the online Sony A6300 Manual.
So how do things add up? Which of the two cameras – the Canon T3 or the Sony A6300 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS Rebel T3:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (700 versus 400) on a single battery charge.
- More affordable: Was introduced into a lower priced category (55 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2011).
Reasons to prefer the Sony Alpha A6300:
- More detail: Has more megapixels (24 vs 12.2MP), which boosts linear resolution by 40%.
- Better image quality: Scores substantially higher (23 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.9 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.50x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (120x67mm vs 130x100mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 91g or 18 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 11 months of technical progress since the T3 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A6300 is the clear winner of the contest (25 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T3 and the Sony A6300 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the T3 or the A6300. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449||ebay.com|
|2.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999||ebay.com|
|3.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399||amazon.com|
|4.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199||ebay.com|
|5.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449||ebay.com|
|6.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799||ebay.com|
|7.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429||ebay.com|
|8.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849||ebay.com|
|9.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599||ebay.com|
|10.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699||ebay.com|
|11.||Canon XS||..||82/100||..||+ +||3.5/5||4.5/5||Jun 2008||449||ebay.com|
|12.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799||ebay.com|
|13.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799||ebay.com|
|14.||Sony A6400||4/5||+||4/5||85/100||4.5/5||4/5||Jan 2019||899||amazon.com|
|15.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399||ebay.com|
|16.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999||ebay.com|
|17.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds vs Sony A6300
- Canon 5D Mark IV vs Canon T3
- Canon G9 X Mark II vs Sony A6300
- Canon T2i vs Sony A6300
- Canon T3 vs Fujifilm X-A10
- Canon T3 vs Nikon D7000
- Canon T3 vs Panasonic FZ1000 II
- Canon T3 vs Sony A6100
- Canon T3 vs Sony A7 II
- Nikon D90 vs Sony A6300
- Olympus E-P5 vs Sony A6300
- Panasonic LX100 vs Sony A6300
Specifications: Canon T3 vs Sony A6300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T3||Sony A6300|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||February 2011||February 2016|
|Launch Price||USD 449||USD 999|
|Sensor Specs||Canon T3||Sony A6300|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.0 x 14.7 mm||23.5 x 15.6 mm|
|Sensor Area||323.4 mm2||366.6 mm2|
|Sensor Diagonal||26.5 mm||28.2 mm|
|Sensor Resolution||12.2 Megapixels||24 Megapixels|
|Image Resolution||4272 x 2848 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.15 μm||3.91 μm|
|Pixel Density||3.76 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/30p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 51,200 ISO|
|Image Processor||DIGIC 4||BIONZ X|
|DXO Sensor Quality (score)||62||85|
|DXO Color Depth (bits)||21.9||24.4|
|DXO Dynamic Range (EV)||11.0||13.7|
|DXO Low Light (ISO)||755||1437|
|Screen Specs||Canon T3||Sony A6300|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7inch||3.0inch|
|LCD Resolution||230k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon T3||Sony A6300|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||11 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||100 000 actuations|
|Electronic Shutter||no E-Shutter||YES|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon T3||Sony A6300|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon T3||Sony A6300|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||700 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
130 x 100 x 78 mm
(5.1 x 3.9 x 3.1 in)
120 x 67 x 49 mm
(4.7 x 2.6 x 1.9 in)
|Camera Weight||495 g (17.5 oz)||404 g (14.3 oz)|
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