Canon T2i vs Panasonic S1
The Canon EOS Rebel T2i (called Canon 550D in some regions) and the Panasonic Lumix DC-S1 are two digital cameras that were officially introduced, respectively, in February 2010 and February 2019. The T2i is a DSLR, while the S1 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T2i) and a full frame (S1) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T2i and the Panasonic Lumix DC-S1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon T2i and the Panasonic S1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1 is notably larger (30 percent) than the Canon T2i. Moreover, the S1 is substantially heavier (92 percent) than the T2i. It is noteworthy in this context that the S1 is splash and dust-proof, while the T2i does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the T2i gets 440 shots out of its LP-E8 battery, while the S1 can take 400 images on a single charge of its DMW-BLJ31 power pack. The power pack in the S1 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|2.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499|
|3.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499|
|4.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|5.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|6.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|7.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|8.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|9.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|10.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|11.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|12.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|13.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|14.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999|
|15.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699|
|16.||Panasonic S1H||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999|
|17.||Sony A900||156 mm||117 mm||82 mm||895 g||880||Y||Sep 2008||2,999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The T2i was launched at a markedly lower price (by 72 percent) than the S1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon T2i features an APS-C sensor and the Panasonic S1 a full frame sensor. The sensor area in the S1 is 155 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the S1 offers a higher resolution than the T2i (17.9MP), but the S1 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 4.31μm for the T2i) due to its larger sensor. Moreover, the S1 is a much more recent model (by 8 years and 11 months) than the T2i, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic S1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon T2i are 25.9 x 17.3 inches or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inches or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inches or 43.9 x 29.3 cm for excellent quality prints.
Unlike the T2i, the S1 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS Rebel T2i has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DC-S1 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the S1 offers substantially better image quality than the T2i (overall score 29 points higher). The advantage is based on 3.1 bits higher color depth, 3 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|3.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|14.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|15.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|16.||Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||25.2||14.2||2805||94|
|17.||Sony A900||Full Frame||24.4||6048||4032||none||23.7||12.3||1431||79|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S1 provides a better video resolution than the T2i. It can shoot movie footage at 4K/60p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the S1 has an electronic viewfinder (5760k dots), while the T2i has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the S1 offers a wider field of view (100%) than the one in the T2i (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the S1 has a higher magnification (0.78x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon T2i and Panasonic S1 along with similar information for a selection of comparators.
|1.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|2.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|3.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|4.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|6.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|7.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|9.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|10.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|11.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|12.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5/s||Y||n|
|13.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|14.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0/s||n||Y|
|15.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|16.||Panasonic S1H||5760||Y||3.2 / 2330||swivel||Y||1/8000s||9.0/s||n||Y|
|17.||Sony A900||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The T2i has one, while the S1 does not. While the built-in flash of the T2i is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic S1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The T2i writes its imaging data to SDXC cards, while the S1 uses SDXC or XQD cards. The S1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the T2i only has one slot. The S1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the T2i cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T2i and Panasonic Lumix DC-S1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|2.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|3.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|12.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|15.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|16.||Panasonic S1H||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|17.||Sony A900||Y||- / -||-||-||mini||2.0||-||-||-|
It is notable that the S1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the T2i does not provide wifi capability.
Studio photographers will appreciate that the Panasonic S1 (unlike the T2i) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S1 is a recent model that features in the current product line-up of Panasonic. In contrast, the T2i has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the T2i was succeeded by the Canon T3i. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Which of the two cameras – the Canon T2i or the Panasonic S1 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS Rebel T2i:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More compact: Is smaller (129x98mm vs 149x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 487g or 48 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (72 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2010).
Arguments in favor of the Panasonic Lumix DC-S1:
- More detail: Has more megapixels (24 vs 17.9MP), which boosts linear resolution by 16%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (29 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.1 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/60p vs 1080/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.54x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 3.7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More modern: Reflects 8 years and 11 months of technical progress since the T2i launch.
If the number of relative strengths (bullet points above) is taken as a guide, the S1 is the clear winner of the contest (33 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T2i and the Panasonic S1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the T2i or the S1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|2.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499|
|3.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499|
|4.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|5.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|6.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|7.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|8.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|9.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|10.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|11.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|12.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|13.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799|
|14.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999|
|15.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699|
|16.||Panasonic S1H||..||..||4/5||90/100||..||..||May 2019||3,999|
|17.||Sony A900||..||+ +||..||+ +||4.5/5||5/5||Sep 2008||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon M50 Mark II vs Panasonic S1
- Canon SX730 vs Canon T2i
- Canon T2i vs Nikon D3300
- Canon T2i vs Panasonic ZS200
- Canon T2i vs Panasonic ZS80
- Canon T2i vs Sony A77
- Canon T2i vs Sony RX10 III
- Nikon 1 J4 vs Panasonic S1
- Nikon D2Xs vs Panasonic S1
- Nikon D5000 vs Panasonic S1
- Nikon Z fc vs Panasonic S1
- Panasonic S1 vs Sony A9 II
Specifications: Canon T2i vs Panasonic S1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T2i||Panasonic S1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Leica L mount lenses|
|Launch Date||February 2010||February 2019|
|Launch Price||USD 699||USD 2,499|
|Sensor Specs||Canon T2i||Panasonic S1|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.3 x 14.9 mm||35.6 x 23.8 mm|
|Sensor Area||332.27 mm2||847.28 mm2|
|Sensor Diagonal||26.8 mm||42.8 mm|
|Sensor Resolution||17.9 Megapixels||24 Megapixels|
|Image Resolution||5184 x 3456 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.31 μm||5.94 μm|
|Pixel Density||5.39 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/60p Video|
|ISO Setting||100 - 6,400 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 12,800 ISO||50 - 204,800 ISO|
|Image Processor||DIGIC 4||Venus|
|DXO Sensor Quality (score)||66||95|
|DXO Color Depth (bits)||22.1||25.2|
|DXO Dynamic Range (EV)||11.5||14.5|
|DXO Low Light (ISO)||784||3333|
|Screen Specs||Canon T2i||Panasonic S1|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||2100k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon T2i||Panasonic S1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3.7 shutter flaps/s||9 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||400 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||UHS-II|
|Connectivity Specs||Canon T2i||Panasonic S1|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon T2i||Panasonic S1|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||440 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 98 x 62 mm
(5.1 x 3.9 x 2.4 in)
149 x 110 x 97 mm
(5.9 x 4.3 x 3.8 in)
|Camera Weight||530 g (18.7 oz)||1017 g (35.9 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.