Panasonic GM1 vs S1

The Panasonic Lumix DMC-GM1 and the Panasonic Lumix DC-S1 are two digital cameras that were announced, respectively, in October 2013 and February 2019. Both the GM1 and the S1 are mirrorless interchangeable lens cameras that are based on a Four Thirds (GM1) and a full frame (S1) sensor. The GM1 has a resolution of 15.8 megapixels, whereas the S1 provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic GM1		Panasonic S1
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Leica L mount lenses
15.8 MP – Four Thirds sensor		24 MP – Full Frame sensor
1080/60i Video		4K/60p Video
ISO 200-25,600		ISO 100-51,200 (50 - 204,800)
No viewfinder, LCD framing		Electronic viewfinder (5760k dots)
3.0" LCD – 1036k dots		3.2" LCD – 2100k dots
Fixed touchscreen		Fully flexible touchscreen
5 shutter flaps per second		9 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
230 shots per battery charge		400 shots per battery charge
99 x 55 x 30 mm, 204 g		149 x 110 x 97 mm, 1017 g

Check GM1 offers at
ebay.com
Check S1 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GM1 and the Panasonic Lumix DC-S1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic GM1 and the Panasonic S1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The GM1 can be obtained in three different colors (black, silver, red), while the S1 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1 is considerably larger (201 percent) than the Panasonic GM1. Moreover, the S1 is substantially heavier (399 percent) than the GM1. It is noteworthy in this context that the S1 is splash and dust-proof, while the GM1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GM1 gets 230 shots out of its Panasonic DMW-BLH7 battery, while the S1 can take 400 images on a single charge of its Panasonic DMW-BLJ31 power pack. The power pack in the S1 can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GM1	99 mm	55 mm	30 mm	204 g	230	n	Oct 2013	749	ebay.com
2.		Panasonic S1	149 mm	110 mm	97 mm	1017 g	400	Y	Feb 2019	2,499	amazon.com
3.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	2,499	amazon.com
4.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	1,999	amazon.com
5.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	3,699	amazon.com
6.		Panasonic S1H	151 mm	114 mm	110 mm	1052 g	400	Y	May 2019	3,999	amazon.com
7.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	749	ebay.com
8.		Panasonic LX100	115 mm	66 mm	55 mm	393 g	300	n	Sep 2014	899	ebay.com
9.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
10.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
11.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599	ebay.com
12.		Panasonic GH3	133 mm	93 mm	82 mm	550 g	540	Y	Sep 2012	1,299	ebay.com
13.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
14.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	699	ebay.com
15.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
16.		Ricoh GR	117 mm	61 mm	35 mm	245 g	290	n	Apr 2013	799	ebay.com
17.		Sony A900	156 mm	117 mm	82 mm	895 g	880	Y	Sep 2008	2,999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GM1 was launched at a markedly lower price (by 70 percent) than the S1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic GM1 features a Four Thirds sensor and the Panasonic S1 a full frame sensor. The sensor area in the S1 is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GM1 has a native 4:3 aspect ratio, while the one in the S1 offers a 3:2 aspect.

With 24MP, the S1 offers a higher resolution than the GM1 (15.8MP), but the S1 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.77μm for the GM1) due to its larger sensor. Moreover, the S1 is a much more recent model (by 5 years and 3 months) than the GM1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic S1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GM1 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

Unlike the GM1, the S1 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Panasonic Lumix DMC-GM1 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 125-25600. The corresponding ISO settings for the Panasonic Lumix DC-S1 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the S1 offers substantially better image quality than the GM1 (overall score 29 points higher). The advantage is based on 2.9 bits higher color depth, 2.8 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic GM1	Four Thirds	15.8	4592	3448	1080/60i	22.3	11.7	660	66
2.		Panasonic S1	Full Frame	24.0	6000	4000	4K/60p	25.2	14.5	3333	95
3.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
4.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
5.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
6.		Panasonic S1H	Full Frame	24.0	6000	4000	6K/30p	25.2	14.2	2805	94
7.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
8.		Panasonic LX100	Four Thirds	12.7	4112	3088	4K/30p	22.3	12.5	553	67
9.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
10.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
11.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
12.		Panasonic GH3	Four Thirds	15.9	4608	3456	1080/60p	22.7	12.4	812	71
13.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
14.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
15.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
16.		Ricoh GR	APS-C	16.1	4928	3264	1080/30p	23.6	13.5	972	78
17.		Sony A900	Full Frame	24.4	6048	4032	none	23.7	12.3	1431	79
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S1 provides a better video resolution than the GM1. It can shoot movie footage at 4K/60p, while the GM1 is limited to 1080/60i.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the S1 has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GM1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Panasonic GM1, the Panasonic S1, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic GM1	none	n	3.0 / 1036	fixed	Y	1/500s	5.0/s	Y	n
2.		Panasonic S1	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
3.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
4.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
5.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
6.		Panasonic S1H	5760	Y	3.2 / 2330	swivel	Y	1/8000s	9.0/s	n	Y
7.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
8.		Panasonic LX100	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
9.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
10.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
11.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
12.		Panasonic GH3	1746	n	3.0 / 614	swivel	Y	1/4000s	6.0/s	Y	n
13.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
14.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
15.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
16.		Ricoh GR	optional	n	3.0 / 1230	fixed	n	1/4000s	4.0/s	Y	n
17.		Sony A900	optical	Y	3.0 / 922	fixed	n	1/8000s	5.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The GM1 has one, while the S1 does not. While the built-in flash of the GM1 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GM1 and the Panasonic S1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GM1 writes its imaging data to SDXC cards, while the S1 uses SDXC or XQD cards. The S1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GM1 only has one slot. The S1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the GM1 can use UHS-I cards (up to 104 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GM1 and Panasonic Lumix DC-S1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic GM1	-	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Panasonic S1	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
3.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
4.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
5.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
6.		Panasonic S1H	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
7.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Panasonic LX100	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
9.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
10.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
11.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic GH3	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
13.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-
16.		Ricoh GR	Y	mono / mono	-	-	micro	2.0	-	-	-
17.		Sony A900	Y	- / -	-	-	mini	2.0	-	-	-

It is notable that the S1 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The GM1 lacks such a headphone port.

Studio photographers will appreciate that the Panasonic S1 (unlike the GM1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The S1 is a recent model that features in the current product line-up of Panasonic. In contrast, the GM1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GM1 was succeeded by the Panasonic GM5. Further information on the features and operation of the GM1 and S1 can be found, respectively, in the Panasonic GM1 Manual (free pdf) or the online Panasonic S1 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Panasonic GM1 and the Panasonic S1? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Panasonic Lumix DMC-GM1:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More compact: Is smaller (99x55mm vs 149x110mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 813g or 80 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in October 2013).

Arguments in favor of the Panasonic Lumix DC-S1:

• More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores substantially higher (29 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (2.9 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.8 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (2.3 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/60p vs 1080/60i).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 1036k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/500s) to freeze action.
• Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
• Longer lasting: Gets more shots (400 versus 230) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 5 years and 3 months of technical progress since the GM1 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the S1 is the clear winner of the contest (29 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic GM1 and the Panasonic S1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GM1 or the S1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic GM1	3/5	+	..	78/100	5/5	4.5/5	Oct 2013	749	ebay.com
2.		Panasonic S1	4.5/5	+ +	4.5/5	88/100	4.5/5	4/5	Feb 2019	2,499	amazon.com
3.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	2,499	amazon.com
4.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	1,999	amazon.com
5.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	3,699	amazon.com
6.		Panasonic S1H	..	..	4/5	90/100	..	..	May 2019	3,999	amazon.com
7.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	749	ebay.com
8.		Panasonic LX100	5/5	+ +	..	85/100	5/5	5/5	Sep 2014	899	ebay.com
9.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
10.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
11.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	599	ebay.com
12.		Panasonic GH3	5/5	+ +	..	79/100	4.5/5	4.5/5	Sep 2012	1,299	ebay.com
13.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
14.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	699	ebay.com
15.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
16.		Ricoh GR	5/5	..	..	79/100	4.5/5	4.5/5	Apr 2013	799	ebay.com
17.		Sony A900	..	+ +	..	+ +	4.5/5	5/5	Sep 2008	2,999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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