Canon SX730 vs Panasonic FZ2000
The Canon PowerShot SX730 HS and the Panasonic Lumix DMC-FZ2000 (labelled Panasonic FZ2500 in some countries) are two digital cameras that were revealed to the public, respectively, in April 2017 and September 2016. Both the SX730 and the FZ2000 are fixed lens compact cameras that are based on a 1/2.3-inch (SX730) and an one-inch (FZ2000) sensor. The Canon has a resolution of 20.2 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX730||Panasonic FZ2000|
|Fixed lens compact camera||Fixed lens compact camera|
|24-960mm f/3.3-6.9||24-480mm f/2.8-4.5|
|20.2 MP, 1/2.3" Sensor||20 MP, 1" Sensor|
|1080/60p Video||4K/30p Video|
|ISO 80-3200||ISO 125-12800 (80-25600)|
|No viewfinder, LCD framing||Electronic viewfinder (2360k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 1040k dots|
|Tilting screen (no touchscreen)||Swivel touchscreen|
|5.9 shutter flaps per second||12 shutter flaps per second|
|250 shots per battery charge||350 shots per battery charge|
|110 x 64 x 40 mm, 300 g||138 x 102 x 135 mm, 915 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX730 HS and the Panasonic Lumix DMC-FZ2000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Canon SX730 vs Panasonic FZ2000
The physical size and weight of the Canon SX730 and the Panasonic FZ2000 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The SX730 can be obtained in two different colors (black, silver), while the FZ2000 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2000 is considerably larger (100 percent) than the Canon SX730. Moreover, the FZ2000 is substantially heavier (205 percent) than the SX730. In this context, it is worth noting that neither the SX730 nor the FZ2000 are weather-sealed.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon SX730»||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Panasonic FZ2000«||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2000|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon SX70« »||5.0 in||3.6 in||4.6 in||21.4 oz||325||n||Sep 2018||549||Canon SX70|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||Canon G7 X Mark II|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Panasonic ZS80« »||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic ZS80|
|Panasonic TS7« »||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic TS7|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic ZS70|
|Panasonic FZ80« »||5.1 in||3.7 in||4.7 in||21.7 oz||330||n||Jan 2017||399||Panasonic FZ80|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Sony HX99« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||429||Sony HX95|
|Sony WX800« »||4.0 in||2.3 in||1.4 in||8.2 oz||370||n||Oct 2018||399||Sony WX800|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SX730 was launched at a markedly lower price (by 67 percent) than the FZ2000, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon SX730 vs Panasonic FZ2000
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX730 features a 1/2.3-inch sensor and the Panasonic FZ2000 an one-inch sensor. The sensor area in the FZ2000 is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the SX730 has a native 4:3 aspect ratio, while the one in the FZ2000 offers a 3:2 aspect.
Despite having a smaller sensor, the Canon SX730 offers a higher resolution of 20.2 megapixels, compared with 20 MP of the Panasonic FZ2000. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 2.41μm for the FZ2000). However, it should be noted that the SX730 is a somewhat more recent model (by 6 months) than the FZ2000, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the SX730 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon PowerShot SX730 HS has a native sensitivity range from ISO 80 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2000 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon SX730»||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Panasonic FZ2000«||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ2000|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon SX70« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX70|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Panasonic ZS80« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic ZS80|
|Panasonic TS7« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TS7|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic FZ80« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Panasonic FZ80|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Sony HX99« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX99|
|Sony HX95« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX95|
|Sony WX800« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony WX800|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ2000 provides a better video resolution than the SX730. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison: Canon SX730 vs Panasonic FZ2000
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ2000 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the SX730 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon SX730 and Panasonic FZ2000 along with similar information for a selection of comparators.
|Canon SX730»||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Panasonic FZ2000«||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2000|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon SX70« »||2360||n||3.0||922||swivel||n||1/2000s||10.0||Y||Y||Canon SX70|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Panasonic ZS80« »||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS80|
|Panasonic TS7« »||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic TS7|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Panasonic FZ80« »||1166||n||3.0||1040||fixed||Y||1/2000s||10||Y||Y||Panasonic FZ80|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Sony HX99« »||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony HX95« »||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony WX800« »||-||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony WX800|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y||Sony RX100 V|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ2000 has a touchscreen, while the SX730 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2000 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2000 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the SX730 and the FZ2000 have zoom lenses built in. The SX730 has a 24-960mm f/3.3-6.9 optic and the FZ2000 offers a 24-480mm f/2.8-4.5 (focal lengths in full frame equivalent terms). Hence, the Canon and Panasonic provide the same view at the wide-angle end, but the Panasonic has less tele-photo reach at the long end. The FZ2000 offers the faster maximum aperture.
Concerning the storage of imaging data, both the SX730 and the FZ2000 write their files to SDXC cards. The FZ2000 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX730 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison: Canon SX730 vs Panasonic FZ2000
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX730 HS and Panasonic Lumix DMC-FZ2000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SX730»||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Panasonic FZ2000«||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2000|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon SX70« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon SX70|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Panasonic ZS80« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS80|
|Panasonic TS7« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TS7|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic FZ80« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FZ80|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Sony HX99« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony HX95« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony WX800« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX10 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
It is notable that the FZ2000 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The SX730 does not feature such a mic input.
The FZ2000 is a recent model that features in the current product line-up of Panasonic. In contrast, the SX730 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the SX730 was succeeded by the Canon SX730 HS. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
Review summary: Canon SX730 vs Panasonic FZ2000
So how do things add up? Is there a clear favorite between the Canon SX730 and the Panasonic FZ2000? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot SX730 HS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (110x64mm vs 138x102mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 615g or 67 percent) and hence easier to carry around.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (67 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 6 months after the FZ2000).
Advantages of the Panasonic Lumix DMC-FZ2000:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/3200s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 5.9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.3).
- Longer lasting: Gets more shots (350 versus 250) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the FZ2000 is the clear winner of the contest (21 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX730 and the Panasonic FZ2000 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the SX730 or the FZ2000 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Canon SX730 vs Panasonic FZ2000
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SX730»||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Panasonic FZ2000«||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199||Panasonic FZ2000|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon SX70« »||-||-||3.5/5||-||3.5/5||Sep 2018||549||Canon SX70|
|Canon G7 X Mark II« »||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||Canon G7 X Mark II|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Panasonic ZS80« »||-||-||4.5/5||-||-||Feb 2019||449||Panasonic ZS80|
|Panasonic TS7« »||+||-||-||-||3.5/5||May 2018||449||Panasonic TS7|
|Panasonic ZS70« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic ZS70|
|Panasonic FZ80« »||+ +||-||4.5/5||-||4.5/5||Jan 2017||399||Panasonic FZ80|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Sony HX99« »||-||-||4/5||-||4.5/5||Aug 2018||449||Sony HX99|
|Sony HX95« »||-||-||-||-||-||Aug 2018||429||Sony HX95|
|Sony WX800« »||-||-||-||-||-||Oct 2018||399||Sony WX800|
|Sony RX100 V« »||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony RX10 II« »||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 2000D vs Panasonic FZ2000
- Canon 5D Mark III vs Panasonic FZ2000
- Canon SX730 vs Leica C-LUX
- Canon SX730 vs Nikon D850
- Canon SX730 vs Panasonic FZ330
- Canon SX730 vs Sony A6400
- Canon SX730 vs Sony A7S
- Canon XC10 vs Panasonic FZ2000
- Fujifilm X-E3 vs Panasonic FZ2000
- Fujifilm X-T100 vs Panasonic FZ2000
- Panasonic FZ2000 vs Panasonic ZS200
- Panasonic FZ2000 vs Sony A6300
Specifications: Canon SX730 vs Panasonic FZ2000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX730||Panasonic FZ2000|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-960mm f/3.3-6.9||24-480mm f/2.8-4.5|
|Launch Date||April 2017||September 2016|
|Launch Price||USD 399||USD 1199|
|Sensor Specs||Canon SX730||Panasonic FZ2000|
|Sensor Format||1/2.3" Sensor||1" Sensor|
|Sensor Size||6.17 x 4.55 mm||13.2 x 8.8 mm|
|Sensor Area||28.0735 mm2||116.16 mm2|
|Sensor Diagonal||7.7 mm||15.9 mm|
|Sensor Resolution||20.2 Megapixels||20 Megapixels|
|Image Resolution||5184 x 3888 pixels||5472 x 3648 pixels|
|Pixel Pitch||1.18 μm||2.41 μm|
|Pixel Density||71.80 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||80-3200 ISO||125-12800 ISO|
|ISO Boost||no Enhancement||80-25600 ISO|
|Image Processor||DIGIC 6||Venus|
|Screen Specs||Canon SX730||Panasonic FZ2000|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||1040k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX730||Panasonic FZ2000|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/3200/s||1/4000/s|
|Continuous Shooting||5.9 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX730||Panasonic FZ2000|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon SX730||Panasonic FZ2000|
|Battery Type||NB-13L power pack||DMW-BLC12 power pack|
|Battery Life (CIPA)||250 shots per charge||350 shots per charge|
110 x 64 x 40 mm
(4.3 x 2.5 x 1.6 in)
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
|Camera Weight||300 g (10.6 oz)||915 g (32.3 oz)|
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