Canon SX70 vs Panasonic L1
The Canon PowerShot SX70 HS and the Panasonic Lumix DMC-L1 are two digital cameras that were announced, respectively, in September 2018 and February 2006. The SX70 is a fixed lens compact, while the L1 is a DSLR. The cameras are based on a 1/2.3-inch (SX70) and a Four Thirds (L1) sensor. The Canon has a resolution of 20.2 megapixels, whereas the Panasonic provides 7.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX70 HS and the Panasonic Lumix DMC-L1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX70 and the Panasonic L1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L1 is notably larger (10 percent) than the Canon SX70. In this context, it is worth noting that neither the SX70 nor the L1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX70 has a lens built in, whereas the L1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the L1 and their specifications in the Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon SX70||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549||amazon.com|
|2.||Panasonic L1||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999||ebay.com|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399||amazon.com|
|4.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||ebay.com|
|5.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||ebay.com|
|6.||Canon 800D||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749||ebay.com|
|7.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529||ebay.com|
|8.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499||ebay.com|
|9.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399||ebay.com|
|10.||Canon 350D||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899||ebay.com|
|11.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499||ebay.com|
|12.||Leica Digilux 3||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499||ebay.com|
|13.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999||ebay.com|
|14.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799||ebay.com|
|15.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599||ebay.com|
|16.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449||ebay.com|
|17.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SX70 was launched at a lower price than the L1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX70 features a 1/2.3-inch sensor and the Panasonic L1 a Four Thirds sensor. The sensor area in the L1 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the Canon SX70 offers a higher resolution of 20.2 megapixels, compared with 7.4 MP of the Panasonic L1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 5.51μm for the L1). However, it should be noted that the SX70 is much more recent (by 12 years and 6 months) than the L1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the SX70 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon SX70 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SX70 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The Canon PowerShot SX70 HS has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DMC-L1 are ISO 100 to ISO 1600 (no boost).
In terms of underlying technology, the SX70 is build around a BSI-CMOS sensor, while the L1 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Panasonic L1||Four Thirds||7.4||3136||2352||none||20.8||10.4||80||52|
|7.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|12.||Leica Digilux 3||Four Thirds||7.4||3136||2352||none||21.0||10.6||127||53|
|13.||Olympus E-330||Four Thirds||7.4||3136||2352||none||20.8||10.4||73||52|
|14.||Olympus E-300||Four Thirds||8.0||3264||2448||none||20.4||10.1||-40||48|
|15.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The SX70 indeed provides movie recording capabilities, while the L1 does not. The highest resolution format that the SX70 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the SX70 has an electronic viewfinder (2360k dots), while the L1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon SX70, the Panasonic L1, and comparable cameras.
|1.||Canon SX70||2360||n||3.0 / 922||swivel||n||1/2000s||10.0/s||Y||Y|
|2.||Panasonic L1||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0/s||Y||Y|
|4.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|5.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|6.||Canon 800D||optical||n||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|7.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2/s||Y||Y|
|8.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1/s||Y||n|
|9.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9/s||Y||Y|
|10.||Canon 350D||optical||n||1.8 / 115||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0/s||Y||n|
|12.||Leica Digilux 3||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0/s||Y||n|
|14.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5/s||Y||n|
|15.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0/s||Y||n|
|16.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|17.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The SX70 writes its imaging data to SDXC cards, while the L1 uses SDHC cards. The SX70 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the L1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX70 HS and Panasonic Lumix DMC-L1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX70||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|2.||Panasonic L1||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon 800D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|7.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|8.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|9.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|10.||Canon 350D||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|12.||Leica Digilux 3||Y||stereo / mono||-||-||-||2.0||-||-||-|
|13.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|17.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
It is notable that the SX70 offers wifi support, while the L1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The SX70 is a recent model that features in the current product line-up of Canon. In contrast, the L1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the L1 was succeeded by the Panasonic L10. Further information on the features and operation of the SX70 and L1 can be found, respectively, in the Canon SX70 Manual (free pdf) or the online Panasonic L1 Manual.
So what conclusions can be drawn? Which of the two cameras – the Canon SX70 or the Panasonic L1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot SX70 HS:
- More detail: Offers more megapixels (20.2 vs 7.4MP) with a 65% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 207k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with a built-in lens, while the L1 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 12 years and 6 months of technical progress since the L1 launch.
Reasons to prefer the Panasonic Lumix DMC-L1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (750 versus 325) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in February 2006).
If the number of relative strengths (bullet points above) is taken as a guide, the SX70 is the clear winner of the match-up (16 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX70 and the Panasonic L1 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the SX70 and the L1 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX70||..||+ +||3.5/5||..||3.5/5||3.5/5||Sep 2018||549||amazon.com|
|2.||Panasonic L1||..||85/100||..||+||..||3.5/5||Feb 2006||999||ebay.com|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399||amazon.com|
|4.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899||ebay.com|
|5.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549||ebay.com|
|6.||Canon 800D||4.5/5||..||3.5/5||80/100||4.5/5||4/5||Feb 2017||749||ebay.com|
|7.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529||ebay.com|
|8.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499||ebay.com|
|9.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399||ebay.com|
|10.||Canon 350D||..||80/100||..||+ +||o||..||Feb 2005||899||ebay.com|
|11.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499||ebay.com|
|12.||Leica Digilux 3||..||..||..||..||..||..||Sep 2006||1,499||ebay.com|
|13.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999||ebay.com|
|14.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799||ebay.com|
|15.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599||ebay.com|
|16.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449||ebay.com|
|17.||Sony HX95||..||..||..||..||..||..||Aug 2018||429||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D vs Canon SX70
- Canon 850D vs Canon SX70
- Canon M50 vs Panasonic L1
- Canon R3 vs Canon SX70
- Canon SX70 vs Fujifilm X-A2
- Canon SX70 vs Nikon B600
- Canon SX70 vs Ricoh GR IIIx
- Fujifilm X-T200 vs Panasonic L1
- Nikon 1 V1 vs Panasonic L1
- Nikon D1X vs Panasonic L1
- Panasonic L1 vs Sony A6100
- Panasonic L1 vs Sony A99 II
Specifications: Canon SX70 vs Panasonic L1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX70||Panasonic L1|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||21-1365mm f/3.4-6.5||Four Thirds lenses|
|Launch Date||September 2018||February 2006|
|Launch Price||USD 549||USD 999|
|Sensor Specs||Canon SX70||Panasonic L1|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||20.2 Megapixels||7.4 Megapixels|
|Image Resolution||5184 x 3888 pixels||3136 x 2352 pixels|
|Pixel Pitch||1.18 μm||5.51 μm|
|Pixel Density||71.80 MP/cm2||3.28 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||100 - 3,200 ISO||100 - 1,600 ISO|
|Image Processor||DIGIC 8||Venus|
|Screen Specs||Canon SX70||Panasonic L1|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.5inch|
|LCD Resolution||922k dots||207k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Canon SX70||Panasonic L1|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon SX70||Panasonic L1|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon SX70||Panasonic L1|
|Battery Life (CIPA)||325 shots per charge||750 shots per charge|
127 x 91 x 117 mm
(5.0 x 3.6 x 4.6 in)
146 x 87 x 64 mm
(5.7 x 3.4 x 2.5 in)
|Camera Weight||608 g (21.4 oz)||606 g (21.4 oz)|
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