Canon SX620 vs Sony NEX-7
The Canon PowerShot SX620 HS and the Sony Alpha NEX-7 are two digital cameras that were officially introduced, respectively, in May 2016 and August 2011. The SX620 is a fixed lens compact, while the NEX-7 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX620) and an APS-C (NEX-7) sensor. The Canon has a resolution of 20.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX620||Sony NEX-7|
|Fixed lens compact camera||Mirrorless system camera|
|25-625mm f/3.2-6.6||Sony E mount lenses|
|20.2 MP, 1/2.3" Sensor||24 MP, APS-C Sensor|
|1080/30p Video||1080/60i Video|
|ISO 80-3200||ISO 100-16000|
|No viewfinder, LCD framing||Electronic viewfinder (2359k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 921k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|2.5 shutter flaps per second||10 shutter flaps per second|
|295 shots per battery charge||430 shots per battery charge|
|97 x 57 x 28 mm, 182 g||120 x 67 x 43 mm, 400 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX620 HS and the Sony Alpha NEX-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon SX620 and the Sony NEX-7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The SX620 can be obtained in three different colors (black, silver, red), while the NEX-7 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is considerably larger (45 percent) than the Canon SX620. In this context, it is worth noting that neither the SX620 nor the NEX-7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX620 has a lens built in, whereas the NEX-7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-7 and their specifications in the Sony E-Mount Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon SX620»||3.8 in||2.2 in||1.1 in||6.4 oz||295||n||May 2016||279||Canon SX620|
|Sony NEX-7«||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||Sony NEX-7|
|Canon G9 X Mark II« »||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||Canon SX730|
|Canon SX420« »||4.1 in||2.7 in||3.3 in||11.5 oz||195||n||Jan 2016||299||Canon SX420|
|Canon SX540« »||4.7 in||3.2 in||3.6 in||15.6 oz||205||n||Jan 2016||399||Canon SX540|
|Canon SX720« »||4.3 in||2.5 in||1.4 in||9.5 oz||250||n||Feb 2016||379||Canon SX720|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||Canon G9 X|
|Canon SX410« »||4.1 in||2.7 in||3.3 in||11.5 oz||185||n||Feb 2015||279||Canon SX410|
|Canon SX610« »||4.1 in||2.4 in||1.1 in||6.7 oz||270||n||Jan 2015||249||Canon SX610|
|Canon SX710« »||4.4 in||2.6 in||1.4 in||9.5 oz||230||n||Jan 2015||349||Canon SX710|
|Canon SX600« »||4.1 in||2.4 in||1.0 in||6.6 oz||290||n||Jan 2014||249||Canon SX600|
|Fujifilm X100« »||5.0 in||3.0 in||2.1 in||15.7 oz||300||n||Sep 2010||1,199||Fujifilm X100|
|Sony A6400« »||4.7 in||2.6 in||2.0 in||14.2 oz||410||n||Jan 2019||899||Sony A6400|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||Sony A6000|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||Sony A3000|
|Sony RX1« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Sep 2012||2,799||Sony RX1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX620 was launched at a lower price than the NEX-7, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX620 features a 1/2.3-inch sensor and the Sony NEX-7 an APS-C sensor. The sensor area in the NEX-7 is 1204 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the SX620 has a native 4:3 aspect ratio, while the one in the NEX-7 offers a 3:2 aspect.
With 24MP, the NEX-7 offers a higher resolution than the SX620 (20.2MP), but the NEX-7 nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 1.18μm for the SX620) due to its larger sensor. However, the SX620 is a much more recent model (by 4 years and 8 months) than the NEX-7, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the SX620 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony NEX-7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-7 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon SX620 are 25.9 x 19.4 inch or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inch or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inch or 43.9 x 32.9 cm for excellent quality prints.
The Canon PowerShot SX620 HS has a native sensitivity range from ISO 80 to ISO 3200. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon SX620||1/2.3||20.2||5184||3888||1080/30p||..||..||..||..||Canon SX620|
|Sony NEX-7||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
|Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon SX730||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Canon SX730|
|Canon SX420||1/2.3||19.9||5152||3864||720/25p||..||..||..||..||Canon SX420|
|Canon SX540||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Canon SX540|
|Canon SX720||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Canon SX720|
|Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon SX410||1/2.3||19.9||5152||3864||720/25p||..||..||..||..||Canon SX410|
|Canon SX610||1/2.3||20.2||5184||3888||1080/30p||..||..||..||..||Canon SX610|
|Canon SX710||1/2.3||20.2||5184||3888||1080/60p||..||..||..||..||Canon SX710|
|Canon SX600||1/2.3||15.9||4608||3456||1080/30p||..||..||..||..||Canon SX600|
|Fujifilm X100||APS-C||12.2||4288||2848||720/30p||22.9||12.4||1001||73||Fujifilm X100|
|Sony A6400||APS-C||24.0||6000||4000||4K/30p||24||13.6||1431||83||Sony A6400|
|Sony A6000||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A3000||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93||Sony RX1|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the NEX-7 provides a faster frame rate than the SX620. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the NEX-7 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the SX620 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon SX620 and Sony NEX-7 along with similar information for a selection of comparators.
|Canon SX620||none||n||3.0||922||fixed||n||1/2000s||2.5||Y||Y||Canon SX620|
|Sony NEX-7||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
|Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Canon SX730||none||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon SX420||none||n||3.0||230||fixed||n||1/4000s||0.5||Y||Y||Canon SX420|
|Canon SX540||none||n||3.0||461||fixed||n||1/2000s||5.9||Y||Y||Canon SX540|
|Canon SX720||none||n||3.0||922||fixed||n||1/3200s||5.9||Y||Y||Canon SX720|
|Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y||Canon G9 X|
|Canon SX410||none||n||3.0||230||fixed||n||1/4000s||0.5||Y||Y||Canon SX410|
|Canon SX610||none||n||3.0||922||fixed||n||1/2000s||2.5||Y||Y||Canon SX610|
|Canon SX710||none||n||3.0||922||fixed||n||1/3200s||6.0||Y||Y||Canon SX710|
|Canon SX600||none||n||3.0||461||fixed||n||1/2000s||3.9||Y||Y||Canon SX600|
|Fujifilm X100||1440||n||2.8||460||fixed||n||1/4000s||5.0||Y||n||Fujifilm X100|
|Sony A6400||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6400|
|Sony A6000||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A3000||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Sony RX1||optional||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1|
The SX620 writes its imaging data to SDXC cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX620 HS and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SX620||-||mono||mono||-||-||micro||2.0||Y||Y||-||Canon SX620|
|Sony NEX-7||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
|Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon SX730||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon SX420||-||mono||mono||-||-||none||2.0||Y||Y||-||Canon SX420|
|Canon SX540||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon SX540|
|Canon SX720||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon SX720|
|Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon SX410||-||stereo||mono||-||-||none||2.0||-||-||-||Canon SX410|
|Canon SX610||-||none||none||-||-||micro||2.0||Y||Y||-||Canon SX610|
|Canon SX710||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon SX710|
|Canon SX600||-||mono||mono||-||-||micro||2.0||Y||Y||-||Canon SX600|
|Fujifilm X100||Y||stereo||none||-||-||mini||2.0||-||-||-||Fujifilm X100|
|Sony A6400||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6400|
|Sony A6000||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A3000||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony RX1||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1|
It is notable that the SX620 offers wifi support, while the NEX-7 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The SX620 is a recent model that features in the current product line-up of Canon. In contrast, the NEX-7 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the NEX-7 from Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Which of the two cameras – the Canon SX620 or the Sony NEX-7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon PowerShot SX620 HS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has a lens built-in, whereas the NEX-7 requires a separate lens.
- More compact: Is smaller (97x57mm vs 120x67mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the NEX-7).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 4 years and 8 months of technical progress since the NEX-7 launch.
Advantages of the Sony Alpha NEX-7:
- More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 2.5 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (430 versus 295) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in August 2011).
If the number of relative strengths (bullet points above) is taken as a guide, the NEX-7 is the clear winner of the contest (16 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX620 and the Sony NEX-7 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX620 or the NEX-7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1Ds Mark III vs Canon SX620
- Canon G7 X Mark II vs Sony NEX-7
- Canon SX620 vs Canon SX710
- Canon SX620 vs Fujifilm X100F
- Canon SX620 vs Nikon B500
- Canon SX620 vs Panasonic FZ1000 II
- Canon SX620 vs Panasonic GF7
- Canon SX620 vs Pentax K-1
- Canon SX620 vs Sony RX0 II
- Canon SX620 vs YI M1
- Fujifilm X-T3 vs Sony NEX-7
- Sony H300 vs Sony NEX-7
Specifications: Canon SX620 vs Sony NEX-7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX620||Sony NEX-7|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-625mm f/3.2-6.6||Sony E mount lenses|
|Launch Date||May 2016||August 2011|
|Launch Price||USD 279||USD 1349|
|Sensor Specs||Canon SX620||Sony NEX-7|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.4 x 15.6 mm|
|Sensor Area||28.0735 mm2||365.04 mm2|
|Sensor Diagonal||7.7 mm||28.1 mm|
|Sensor Resolution||20.2 Megapixels||24 Megapixels|
|Image Resolution||5184 x 3888 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.18 μm||3.90 μm|
|Pixel Density||71.80 MP/cm2||6.57 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||80-3200 ISO||100-16000 ISO|
|Image Processor||DIGIC 4+||BIONZ|
|DXO Sensor Quality (score)||..||81|
|DXO Color Depth (bits)||..||24.1|
|DXO Dynamic Range (EV)||..||13.4|
|DXO Low Light (ISO)||..||1016|
|Screen Specs||Canon SX620||Sony NEX-7|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon SX620||Sony NEX-7|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/4000/s|
|Continuous Shooting||2.5 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon SX620||Sony NEX-7|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon SX620||Sony NEX-7|
|Battery Life (CIPA)||295 shots per charge||430 shots per charge|
97 x 57 x 28 mm
(3.8 x 2.2 x 1.1 in)
120 x 67 x 43 mm
(4.7 x 2.6 x 1.7 in)
|Camera Weight||182 g (6.4 oz)||400 g (14.1 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.