Olympus PEN-F vs Sony NEX-7
The Olympus PEN-F and the Sony Alpha NEX-7 are two enthusiast cameras that were announced, respectively, in January 2016 and August 2011. Both the PEN-F and the NEX-7 are mirrorless interchangeable lens cameras that are based on a Four Thirds (PEN-F) and an APS-C (NEX-7) sensor. The Olympus has a resolution of 20.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus PEN-F and the Sony Alpha NEX-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus PEN-F and the Sony NEX-7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The PEN-F can be obtained in two different colors (black, silver), while the NEX-7 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is notably smaller (11 percent) than the Olympus PEN-F. Moreover, the NEX-7 is markedly lighter (6 percent) than the PEN-F. In this context, it is worth noting that neither the PEN-F nor the NEX-7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (PEN-F) and the Sony E-Mount Lens Catalog (NEX-7). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|2.||Sony NEX-7||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349|
|3.||Olympus E-M10 III||122 mm||84 mm||50 mm||410 g||330||n||Aug 2017||649|
|4.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|5.||Olympus E-PL8||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549|
|6.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|7.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|8.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|9.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|10.||Panasonic GX80||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|11.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|12.||Sony A6400||120 mm||67 mm||50 mm||403 g||410||Y||Jan 2019||899|
|13.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|14.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|15.||Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329|
|16.||Sony NEX-6||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999|
|17.||Sony RX1||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The PEN-F was launched at a somewhat lower price (by 11 percent) than the NEX-7, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus PEN-F features a Four Thirds sensor and the Sony NEX-7 an APS-C sensor. The sensor area in the NEX-7 is 62 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the PEN-F has a native 4:3 aspect ratio, while the one in the NEX-7 offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the NEX-7 offers a higher resolution than the PEN-F (20.2MP), but the NEX-7 nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 3.34μm for the PEN-F) due to its larger sensor. However, the PEN-F is a much more recent model (by 4 years and 5 months) than the NEX-7, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the PEN-F has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony NEX-7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus PEN-F are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
Unlike the NEX-7, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus PEN-F has a native sensitivity range from ISO 80 to ISO 25600. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the NEX-7 has a markedly higher DXO score than the PEN-F (overall score 7 points higher), which will translate into better image quality. The advantage is based on 1 bits higher color depth, 1 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|3.||Olympus E-M10 III||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..|
|4.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|5.||Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|6.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|7.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|8.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|9.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|10.||Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|11.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|17.||Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the PEN-F provides a higher frame rate than the NEX-7. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the PEN-F offers a slightly higher resolution than the one in the NEX-7 (2360k vs 2359k dots). The table below summarizes some of the other core capabilities of the Olympus PEN-F and Sony NEX-7 in connection with corresponding information for a sample of similar cameras.
|1.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|2.||Sony NEX-7||2359||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||n|
|3.||Olympus E-M10 III||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.6||Y||Y|
|4.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|5.||Olympus E-PL8||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|6.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|7.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|8.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|9.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|10.||Panasonic GX80||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|11.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|12.||Sony A6400||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||n|
|13.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
|14.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|15.||Sony A3000||202||n||3.0 / 230||fixed||n||1/4000s||2.5||Y||n|
|16.||Sony NEX-6||2359||n||3.0 / 921||tilting||n||1/4000s||10.0||Y||n|
|17.||Sony RX1||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0||Y||n|
One feature that differentiates the PEN-F and the NEX-7 is in-body image stabilization (IBIS). The PEN-F reduces the risk of handshake-induced blur with all attached lenses, while the NEX-7 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The PEN-F has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the NEX-7 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the PEN-F is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus PEN-F has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The PEN-F writes its imaging data to SDXC cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards. The PEN-F supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the NEX-7 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus PEN-F and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony NEX-7||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|3.||Olympus E-M10 III||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|4.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|5.||Olympus E-PL8||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Panasonic GX80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|12.||Sony A6400||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|13.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|14.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony A3000||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony NEX-6||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|17.||Sony RX1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the PEN-F offers wifi support, while the NEX-7 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the PEN-F and the NEX-7 have been discontinued, but can regularly be found used on eBay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Olympus and Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So how do things add up? Is the Olympus PEN-F better than the Sony NEX-7 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Olympus PEN-F:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- More detailed LCD: Has a higher resolution rear screen (1037k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
- More affordable: Was introduced into a lower priced segment (11 percent cheaper at launch).
- More modern: Reflects 4 years and 5 months of technical progress since the NEX-7 launch.
Reasons to prefer the Sony Alpha NEX-7:
- More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores markedly higher (7 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1 EV of extra DR).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.62x).
- More compact: Is smaller (120x67mm vs 125x72mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (430 versus 330) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More heavily discounted: Has been around for much longer (launched in August 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the PEN-F is the clear winner of the match-up (15 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus PEN-F and the Sony NEX-7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the PEN-F or the NEX-7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199|
|2.||Sony NEX-7||5/5||+ +||..||81/100||4.5/5||5/5||Aug 2011||1,349|
|3.||Olympus E-M10 III||..||+||5/5||80/100||4.5/5||4.5/5||Aug 2017||649|
|4.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|5.||Olympus E-PL8||..||..||..||..||4.5/5||4/5||Sep 2016||549|
|6.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|7.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|8.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|9.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|10.||Panasonic GX80||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|11.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|12.||Sony A6400||4/5||+||4/5||85/100||4.5/5||4/5||Jan 2019||899|
|13.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|14.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|15.||Sony A3000||3/5||+||..||..||4/5||4/5||Aug 2013||329|
|16.||Sony NEX-6||5/5||+ +||..||78/100||4.5/5||4.5/5||Sep 2012||999|
|17.||Sony RX1||5/5||..||..||79/100||4/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Olympus PEN-F vs Sony NEX-7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus PEN-F||Sony NEX-7|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||January 2016||August 2011|
|Launch Price||USD 1,199||USD 1,349|
|Sensor Specs||Olympus PEN-F||Sony NEX-7|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.4 x 15.6 mm|
|Sensor Area||224.9 mm2||365.04 mm2|
|Sensor Diagonal||21.6 mm||28.1 mm|
|Sensor Resolution||20.2 Megapixels||24 Megapixels|
|Image Resolution||5184 x 3888 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.34 μm||3.90 μm|
|Pixel Density||8.96 MP/cm2||6.57 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||80 - 25,600 ISO||100 - 16,000 ISO|
|Image Processor||TruePic VII||BIONZ|
|DXO Sensor Quality (score)||74||81|
|DXO Color Depth (bits)||23.1||24.1|
|DXO Dynamic Range (EV)||12.4||13.4|
|DXO Low Light (ISO)||894||1016|
|Screen Specs||Olympus PEN-F||Sony NEX-7|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1037k dots||921k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Olympus PEN-F||Sony NEX-7|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||no|
|Connectivity Specs||Olympus PEN-F||Sony NEX-7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Olympus PEN-F||Sony NEX-7|
|Battery Life (CIPA)||330 shots per charge||430 shots per charge|
125 x 72 x 37 mm
(4.9 x 2.8 x 1.5 in)
120 x 67 x 43 mm
(4.7 x 2.6 x 1.7 in)
|Camera Weight||427 g (15.1 oz)||400 g (14.1 oz)|
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