Panasonic FZ330 vs Sony NEX-7

The Panasonic Lumix DMC-FZ330 (called Panasonic FZ300 in some regions) and the Sony Alpha NEX-7 are two digital cameras that were officially introduced, respectively, in July 2015 and August 2011. The FZ330 is a fixed lens compact, while the NEX-7 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (FZ330) and an APS-C (NEX-7) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic FZ330		Sony NEX-7
Fixed lens compact camera		Mirrorless system camera
25-600mm f/2.8		Sony E mount lenses
12 MP – 1/2.3" sensor		24 MP – APS-C sensor
4K/30p Video		1080/60i Video
ISO 100-6,400		ISO 100-16,000
Electronic viewfinder (1440k dots)		Electronic viewfinder (2359k dots)
3.0" LCD – 1040k dots		3.0" LCD – 921k dots
Swivel touchscreen		Tilting screen (no touchscreen)
12 shutter flaps per second		10 shutter flaps per second
Weathersealed body		not weather sealed
380 shots per battery charge		430 shots per battery charge
132 x 92 x 117 mm, 691 g		120 x 67 x 43 mm, 400 g

Check FZ330 price at
amazon.com
Check NEX-7 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-FZ330 and the Sony Alpha NEX-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic FZ330 and the Sony NEX-7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is considerably smaller (34 percent) than the Panasonic FZ330. It is worth mentioning in this context that the FZ330 is splash and dust resistant, while the NEX-7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ330 has a lens built in, whereas the NEX-7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-7 and their specifications in the Sony E-Mount Lens Catalog.

Concerning battery life, the FZ330 gets 380 shots out of its Panasonic DMW-BLC12 battery, while the NEX-7 can take 430 images on a single charge of its Sony NP-FW50 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FZ330	132 mm	92 mm	117 mm	691 g	380	Y	Jul 2015	599	amazon.com
2.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349	ebay.com
3.		Canon G3 X	123 mm	77 mm	105 mm	733 g	300	Y	Jun 2015	999	ebay.com
4.		Canon SX60	128 mm	93 mm	114 mm	650 g	340	n	Sep 2014	549	ebay.com
5.		Fujifilm X30	119 mm	72 mm	60 mm	423 g	470	n	Aug 2014	599	ebay.com
6.		Fujifilm X100	126 mm	75 mm	54 mm	445 g	300	n	Sep 2010	1,199	ebay.com
7.		Leica X-U Typ 113	140 mm	79 mm	88 mm	635 g	450	Y	Jan 2016	2,950	ebay.com
8.		Panasonic FZ1000	137 mm	99 mm	131 mm	831 g	360	n	Jun 2014	899	ebay.com
9.		Panasonic LX100	115 mm	66 mm	55 mm	393 g	300	n	Sep 2014	899	ebay.com
10.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
11.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	499	ebay.com
12.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	499	ebay.com
13.		Sony A6400	120 mm	67 mm	50 mm	403 g	410	Y	Jan 2019	899	amazon.com
14.		Sony RX10 II	129 mm	88 mm	102 mm	813 g	400	Y	Jun 2015	1,299	ebay.com
15.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
16.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
17.		Sony RX1	113 mm	65 mm	70 mm	482 g	270	n	Sep 2012	2,799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ330 was launched at a lower price than the NEX-7, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic FZ330 features a 1/2.3-inch sensor and the Sony NEX-7 an APS-C sensor. The sensor area in the NEX-7 is 1204 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the FZ330 has a native 4:3 aspect ratio, while the one in the NEX-7 offers a 3:2 aspect.

With 24MP, the NEX-7 offers a higher resolution than the FZ330 (12MP), but the NEX-7 nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 1.53μm for the FZ330) due to its larger sensor. However, the FZ330 is a much more recent model (by 3 years and 10 months) than the NEX-7, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the FZ330 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony NEX-7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ330 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Panasonic Lumix DMC-FZ330 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).

In terms of underlying technology, the FZ330 is build around a BSI-CMOS sensor, while the NEX-7 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the NEX-7 offers substantially better image quality than the FZ330 (overall score 43 points higher). The advantage is based on 4.8 bits higher color depth, 2.4 EV in additional dynamic range, and 3.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic FZ330	1/2.3	12.0	4000	3000	4K/30p	19.3	11.0	97	38
2.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
3.		Canon G3 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	521	63
4.		Canon SX60	1/2.3	14.2	4608	3072	1080/60p	19.2	10.8	127	39
5.		Fujifilm X30	2/3	12.0	4000	3000	1080/60p	20.4	11.2	-312	49
6.		Fujifilm X100	APS-C	12.2	4288	2848	720/30p	22.9	12.4	1001	73
7.		Leica X-U Typ 113	APS-C	16.1	4928	3264	1080/30p	23.8	13.0	1614	80
8.		Panasonic FZ1000	1-inch	20.0	5472	3648	4K/30p	22.1	11.7	517	64
9.		Panasonic LX100	Four Thirds	12.7	4112	3088	4K/30p	22.3	12.5	553	67
10.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
11.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
12.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
13.		Sony A6400	APS-C	24.0	6000	4000	4K/30p	24.0	13.6	1431	83
14.		Sony RX10 II	1-inch	20.0	5472	3648	4K/30p	23.0	12.6	531	70
15.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
16.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
17.		Sony RX1	Full Frame	24.0	6000	4000	1080/60p	25.1	14.3	2534	93
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ330 provides a higher video resolution than the NEX-7. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the NEX-7 offers a substantially higher resolution than the one in the FZ330 (2359k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Panasonic FZ330, the Sony NEX-7, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic FZ330	1440	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
2.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
3.		Canon G3 X	optional	n	3.2 / 1620	tilting	Y	1/2000s	5.9/s	Y	Y
4.		Canon SX60	922	n	3.0 / 922	swivel	n	1/2000s	6.4/s	Y	Y
5.		Fujifilm X30	2360	n	3.0 / 920	tilting	n	1/4000s	12.0/s	Y	Y
6.		Fujifilm X100	1440	n	2.8 / 460	fixed	n	1/4000s	5.0/s	Y	n
7.		Leica X-U Typ 113	optional	n	3.0 / 920	fixed	n	1/2000s	5.0/s	Y	n
8.		Panasonic FZ1000	2359	n	3.0 / 921	swivel	n	1/4000s	12.0/s	Y	Y
9.		Panasonic LX100	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
10.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
11.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
12.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
13.		Sony A6400	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
14.		Sony RX10 II	2359	Y	3.0 / 1229	tilting	n	1/3200s	14.0/s	Y	Y
15.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
16.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
17.		Sony RX1	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ330 has a touchscreen, while the NEX-7 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ330 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic FZ330 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The FZ330 writes its imaging data to SDXC cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards. The FZ330 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-7 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-FZ330 and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic FZ330	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
2.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-
3.		Canon G3 X	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
4.		Canon SX60	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
5.		Fujifilm X30	Y	stereo / mono	-	-	micro	2.0	Y	-	-
6.		Fujifilm X100	Y	stereo / -	-	-	mini	2.0	-	-	-
7.		Leica X-U Typ 113	Y	stereo / mono	-	-	-	2.0	-	-	-
8.		Panasonic FZ1000	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
9.		Panasonic LX100	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
10.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
11.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
12.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
13.		Sony A6400	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
14.		Sony RX10 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Sony RX1	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the FZ330 offers wifi support, while the NEX-7 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

The FZ330 is a recent model that features in the current product line-up of Panasonic. In contrast, the NEX-7 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the NEX-7 from Sony. Further information on the features and operation of the FZ330 and NEX-7 can be found, respectively, in the Panasonic FZ330 Manual (free pdf) or the online Sony NEX-7 Manual.

Review summary

So how do things add up? Which of the two cameras – the Panasonic FZ330 or the Sony NEX-7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Panasonic Lumix DMC-FZ330:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
• More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Has a lens built-in, whereas the NEX-7 requires a separate lens.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 3 years and 10 months of technical progress since the NEX-7 launch.

Arguments in favor of the Sony Alpha NEX-7:

• More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Scores substantially higher (43 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (4.8 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.4 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (3.4 stops ISO advantage).
• More detailed viewfinder: Has higher resolution electronic viewfinder (2359k vs 1440k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.70x).
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• More compact: Is smaller (120x67mm vs 132x92mm) and will fit more readily into a bag.
• Longer lasting: Gets more shots (430 versus 380) out of a single battery charge.
• More heavily discounted: Has been around for much longer (launched in August 2011).

If the count of relative strengths (bullet points above) is taken as a measure, the FZ330 is the clear winner of the match-up (16 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic FZ330 and the Sony NEX-7 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the FZ330 and the NEX-7 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic FZ330	..	+ +	..	..	4.5/5	4.5/5	Jul 2015	599	amazon.com
2.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349	ebay.com
3.		Canon G3 X	3.5/5	+	..	..	4.5/5	4/5	Jun 2015	999	ebay.com
4.		Canon SX60	3/5	+ +	..	75/100	4/5	4.5/5	Sep 2014	549	ebay.com
5.		Fujifilm X30	4/5	..	..	76/100	4.5/5	4.5/5	Aug 2014	599	ebay.com
6.		Fujifilm X100	3/5	..	..	75/100	4/5	5/5	Sep 2010	1,199	ebay.com
7.		Leica X-U Typ 113	3.5/5	..	..	..	..	3.5/5	Jan 2016	2,950	ebay.com
8.		Panasonic FZ1000	4/5	+ +	..	82/100	4.5/5	4.5/5	Jun 2014	899	ebay.com
9.		Panasonic LX100	5/5	+ +	..	85/100	5/5	5/5	Sep 2014	899	ebay.com
10.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
11.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	499	ebay.com
12.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	499	ebay.com
13.		Sony A6400	4/5	+	4/5	85/100	4.5/5	4/5	Jan 2019	899	amazon.com
14.		Sony RX10 II	5/5	+ +	..	82/100	4.5/5	4/5	Jun 2015	1,299	ebay.com
15.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
16.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
17.		Sony RX1	5/5	..	..	79/100	4/5	4.5/5	Sep 2012	2,799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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