Canon SX420 vs Fujifilm GFX 50S
The Canon PowerShot SX420 IS and the Fujifilm GFX 50S are two digital cameras that were announced, respectively, in January 2016 and September 2016. The SX420 is a fixed lens compact, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX420) and a medium format (GFX 50S) sensor. The Canon has a resolution of 19.9 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX420 IS and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon SX420 and the Fujifilm GFX 50S. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The SX420 can be obtained in two different colors (black, red), while the GFX 50S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is considerably larger (94 percent) than the Canon SX420. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the SX420 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX420 has a lens built in, whereas the GFX 50S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon SX420||104 mm||69 mm||85 mm||325 g||195||n||Jan 2016||299|
|2.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|3.||Canon SX430||104 mm||69 mm||85 mm||323 g||195||n||Jan 2017||299|
|4.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|5.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|6.||Canon SX620||97 mm||57 mm||28 mm||182 g||295||n||May 2016||279|
|7.||Canon SX720||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379|
|8.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|9.||Canon SX410||104 mm||69 mm||85 mm||325 g||185||n||Feb 2015||279|
|10.||Canon SX610||105 mm||61 mm||27 mm||191 g||270||n||Jan 2015||249|
|11.||Canon SX710||113 mm||66 mm||35 mm||269 g||230||n||Jan 2015||349|
|12.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999|
|13.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|14.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750|
|15.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|16.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|17.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SX420 was launched at a lower price than the GFX 50S, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX420 features a 1/2.3-inch sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 5086 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 51.1MP, the GFX 50S offers a higher resolution than the SX420 (19.9MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 1.19μm for the SX420) due to its larger sensor. Moreover, the GFX 50S is a somewhat more recent model (by 8 months) than the SX420, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon SX420 are 25.8 x 19.3 inches or 65.4 x 49.1 cm for good quality, 20.6 x 15.5 inches or 52.3 x 39.3 cm for very good quality, and 17.2 x 12.9 inches or 43.6 x 32.7 cm for excellent quality prints.
The Canon PowerShot SX420 IS has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|5.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|8.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||227||61|
|12.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|13.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||25.7||14.4||3169||98|
|14.||Hasselblad X1D II||Medium Format||51.3||8272||6200||none||25.7||14.5||3234||99|
|15.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|16.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GFX 50S provides a better video resolution than the SX420. It can shoot movie footage at 1080/30p, while the Canon is limited to 720/25p.
Apart from body and sensor, cameras can and do differ across a variety of features. The SX420 and the GFX 50S are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The table below summarizes some of the other core capabilities of the Canon SX420 and Fujifilm GFX 50S in connection with corresponding information for a sample of similar cameras.
|1.||Canon SX420||none||n||3.0 / 230||fixed||n||1/4000s||0.5/s||Y||Y|
|2.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||n|
|3.||Canon SX430||none||n||3.0 / 230||fixed||n||1/4000s||0.5/s||Y||Y|
|4.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9/s||Y||Y|
|5.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|6.||Canon SX620||none||n||3.0 / 922||fixed||n||1/2000s||2.5/s||Y||Y|
|7.||Canon SX720||none||n||3.0 / 922||fixed||n||1/3200s||5.9/s||Y||Y|
|8.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9/s||Y||Y|
|9.||Canon SX410||none||n||3.0 / 230||fixed||n||1/4000s||0.5/s||Y||Y|
|10.||Canon SX610||none||n||3.0 / 922||fixed||n||1/2000s||2.5/s||Y||Y|
|11.||Canon SX710||none||n||3.0 / 922||fixed||n||1/3200s||6.0/s||Y||Y|
|12.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||Y|
|13.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0/s||n||n|
|14.||Hasselblad X1D II||3690||n||3.6 / 2360||fixed||Y||1/2000s||2.7/s||n||n|
|15.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0/s||n||n|
|16.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0/s||n||n|
|17.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The SX420 has one, while the GFX 50S does not. While the built-in flash of the SX420 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SX420 and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX420 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the SX420 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX420 IS and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX420||-||mono / mono||-||-||-||2.0||Y||Y||-|
|2.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|3.||Canon SX430||-||mono / mono||-||-||-||2.0||Y||Y||-|
|4.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|5.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Canon SX620||-||mono / mono||-||-||micro||2.0||Y||Y||-|
|7.||Canon SX720||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|9.||Canon SX410||-||stereo / mono||-||-||-||2.0||-||-||-|
|10.||Canon SX610||-||- / -||-||-||micro||2.0||Y||Y||-|
|11.||Canon SX710||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|12.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|13.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|14.||Hasselblad X1D II||Y||stereo / mono||Y||Y||-||3.0||Y||-||-|
|15.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|16.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|17.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
It is notable that the GFX 50S has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The SX420 does not feature such a mic input.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the SX420) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the SX420 and the GFX 50S have been discontinued, but can regularly be found used on eBay. The SX420 was replaced by the Canon SX430, while the GFX 50S was followed by the Fujifilm GFX 50S II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what is the bottom line? Is there a clear favorite between the Canon SX420 and the Fujifilm GFX 50S? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon PowerShot SX420 IS:
- Ready to shoot: Has a lens built-in, whereas the GFX 50S requires a separate lens.
- More compact: Is smaller (104x69mm vs 148x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GFX 50S).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in January 2016).
Advantages of the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 19.9MP), which boosts linear resolution by 60%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/30p vs 720/25p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 230k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (3 vs 0.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (400 versus 195) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Was introduced somewhat (8 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the contest (26 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX420 and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the SX420 and the GFX 50S in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX420||..||..||..||..||..||3/5||Jan 2016||299|
|2.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499|
|3.||Canon SX430||..||..||..||..||3.5/5||3.5/5||Jan 2017||299|
|4.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399|
|5.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|6.||Canon SX620||..||..||..||..||..||4/5||May 2016||279|
|7.||Canon SX720||..||+||..||..||4/5||4.5/5||Feb 2016||379|
|8.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|9.||Canon SX410||..||o||..||..||..||..||Feb 2015||279|
|10.||Canon SX610||..||..||..||..||4/5||4/5||Jan 2015||249|
|11.||Canon SX710||..||+||..||..||4/5||3.5/5||Jan 2015||349|
|12.||Fujifilm GFX 50S II||5/5||..||5/5||87/100||..||5/5||Sep 2021||3,999|
|13.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|14.||Hasselblad X1D II||..||..||4/5||..||4/5||4/5||Jun 2019||5,750|
|15.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|16.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450|
|17.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark III vs Canon SX420
- Canon G9 X Mark II vs Canon SX420
- Canon SX420 vs Canon XC10
- Canon SX420 vs Nikon 1 J4
- Canon SX420 vs Nikon P950
- Canon SX420 vs Pentax K-1 II
- Fujifilm GFX 50S II
- Fujifilm GFX 50S vs Nikon D3X
- Fujifilm GFX 50S vs Nikon D750
- Fujifilm GFX 50S vs Olympus E-M5 II
- Fujifilm GFX 50S vs Panasonic GM5
- Fujifilm GFX 50S vs Panasonic TZ200
Specifications: Canon SX420 vs Fujifilm GFX 50S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX420||Fujifilm GFX 50S|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-1008mm f/3.5-6.6||Fujifilm G mount lenses|
|Launch Date||January 2016||September 2016|
|Launch Price||USD 299||USD 6,499|
|Sensor Specs||Canon SX420||Fujifilm GFX 50S|
|Sensor Format||1/2.3" Sensor||Medium Format Sensor|
|Sensor Size||6.17 x 4.55 mm||44.0 x 33.0 mm|
|Sensor Area||28.0735 mm2||1452 mm2|
|Sensor Diagonal||7.7 mm||55 mm|
|Sensor Resolution||19.9 Megapixels||51.1 Megapixels|
|Image Resolution||5152 x 3864 pixels||8256 x 6192 pixels|
|Pixel Pitch||1.19 μm||5.33 μm|
|Pixel Density||70.91 MP/cm2||3.52 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||720/25p Video||1080/30p Video|
|ISO Setting||100 - 1,600 ISO||100 - 12,800 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||DIGIC 4+||X Processor Pro|
|Screen Specs||Canon SX420||Fujifilm GFX 50S|
|Viewfinder Type||no viewfinder||Viewfinder optional|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||230k dots||2360k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX420||Fujifilm GFX 50S|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||0.5 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Canon SX420||Fujifilm GFX 50S|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon SX420||Fujifilm GFX 50S|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||195 shots per charge||400 shots per charge|
104 x 69 x 85 mm
(4.1 x 2.7 x 3.3 in)
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
|Camera Weight||325 g (11.5 oz)||740 g (26.1 oz)|
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