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Fujifilm GFX 50S vs Olympus E-M1 II

The Fujifilm GFX 50S and the Olympus OM-D E-M1 Mark II are two digital cameras that were officially introduced in September 2016. Both the GFX 50S and the E-M1 II are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50S) and a Four Thirds (E-M1 II) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Olympus provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 50S VS Olympus E-M1 II
Fujifilm GFX 50S Olympus E-M1 II
Mirrorless system camera Mirrorless system camera
Fujifilm G mount lenses Micro Four Thirds lenses
51.1 MP, Medium Format Sensor 20.2 MP, Four Thirds Sensor
1080/30p Video 4K/30p Video
ISO 100-12800 (50-102400) ISO 200-25600
Viewfinder optional Electronic viewfinder (2360k dots)
3.2" LCD, 2360k dots 3.0" LCD, 1037k dots
Fully flexible touchscreen Swivel touchscreen
3 shutter flaps per second 18 shutter flaps per second
Lens stabilization onlyIn-body stabilization
Weathersealed bodyWeathersealed body
400 shots per battery charge440 shots per battery charge
148 x 94 x 91 mm, 740 g 134 x 91 x 67 mm, 574 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Olympus OM-D E-M1 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 50S and the Olympus E-M1 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

Size Fujifilm GFX 50S vs Olympus E-M1 II
Compare GFX 50S versus E-M1 II top
Comparison GFX 50S or E-M1 II rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 II is notably smaller (12 percent) than the Fujifilm GFX 50S. Moreover, the E-M1 II is markedly lighter (22 percent) than the GFX 50S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50S gets 400 shots out of its NP-T125 battery, while the E-M1 II can take 440 images on a single charge of its BLH-1 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Camera
Model
 
Fujifilm GFX 50S» 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 iFujifilm GFX 50S
 
Olympus E-M1 II« 5.3 in 3.6 in 2.6 in 20.2 oz 440 Y Sep 2016 1,999iOlympus E-M1 II
 
Canon 6D Mark II« » 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 iCanon 6D Mark II
 
Canon 1D X Mark II« » 6.2 in 6.6 in 3.3 in 54.0 oz 1210 Y Feb 2016 5,999iCanon 1D X Mark II
 
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 iCanon 5D Mark IV
 
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199iCanon 80D
 
Fujifilm GFX 50R« » 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 iFujifilm GFX 50R
 
Hasselblad X1D II« » 5.8 in 3.8 in 2.8 in 27.0 oz .. Y Jun 2019 5,750 iHasselblad X1D II
 
Hasselblad X1D« » 5.9 in 3.9 in 2.8 in 25.6 oz .. Y Jun 2016 8,995iHasselblad X1D
 
Leica M10« » 5.5 in 3.1 in 1.5 in 23.3 oz 210 Y Jan 2017 6,595 iLeica M10
 
Leica SL« » 5.8 in 4.1 in 1.5 in 29.9 oz 400 Y Oct 2015 7,450iLeica SL
 
Nikon D7500« » 5.4 in 4.1 in 2.9 in 25.4 oz 950 Y Apr 2017 1,299 iNikon D7500
 
Olympus E-M1 III« » 5.3 in 3.6 in 2.7 in 20.5 oz 420 Y Feb 2020 1,799 iOlympus E-M1 III
 
Olympus E-M1« » 5.1 in 3.7 in 2.5 in 17.5 oz 350 Y Sep 2013 1,399iOlympus E-M1
 
Panasonic G9« » 5.4 in 3.8 in 3.6 in 23.2 oz 400 Y Nov 2017 1,699 iPanasonic G9
 
Panasonic GH5« » 5.5 in 3.9 in 3.4 in 25.6 oz 410 Y Jan 2017 1,999 iPanasonic GH5
 
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199iPanasonic GX8
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-M1 II was launched at a markedly lower price (by 69 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Olympus E-M1 II a Four Thirds sensor. The sensor area in the E-M1 II is 85 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

In terms of underlying technology, both cameras are build around CMOS sensors.

Fujifilm GFX 50S and Olympus E-M1 II sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the E-M1 II (20.2MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.34μm for the E-M1 II) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Olympus E-M1 II are 25.9 x 19.4 inch or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inch or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inch or 43.9 x 32.9 cm for excellent quality prints.

The E-M1 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the GFX 50S, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus OM-D E-M1 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.

GFX 50S versus E-M1 II MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p........Fujifilm GFX 50S
 
Olympus E-M1 II Four Thirds 20.2 5184 38884K/30p23.712.8131280Olympus E-M1 II
 
Canon 6D Mark II Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
 
Canon 1D X Mark II Full Frame 20.0 5472 36484K/60p24.113.5320788Canon 1D X Mark II
 
Canon 5D Mark IV Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
 
Canon 80D APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p........Fujifilm GFX 50R
 
Hasselblad X1D II Medium Format 51.3 8272 6200none........Hasselblad X1D II
 
Hasselblad X1D Medium Format 51.3 8272 62001080/25p26.214.84489102Hasselblad X1D
 
Leica M10 Full Frame 23.8 5952 3992none24.413.2213386Leica M10
 
Leica SL Full Frame 24.0 6000 40004K/30p25.013.4182188Leica SL
 
Nikon D7500 APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500
 
Olympus E-M1 III Four Thirds 20.2 5184 38884K/30p........Olympus E-M1 III
 
Olympus E-M1 Four Thirds 15.9 4608 34561080/30p23.012.775773Olympus E-M1
 
Panasonic G9 Four Thirds 20.2 5184 38884K/60p........Panasonic G9
 
Panasonic GH5 Four Thirds 20.2 5184 38884K/60p23.913.080777Panasonic GH5
 
Panasonic GX8 Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-M1 II provides a better video resolution than the GFX 50S. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

 

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-M1 II has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Fujifilm GFX 50S and Olympus E-M1 II along with similar information for a selection of comparators.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Fujifilm GFX 50Soptional Y 3.2 2360 full-flex Y 1/4000s 3.0 n n Fujifilm GFX 50S
 
Olympus E-M1 II2360 n 3.0 1037 swivel Y 1/8000s 18.0 n Y Olympus E-M1 II
 
Canon 6D Mark IIoptical Y 3.0 1040 swivel Y 1/4000s 6.5 n n Canon 6D Mark II
 
Canon 1D X Mark IIoptical Y 3.2 1620 fixed Y 1/8000s 16.0 n n Canon 1D X Mark II
 
Canon 5D Mark IVoptical Y 3.2 1620 fixed Y 1/8000s 7.0 n n Canon 5D Mark IV
 
Canon 80Doptical Y 3.0 1040 swivel Y 1/8000s 7.0 Y n Canon 80D
 
Fujifilm GFX 50R3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n Fujifilm GFX 50R
 
Hasselblad X1D II3690 n 3.6 2360 fixed Y 1/2000s 2.7 n n Hasselblad X1D II
 
Hasselblad X1D2360 n 3.0 920 fixed Y 1/2000s 2.3 n n Hasselblad X1D
 
Leica M10optical n 3.0 1037 fixed n 1/4000s 5.0 n n Leica M10
 
Leica SL4400 Y 3.0 1040 fixed Y 1/8000s 11.0 n n Leica SL
 
Nikon D7500optical Y 3.2 922 tilting Y 1/8000s 8.0 Y n Nikon D7500
 
Olympus E-M1 III2360 n 3.0 1037 swivel Y 1/8000s 18.0 n Y Olympus E-M1 III
 
Olympus E-M12360 n 3.0 1037 tilting Y 1/8000s 10.0 n Y Olympus E-M1
 
Panasonic G93680 Y 3.0 1040 swivel Y 1/8000s 20.0 n Y Panasonic G9
 
Panasonic GH53680 n 3.2 1620 swivel Y 1/8000s 12.0 n Y Panasonic GH5
 
Panasonic GX82360 n 3.0 1040 swivel Y 1/8000s 10.0 n Y Panasonic GX8

One feature that is present on the GFX 50S, but is missing on the E-M1 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The E-M1 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 50S does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S and the Olympus E-M1 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 50S and the E-M1 II write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. However, while the GFX 50S supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s) on both slots, the E-M1 II supports UHS-II only on its first slot and UHS-I (data transfer speed up to 104 MB/s) on the second one.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Olympus OM-D E-M1 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Fujifilm GFX 50SYstereomonoYYmicro3.0Y--Fujifilm GFX 50S
 
Olympus E-M1 IIYstereomonoYYmicro3.0Y--Olympus E-M1 II
 
Canon 6D Mark IIYstereomonoY-mini2.0YYYCanon 6D Mark II
 
Canon 1D X Mark IIYmonomonoYYmini3.0---Canon 1D X Mark II
 
Canon 5D Mark IVYmonomonoYYmini3.0YY-Canon 5D Mark IV
 
Canon 80DYstereomonoYYmini2.0YY-Canon 80D
 
Fujifilm GFX 50RYstereomonoYYmicro3.0Y-YFujifilm GFX 50R
 
Hasselblad X1D IIYstereomonoYYnone3.0Y--Hasselblad X1D II
 
Hasselblad X1DYstereomonoYYmini3.0Y--Hasselblad X1D
 
Leica M10Ynonenone--nonenoneY--Leica M10
 
Leica SLYstereomonoYYfull3.0Y--Leica SL
 
Nikon D7500YstereomonoYYmini2.0Y-YNikon D7500
 
Olympus E-M1 IIIYstereomonoYYmicro3.1Y-YOlympus E-M1 III
 
Olympus E-M1YstereomonoY-micro2.0Y--Olympus E-M1
 
Panasonic G9YstereomonoYYfull3.0Y-YPanasonic G9
 
Panasonic GH5YstereomonoYYfull3.1Y-YPanasonic GH5
 
Panasonic GX8YstereomonoY-micro2.0YY-Panasonic GX8

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the E-M1 II has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-M1 II was succeeded by the Olympus E-M1 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.

Review summary

So what is the bottom line? Is the Fujifilm GFX 50S better than the Olympus E-M1 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.

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Advantages of the Fujifilm GFX 50S:

  • More detail: Offers more megapixels (51.1 vs 20.2MP) with a 59% higher linear resolution.
  • Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
  • Richer colors: The pixel size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1037k dots).

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Arguments in favor of the Olympus OM-D E-M1 Mark II:

  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (18 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (134x91mm vs 148x94mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 166g or 22 percent) and is thus easier to take along.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).

If the count of individual advantages (bullet points above) is taken as a guide, the E-M1 II emerges as the winner of the match-up (11 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 50S 08:11 E-M1 II

How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Olympus E-M1 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 50S and the E-M1 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cam
era
  labs  
dp
re
  view  
e
photo
  zine  
ima
ging
resource
photo
graphy
  blog  
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Camera
Model
 
Fujifilm GFX 50S..85/1005/55/54.5/5 Sep 2016 6,499 iFujifilm GFX 50S
 
Olympus E-M1 II+ +85/1004.5/55/54.5/5 Sep 2016 1,999iOlympus E-M1 II
 
Canon 6D Mark II+80/1004.5/54/54/5 Jun 2017 1,999 iCanon 6D Mark II
 
Canon 1D X Mark II..89/1004.5/55/54.5/5 Feb 2016 5,999iCanon 1D X Mark II
 
Canon 5D Mark IV+ +87/1004.5/55/54.5/5 Aug 2016 3,499 iCanon 5D Mark IV
 
Canon 80D+ +84/1004.5/54.5/54.5/5 Feb 2016 1,199iCanon 80D
 
Fujifilm GFX 50R..84/1004.5/54.5/54.5/5 Sep 2018 4,499 iFujifilm GFX 50R
 
Hasselblad X1D II....4/5.... Jun 2019 5,750 iHasselblad X1D II
 
Hasselblad X1Do81/100....4/5 Jun 2016 8,995iHasselblad X1D
 
Leica M10....4/5..4.5/5 Jan 2017 6,595 iLeica M10
 
Leica SL..84/1004.5/54/54/5 Oct 2015 7,450iLeica SL
 
Nikon D7500+ +86/1005/54.5/54.5/5 Apr 2017 1,299 iNikon D7500
 
Olympus E-M1 III....4.5/5..4/5 Feb 2020 1,799 iOlympus E-M1 III
 
Olympus E-M1+ +84/1004.5/54.5/54.5/5 Sep 2013 1,399iOlympus E-M1
 
Panasonic G9+ +85/1005/55/55/5 Nov 2017 1,699 iPanasonic G9
 
Panasonic GH5+ +85/1004.5/55/55/5 Jan 2017 1,999 iPanasonic GH5
 
Panasonic GX8+82/1004.5/55/54.5/5 Jul 2015 1,199iPanasonic GX8
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Fujifilm GFX 50S:
Check Amazon price
Olympus E-M1 II:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Fujifilm GFX 50S vs Olympus E-M1 II

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 50S Olympus E-M1 II
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Fujifilm G mount lenses Micro Four Thirds lenses
    Launch Date September 2016 September 2016
    Launch Price USD 6499 USD 1999
    Sensor Specs Fujifilm GFX 50S Olympus E-M1 II
    Sensor Technology CMOS CMOS
    Sensor Format Medium Format Sensor Four Thirds Sensor
    Sensor Size 44.0 x 33.0 mm 17.3 x 13.0 mm
    Sensor Area 1452 mm2 224.9 mm2
    Sensor Diagonal 55 mm 21.6 mm
    Crop Factor 0.79x 2.0x
    Sensor Resolution 51.1 Megapixels 20.2 Megapixels
    Image Resolution 8256 x 6192 pixels 5184 x 3888 pixels
    Pixel Pitch 5.33 μm 3.34 μm
    Pixel Density 3.52 MP/cm2 8.96 MP/cm2
    Moiré control no AA filter no AA filter
    Movie Capability 1080/30p Video 4K/30p Video
    ISO Setting 100-12800 ISO 200-25600 ISO
    ISO Boost 50-102400 ISO 64-25600 ISO
    Image Processor X Processor Pro TruePic VIII
    DXO Sensor Quality (score) .. 80
    DXO Color Depth (bits) .. 23.7
    DXO Dynamic Range (EV) .. 12.8
    DXO Low Light (ISO) .. 1312
    Screen Specs Fujifilm GFX 50S Olympus E-M1 II
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.74x
    Viewfinder Resolution 2360k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2 inch 3.0 inch
    LCD Resolution 2360k dots 1037k dots
    LCD Attachment Fully flexible screen Swivel screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Fujifilm GFX 50S Olympus E-M1 II
    Focus System Contrast-detect AF On-Sensor Phase-detect
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/8000/s
    Continuous Shooting 3 shutter flaps/s 18 shutter flaps/s
    Electronic Shutterup to 1/16000sup to 1/32000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Dual card slots Dual card slots
    UHS card support Dual UHS-II Single UHS-II
    Connectivity Specs Fujifilm GFX 50S Olympus E-M1 II
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket PC Sync socket
    USB Connector USB 3.0 USB 3.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Body Specs Fujifilm GFX 50S Olympus E-M1 II
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type NP-T125 BLH-1
    Battery Life (CIPA)400 shots per charge440 shots per charge
    Body Dimensions 148 x 94 x 91 mm
    (5.8 x 3.7 x 3.6 in)
    134 x 91 x 67 mm
    (5.3 x 3.6 x 2.6 in)
    Camera Weight 740 g (26.1 oz) 574 g (20.2 oz)

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