Canon SL1 vs Panasonic GM5

The Canon EOS Rebel SL1 (called Canon 100D in some regions) and the Panasonic Lumix DMC-GM5 are two digital cameras that were announced, respectively, in March 2013 and September 2014. The SL1 is a DSLR, while the GM5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (SL1) and a Four Thirds (GM5) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon SL1		Panasonic GM5
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Micro Four Thirds lenses
17.9 MP – APS-C sensor		15.8 MP – Four Thirds sensor
1080/30p Video		1080/60p Video
ISO 100-12,800 (100 - 25,600)		ISO 200-25,600
Optical viewfinder		Electronic viewfinder (1166k dots)
3.0" LCD – 1040k dots		3.0" LCD – 921k dots
Fixed touchscreen		Fixed touchscreen
4.9 shutter flaps per second		5.8 shutter flaps per second
380 shots per battery charge		220 shots per battery charge
117 x 91 x 69 mm, 407 g		99 x 60 x 36 mm, 211 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel SL1 and the Panasonic Lumix DMC-GM5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon SL1 and the Panasonic GM5. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

The SL1 can be obtained in two different colors (black, white), while the GM5 is also available in two color-versions, but different ones (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GM5 is considerably smaller (44 percent) than the Canon SL1. Moreover, the GM5 is substantially lighter (48 percent) than the SL1. In this context, it is worth noting that neither the SL1 nor the GM5 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (SL1) and the Micro Four Thirds Lens Catalog (GM5). Mirrorless cameras, such as the GM5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the SL1 gets 380 shots out of its LP-E12 battery, while the GM5 can take 220 images on a single charge of its DMW-BLH7 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon SL1	117 mm	91 mm	69 mm	407 g	380	n	Mar 2013	549	ebay.com
2.		Panasonic GM5	99 mm	60 mm	36 mm	211 g	220	n	Sep 2014	749	ebay.com
3.		Canon T100	129 mm	102 mm	77 mm	436 g	500	n	Feb 2018	399	amazon.com
4.		Canon SL2	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	549	ebay.com
5.		Canon T6	129 mm	101 mm	78 mm	485 g	500	n	Mar 2016	449	ebay.com
6.		Canon M10	108 mm	67 mm	35 mm	301 g	255	n	Oct 2015	499	ebay.com
7.		Canon T5	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	449	ebay.com
8.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	549	ebay.com
9.		Canon T5i	133 mm	100 mm	79 mm	580 g	440	n	Mar 2013	649	ebay.com
10.		Canon M	109 mm	66 mm	32 mm	298 g	230	n	Jul 2012	599	ebay.com
11.		Canon T4i	133 mm	100 mm	79 mm	575 g	440	n	Jun 2012	849	ebay.com
12.		Canon T3i	133 mm	100 mm	80 mm	570 g	440	n	Feb 2011	599	ebay.com
13.		Panasonic G7	125 mm	86 mm	77 mm	410 g	350	n	May 2015	649	ebay.com
14.		Panasonic G6	122 mm	85 mm	71 mm	390 g	340	n	Apr 2013	599	ebay.com
15.		Panasonic GM1	99 mm	55 mm	30 mm	204 g	230	n	Oct 2013	749	ebay.com
16.		Panasonic GX1	116 mm	68 mm	39 mm	318 g	320	n	Nov 2011	699	ebay.com
17.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SL1 was launched at a markedly lower price (by 27 percent) than the GM5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon SL1 features an APS-C sensor and the Panasonic GM5 a Four Thirds sensor. The sensor area in the GM5 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the SL1 has a native 3:2 aspect ratio, while the one in the GM5 offers a 4:3 aspect.

With 17.9MP, the SL1 offers a higher resolution than the GM5 (15.8MP), but the SL1 nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.77μm for the GM5) due to its larger sensor. However, the GM5 is a somewhat more recent model (by 1 year and 5 months) than the SL1, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon SL1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SL1 for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic GM5 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The SL1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS Rebel SL1 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GM5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon SL1	APS-C	17.9	5184	3456	1080/30p	21.8	11.3	843	63
2.		Panasonic GM5	Four Thirds	15.8	4592	3448	1080/60p	22.1	11.7	721	66
3.		Canon T100	APS-C	17.9	5184	3456	1080/30p	21.9	11.4	695	63
4.		Canon SL2	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
5.		Canon T6	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	781	66
6.		Canon M10	APS-C	17.9	5184	3456	1080/30p	22.2	11.4	753	65
7.		Canon T5	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
8.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
9.		Canon T5i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	681	61
10.		Canon M	APS-C	17.9	5184	3456	1080/30p	22.1	11.2	827	65
11.		Canon T4i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	722	62
12.		Canon T3i	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	793	65
13.		Panasonic G7	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.4	904	71
14.		Panasonic G6	Four Thirds	15.9	4608	3456	1080/60p	21.3	11.5	639	61
15.		Panasonic GM1	Four Thirds	15.8	4592	3448	1080/60i	22.3	11.7	660	66
16.		Panasonic GX1	Four Thirds	15.8	4592	3448	1080/60p	20.8	10.6	703	55
17.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GM5 provides a faster frame rate than the SL1. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GM5 has an electronic viewfinder (1166k dots), while the SL1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GM5 offers a wider field of view (100%) than the one in the SL1 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the SL1 has a higher magnification (0.54x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon SL1 and Panasonic GM5 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon SL1	optical	n	3.0 / 1040	fixed	Y	1/4000s	4.9/s	Y	n
2.		Panasonic GM5	1166	n	3.0 / 921	fixed	Y	1/500s	5.8/s	n	n
3.		Canon T100	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
4.		Canon SL2	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
5.		Canon T6	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
6.		Canon M10	none	n	3.0 / 1040	tilting	Y	1/4000s	4.6/s	Y	n
7.		Canon T5	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
8.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
9.		Canon T5i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
10.		Canon M	none	n	3.0 / 1040	fixed	Y	1/4000s	4.3/s	n	n
11.		Canon T4i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
12.		Canon T3i	optical	n	3.0 / 1040	swivel	n	1/4000s	3.7/s	Y	n
13.		Panasonic G7	2360	n	3.0 / 1040	swivel	Y	1/4000s	7.0/s	Y	n
14.		Panasonic G6	1440	n	3.0 / 1036	swivel	Y	1/4000s	7.0/s	Y	n
15.		Panasonic GM1	none	n	3.0 / 1036	fixed	Y	1/500s	5.0/s	Y	n
16.		Panasonic GX1	optional	n	3.0 / 460	fixed	Y	1/4000s	4.2/s	Y	n
17.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The SL1 has one, while the GM5 does not. While the built-in flash of the SL1 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GM5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the SL1 and the GM5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel SL1 and Panasonic Lumix DMC-GM5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon SL1	Y	mono / mono	Y	-	mini	2.0	-	-	-
2.		Panasonic GM5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Canon T100	Y	mono / mono	-	-	mini	2.0	Y	Y	-
4.		Canon SL2	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
5.		Canon T6	Y	mono / mono	-	-	mini	2.0	Y	Y	-
6.		Canon M10	-	stereo / mono	-	-	mini	2.0	Y	Y	-
7.		Canon T5	Y	mono / mono	-	-	mini	2.0	-	-	-
8.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
9.		Canon T5i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
10.		Canon M	Y	stereo / mono	Y	-	mini	2.0	-	-	-
11.		Canon T4i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
12.		Canon T3i	Y	mono / mono	Y	-	mini	2.0	-	-	-
13.		Panasonic G7	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
14.		Panasonic G6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
15.		Panasonic GM1	-	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Panasonic GX1	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the SL1 has a microphone port, which is missing on the GM5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Both the SL1 and the GM5 have been discontinued, but can regularly be found used on ebay. The SL1 was replaced by the Canon SL2, while the GM5 does not have a direct successor. Further information on the features and operation of the SL1 and GM5 can be found, respectively, in the Canon SL1 Manual (free pdf) or the online Panasonic GM5 Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Canon SL1 and the Panasonic GM5? Which camera is better? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Canon EOS Rebel SL1:

• More detail: Offers more megapixels (17.9 vs 15.8MP) with a 8% higher linear resolution.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.54x vs 0.46x).
• More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
• Longer lasting: Can take more shots (380 versus 220) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (27 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in March 2013).

Advantages of the Panasonic Lumix DMC-GM5:

• Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Faster burst: Shoots at higher frequency (5.8 vs 4.9 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (99x60mm vs 117x91mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 196g or 48 percent) and is thus easier to take along.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• More modern: Was introduced somewhat (1 year and 5 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (11 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon SL1 and the Panasonic GM5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the SL1 and the GM5 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon SL1	4/5	+	..	78/100	4/5	4/5	Mar 2013	549	ebay.com
2.		Panasonic GM5	3.5/5	+	..	77/100	5/5	4.5/5	Sep 2014	749	ebay.com
3.		Canon T100	..	o	3/5	..	3.5/5	3.5/5	Feb 2018	399	amazon.com
4.		Canon SL2	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	549	ebay.com
5.		Canon T6	4/5	o	4/5	73/100	4/5	4/5	Mar 2016	449	ebay.com
6.		Canon M10	..	..	..	..	..	4/5	Oct 2015	499	ebay.com
7.		Canon T5	3/5	+	..	..	4/5	4.5/5	Feb 2014	449	ebay.com
8.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	549	ebay.com
9.		Canon T5i	..	..	..	76/100	4.5/5	4.5/5	Mar 2013	649	ebay.com
10.		Canon M	3/5	+	..	..	4/5	4/5	Jul 2012	599	ebay.com
11.		Canon T4i	4/5	+ +	..	77/100	4.5/5	4.5/5	Jun 2012	849	ebay.com
12.		Canon T3i	3/5	o	..	77/100	4.5/5	4.5/5	Feb 2011	599	ebay.com
13.		Panasonic G7	4/5	+ +	3.5/5	80/100	5/5	4.5/5	May 2015	649	ebay.com
14.		Panasonic G6	4/5	+ +	..	..	5/5	4.5/5	Apr 2013	599	ebay.com
15.		Panasonic GM1	3/5	+	..	78/100	5/5	4.5/5	Oct 2013	749	ebay.com
16.		Panasonic GX1	3/5	+	..	77/100	4.5/5	4.5/5	Nov 2011	699	ebay.com
17.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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