Canon R6 vs Panasonic GX8
The Canon EOS R6 and the Panasonic Lumix DMC-GX8 are two enthusiast cameras that were officially introduced, respectively, in July 2020 and July 2015. Both the R6 and the GX8 are mirrorless interchangeable lens cameras that are based on a full frame (R6) and a Four Thirds (GX8) sensor. The Canon has a resolution of 20 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R6 and the Panasonic Lumix DMC-GX8? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon R6 and the Panasonic GX8. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GX8 can be obtained in two different colors (black, silver), while the R6 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX8 is notably smaller (23 percent) than the Canon R6. Moreover, the GX8 is markedly lighter (28 percent) than the R6. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the R6 gets 360 shots out of its LP-E6NH battery, while the GX8 can take 330 images on a single charge of its DMW-BLC12 power pack. The power pack in the R6 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499|
|2.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|3.||Canon R3||150 mm||143 mm||87 mm||1015 g||760||Y||Sep 2021||5,999|
|4.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899|
|5.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299|
|6.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|7.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999|
|8.||Nikon Z6 II||134 mm||101 mm||70 mm||705 g||410||Y||Oct 2020||1,999|
|9.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|10.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|11.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|12.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699|
|13.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999|
|14.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499|
|15.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|16.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|17.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GX8 was launched at a markedly lower price (by 52 percent) than the R6, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon R6 features a full frame sensor and the Panasonic GX8 a Four Thirds sensor. The sensor area in the GX8 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the R6 has a native 3:2 aspect ratio, while the one in the GX8 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the GX8 offers a slightly higher resolution of 20.2 megapixels, compared with 20 MP of the R6. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 6.57μm for the R6). Moreover, it should be noted that the R6 is much more recent (by 4 years and 11 months) than the GX8, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The R6 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R6 has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-204800. The corresponding ISO settings for the Panasonic Lumix DMC-GX8 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the R6 provides substantially higher image quality than the GX8, with an overall score that is 15 points higher. This advantage is based on 0.7 bits higher color depth, 1.7 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|2.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|3.||Canon R3||Full Frame||24.0||6000||4000||6K/60p||25.4||14.5||3048||96|
|4.||Canon R5||Full Frame||44.8||8192||5464||8K/30p||25.3||14.6||3042||95|
|5.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|6.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|7.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||26.3||14.7||2841||100|
|8.||Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||25.0||14.4||3303||94|
|9.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|10.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|11.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|12.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|13.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|14.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|15.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|16.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R6 provides a higher frame rate than the GX8. It can shoot video footage at 4k/60p, while the Panasonic is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R6 offers a substantially higher resolution than the one in the GX8 (3690k vs 2360k dots). The adjacent table lists some of the other core features of the Canon R6 and Panasonic GX8 along with similar information for a selection of comparators.
|1.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|2.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|3.||Canon R3||5760||Y||3.2 / 4150||swivel||Y||1/8000s||12.0||n||Y|
|4.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||10.0||n||Y|
|5.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0||n||n|
|6.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5||n||n|
|7.||Nikon Z7 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||10.0||n||Y|
|8.||Nikon Z6 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||14.0||n||Y|
|9.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|10.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|11.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|12.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0||n||Y|
|13.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0||n||Y|
|14.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0||n||Y|
|15.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|16.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0||n||Y|
|17.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R6 and the Panasonic GX8 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the R6 and the GX8 write their files to SDXC cards. The R6 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GX8 only has one slot. The R6 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the GX8 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R6 and Panasonic Lumix DMC-GX8 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|2.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Canon R3||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|5.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|6.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|7.||Nikon Z7 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|8.||Nikon Z6 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|9.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|10.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|13.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|14.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|15.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|16.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|17.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
It is notable that the R6 has a headphone jack, which is not present on the GX8 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
The R6 is a recent model that features in the current product line-up of Canon. In contrast, the GX8 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the GX8 was succeeded by the Panasonic GX9. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Canon R6 and the Panasonic GX8? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS R6:
- Better image quality: Scores substantially higher (15 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (1.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.1 stops ISO advantage).
- Better video: Provides higher movie framerates (4k/60p versus 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Easier travel charging: Can be conveniently charged via its USB port.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 4 years and 11 months of technical progress since the GX8 launch.
Arguments in favor of the Panasonic Lumix DMC-GX8:
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.76x).
- More compact: Is smaller (133x78mm vs 138x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 193g or 28 percent) and is thus easier to take along.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (52 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in July 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the R6 is the clear winner of the match-up (15 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R6 and the Panasonic GX8 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the R6 and the GX8 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499|
|2.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|3.||Canon R3||..||o||..||..||..||..||Sep 2021||5,999|
|4.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899|
|5.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299|
|6.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|7.||Nikon Z7 II||4.5/5||..||4.5/5||..||4.5/5||4.5/5||Oct 2020||2,999|
|8.||Nikon Z6 II||4.5/5||..||4/5||89/100||4.5/5||4.5/5||Oct 2020||1,999|
|9.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|10.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199|
|11.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|12.||Panasonic GH5 II||4.5/5||..||4.5/5||85/100||4.5/5||5/5||May 2021||1,699|
|13.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999|
|14.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499|
|15.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|16.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499|
|17.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1000D vs Panasonic GX8
- Canon 5D Mark III vs Canon R6
- Canon 6D Mark II vs Panasonic GX8
- Canon G16 vs Panasonic GX8
- Canon R6 vs Nikon D3300
- Canon R6 vs Olympus E-M10 III
- Canon R6 vs Panasonic GH5 II
- Canon R6 vs Panasonic ZS80
- Canon R6 vs Sony A6100
- Leica M10-R vs Panasonic GX8
- Panasonic GF5 vs Panasonic GX8
- Panasonic GX8 vs Sony A68
Specifications: Canon R6 vs Panasonic GX8
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon R6||Panasonic GX8|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon RF mount lenses||Micro Four Thirds lenses|
|Launch Date||July 2020||July 2015|
|Launch Price||USD 2,499||USD 1,199|
|Sensor Specs||Canon R6||Panasonic GX8|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||20.2 Megapixels|
|Image Resolution||5472 x 3648 pixels||5184 x 3888 pixels|
|Pixel Pitch||6.57 μm||3.34 μm|
|Pixel Density||2.31 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4k/60p Video||4K/30p Video|
|ISO Setting||100 - 102,400 ISO||200 - 25,600 ISO|
|ISO Boost||50 - 204,800 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC X||Venus|
|DXO Sensor Quality (score)||90||75|
|DXO Color Depth (bits)||24.2||23.5|
|DXO Dynamic Range (EV)||14.3||12.6|
|DXO Low Light (ISO)||3394||806|
|Screen Specs||Canon R6||Panasonic GX8|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1620k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon R6||Panasonic GX8|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/8000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Canon R6||Panasonic GX8|
|USB Connector||USB 3.2||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon R6||Panasonic GX8|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||360 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
138 x 98 x 88 mm
(5.4 x 3.9 x 3.5 in)
133 x 78 x 63 mm
(5.2 x 3.1 x 2.5 in)
|Camera Weight||680 g (24.0 oz)||487 g (17.2 oz)|
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