Canon R6 Mark II vs Olympus E-M1X

The Canon EOS R6 Mark II and the Olympus OM-D E-M1X are two enthusiast cameras that were officially introduced, respectively, in November 2022 and January 2019. Both the R6 Mark II and the E-M1X are mirrorless interchangeable lens cameras that are based on a full frame (R6 Mark II) and a Four Thirds (E-M1X) sensor. The Canon has a resolution of 24 megapixels, whereas the Olympus provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon R6 Mark II		Olympus E-M1X
Mirrorless system camera		Mirrorless system camera
Canon RF mount lenses		Micro Four Thirds lenses
24 MP – Full Frame sensor		20.2 MP – Four Thirds sensor
4k/60p Video		4K/30p Video
ISO 100-102,400 (100 - 204,800)		ISO 200-25,600
Electronic viewfinder (3690k dots)		Electronic viewfinder (2360k dots)
3.0" LCD – 1620k dots		3.0" LCD – 1037k dots
Swivel touchscreen		Swivel touchscreen
12 shutter flaps per second		18 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
450 shots per battery charge		870 shots per battery charge
138 x 98 x 88 mm, 670 g		144 x 147 x 75 mm, 997 g

Check R6 Mark II price at
amazon.com
Check E-M1X offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R6 Mark II and the Olympus OM-D E-M1X? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon R6 Mark II and the Olympus E-M1X is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The E-M1X can be obtained in two different colors (black, silver), while the R6 Mark II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1X is considerably larger (57 percent) than the Canon R6 Mark II. Moreover, the E-M1X is substantially heavier (49 percent) than the R6 Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the R6 Mark II gets 450 shots out of its Canon LP-E6NH battery, while the E-M1X can take 870 images on a single charge of its Olympus BLH-1 power pack. As can be seen in the images above, the E-M1X has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the R6 Mark II, Canon provides the BG-R10 vertical grip as an optional accessory (see here on ebay). The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon R6 Mark II	138 mm	98 mm	88 mm	670 g	450	Y	Nov 2022	EUR 2 899	amazon.com
2.		Olympus E-M1X	144 mm	147 mm	75 mm	997 g	870	Y	Jan 2019	EUR 2 999	ebay.com
3.		Canon R3	150 mm	143 mm	87 mm	1015 g	760	Y	Sep 2021	EUR 5 999	amazon.com
4.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	EUR 4 499	amazon.com
5.		Canon R5 C	142 mm	101 mm	111 mm	770 g	320	Y	Jan 2022	EUR 4 999	amazon.com
6.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	EUR 2 699	amazon.com
7.		Canon R7	132 mm	90 mm	92 mm	612 g	660	Y	May 2022	EUR 1 499	amazon.com
8.		Fujifilm X-H2S	136 mm	93 mm	85 mm	660 g	580	Y	May 2022	EUR 2 749	amazon.com
9.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	EUR 1 999	ebay.com
10.		Olympus E-M1 III	134 mm	91 mm	69 mm	580 g	420	Y	Feb 2020	EUR 1 799	ebay.com
11.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	EUR 1 199	ebay.com
12.		OM System OM-1	135 mm	92 mm	73 mm	599 g	520	Y	Feb 2022	EUR 2 199	ebay.com
13.		Panasonic GH5 II	139 mm	98 mm	87 mm	727 g	400	Y	May 2021	EUR 1 699	amazon.com
14.		Panasonic GH6	138 mm	100 mm	100 mm	823 g	360	Y	Feb 2022	EUR 2 799	amazon.com
15.		Panasonic S1	149 mm	110 mm	97 mm	1017 g	400	Y	Feb 2019	EUR 2 499	amazon.com
16.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	EUR 2 799	amazon.com
17.		Sony A900	156 mm	117 mm	82 mm	895 g	880	Y	Sep 2008	EUR 2 799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The R6 Mark II was launched at a somewhat lower price (by 17 percent) than the E-M1X, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon R6 Mark II features a full frame sensor and the Olympus E-M1X a Four Thirds sensor. The sensor area in the E-M1X is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the R6 Mark II has a native 3:2 aspect ratio, while the one in the E-M1X offers a 4:3 aspect.

With 24MP, the R6 Mark II offers a higher resolution than the E-M1X (20.2MP), but the R6 Mark II nevertheless has larger individual pixels (pixel pitch of 5.98μm versus 3.34μm for the E-M1X) due to its larger sensor. Moreover, the R6 Mark II is a much more recent model (by 3 years and 9 months) than the E-M1X, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the E-M1X has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Canon R6 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R6 Mark II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-M1X are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

Unlike the R6 Mark II, the E-M1X has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS R6 Mark II has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 100-204800. The corresponding ISO settings for the Olympus OM-D E-M1X are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon R6 Mark II	Full Frame	24.0	6000	4000	4k/60p	25.4	14.6	3154	96
2.		Olympus E-M1X	Four Thirds	20.2	5184	3888	4K/30p	23.2	13.0	1254	75
3.		Canon R3	Full Frame	24.0	6000	4000	6K/60p	25.0	14.7	4086	96
4.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
5.		Canon R5 C	Full Frame	44.8	8192	5464	8k/60p	25.4	14.5	3082	96
6.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
7.		Canon R7	APS-C	32.3	6960	4640	4k/60p	24.1	13.8	2092	84
8.		Fujifilm X-H2S	APS-C	26.0	6240	4160	6.2k/30p	24.3	13.9	2224	86
9.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
10.		Olympus E-M1 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1356	76
11.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
12.		OM System OM-1	Four Thirds	20.2	5184	3888	4K/60p	23.4	13.4	1553	77
13.		Panasonic GH5 II	Four Thirds	20.2	5184	3888	4K/60p	23.7	13.1	1136	79
14.		Panasonic GH6	Four Thirds	25.0	5776	4336	5.7K/60p	23.4	13.4	1555	77
15.		Panasonic S1	Full Frame	24.0	6000	4000	4K/60p	25.2	14.5	3333	95
16.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
17.		Sony A900	Full Frame	24.4	6048	4032	none	23.7	12.3	1431	79
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R6 Mark II provides a higher frame rate than the E-M1X. It can shoot video footage at 4k/60p, while the Olympus is limited to 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R6 Mark II offers a substantially higher resolution than the one in the E-M1X (3690k vs 2360k dots). The adjacent table lists some of the other core features of the Canon R6 Mark II and Olympus E-M1X along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon R6 Mark II	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
2.		Olympus E-M1X	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
3.		Canon R3	5760	Y	3.2 / 4150	swivel	Y	1/8000s	12.0/s	n	Y
4.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
5.		Canon R5 C	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	n
6.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
7.		Canon R7	2360	n	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
8.		Fujifilm X-H2S	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
9.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
10.		Olympus E-M1 III	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
11.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
12.		OM System OM-1	5760	n	3.0 / 1640	swivel	Y	1/8000s	10.0/s	n	Y
13.		Panasonic GH5 II	3680	n	3.0 / 1840	swivel	Y	1/8000s	12.0/s	n	Y
14.		Panasonic GH6	3680	n	3.0 / 1840	full-flex	Y	1/8000s	14.0/s	n	Y
15.		Panasonic S1	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
16.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
17.		Sony A900	optical	Y	3.0 / 922	fixed	n	1/8000s	5.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon R6 Mark II and the Olympus E-M1X both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the R6 Mark II and the E-M1X write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R6 Mark II and Olympus OM-D E-M1X and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon R6 Mark II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		Olympus E-M1X	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
3.		Canon R3	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
5.		Canon R5 C	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
6.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
7.		Canon R7	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Fujifilm X-H2S	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
9.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
10.		Olympus E-M1 III	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
11.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
12.		OM System OM-1	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
13.		Panasonic GH5 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Panasonic GH6	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Panasonic S1	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
16.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Sony A900	Y	- / -	-	-	mini	2.0	-	-	-

Studio photographers will appreciate that the Olympus E-M1X (unlike the R6 Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the E-M1X has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

The R6 Mark II is a recent model that features in the current product line-up of Canon. In contrast, the E-M1X has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the E-M1X from Olympus. Further information on the features and operation of the R6 Mark II and E-M1X can be found, respectively, in the Canon R6 Mark II Manual (free pdf) or the online Olympus E-M1X Manual.

Review summary

So what conclusions can be drawn? Is the Canon R6 Mark II better than the Olympus E-M1X or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Canon EOS R6 Mark II:

• More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher movie framerates (4k/60p versus 4K/30p).
• More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
• More detailed LCD: Has a higher resolution rear screen (1620k vs 1037k dots).
• More compact: Is smaller (138x98mm vs 144x147mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 327g or 33 percent) and hence easier to carry around.
• More affordable: Was introduced into a lower priced segment (17 percent cheaper at launch).
• More modern: Reflects 3 years and 9 months of technical progress since the E-M1X launch.

Arguments in favor of the Olympus OM-D E-M1X:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.83x vs 0.76x).
• Faster burst: Shoots at higher frequency (18 vs 12 flaps/sec) to capture the decisive moment.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Gets more shots (870 versus 450) out of a single battery charge.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been around for much longer (launched in January 2019).

If the count of individual advantages (bullet points above) is taken as a guide, the R6 Mark II is the clear winner of the match-up (13 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon R6 Mark II and the Olympus E-M1X place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the R6 Mark II and the E-M1X in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon R6 Mark II	5/5	+ +	4.5/5	91/100	4.5/5	5/5	Nov 2022	EUR 2 899	amazon.com
2.		Olympus E-M1X	4.5/5	o	5/5	85/100	4.5/5	..	Jan 2019	EUR 2 999	ebay.com
3.		Canon R3	5/5	o	4.5/5	..	5/5	4.5/5	Sep 2021	EUR 5 999	amazon.com
4.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	EUR 4 499	amazon.com
5.		Canon R5 C	..	+ +	..	..	..	..	Jan 2022	EUR 4 999	amazon.com
6.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	EUR 2 699	amazon.com
7.		Canon R7	4.5/5	+	5/5	87/100	4.5/5	4.5/5	May 2022	EUR 1 499	amazon.com
8.		Fujifilm X-H2S	5/5	+	5/5	90/100	5/5	5/5	May 2022	EUR 2 749	amazon.com
9.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	EUR 1 999	ebay.com
10.		Olympus E-M1 III	5/5	..	5/5	83/100	4.5/5	4/5	Feb 2020	EUR 1 799	ebay.com
11.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	EUR 1 199	ebay.com
12.		OM System OM-1	5/5	..	..	87/100	5/5	4.5/5	Feb 2022	EUR 2 199	ebay.com
13.		Panasonic GH5 II	4.5/5	..	4.5/5	85/100	4.5/5	5/5	May 2021	EUR 1 699	amazon.com
14.		Panasonic GH6	5/5	+ +	5/5	87/100	5/5	5/5	Feb 2022	EUR 2 799	amazon.com
15.		Panasonic S1	4.5/5	+ +	4.5/5	88/100	4.5/5	4/5	Feb 2019	EUR 2 499	amazon.com
16.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	EUR 2 799	amazon.com
17.		Sony A900	..	+ +	..	+ +	4.5/5	5/5	Sep 2008	EUR 2 799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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