Canon R6 Mark II vs Fujifilm GFX 100S

The Canon EOS R6 Mark II and the Fujifilm GFX 100S are two digital cameras that were revealed to the public, respectively, in November 2022 and January 2021. Both the R6 Mark II and the GFX 100S are mirrorless interchangeable lens cameras that are based on a full frame (R6 Mark II) and a medium format (GFX 100S) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 101.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon R6 Mark II		Fujifilm GFX 100S
Mirrorless system camera		Mirrorless system camera
Canon RF mount lenses		Fujifilm G mount lenses
24 MP – Full Frame sensor		101.8 MP – Medium Format sensor
4k/60p Video		4K/30p Video
ISO 100-102,400 (100 - 204,800)		ISO 100-12,800 (50 - 102,400)
Electronic viewfinder (3690k dots)		Electronic viewfinder (3690k dots)
3.0" LCD – 1620k dots		3.2" LCD – 2360k dots
Swivel touchscreen		Fully flexible touchscreen
12 shutter flaps per second		5 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
450 shots per battery charge		460 shots per battery charge
138 x 98 x 88 mm, 670 g		150 x 104 x 87 mm, 900 g

Check R6 Mark II price at
amazon.com
Check GFX 100S price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R6 Mark II and the Fujifilm GFX 100S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon R6 Mark II and the Fujifilm GFX 100S are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100S is notably larger (15 percent) than the Canon R6 Mark II. Moreover, the GFX 100S is markedly heavier (34 percent) than the R6 Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the R6 Mark II gets 450 shots out of its Canon LP-E6NH battery, while the GFX 100S can take 460 images on a single charge of its Fujifilm NP-W235 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon R6 Mark II	138 mm	98 mm	88 mm	670 g	450	Y	Nov 2022	US$ 2 499	amazon.com
2.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
3.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	US$ 2 099	ebay.com
4.		Canon R	139 mm	98 mm	84 mm	660 g	370	Y	Sep 2018	US$ 2 299	ebay.com
5.		Canon R3	150 mm	143 mm	87 mm	1015 g	760	Y	Sep 2021	US$ 5 999	amazon.com
6.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	US$ 3 899	amazon.com
7.		Canon R5 C	142 mm	101 mm	111 mm	770 g	320	Y	Jan 2022	US$ 4 499	amazon.com
8.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	US$ 2 499	amazon.com
9.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
10.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
11.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
12.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
13.		Fujifilm X-H2S	136 mm	93 mm	85 mm	660 g	580	Y	May 2022	US$ 2 499	amazon.com
14.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
15.		OM System OM-1	135 mm	92 mm	73 mm	599 g	520	Y	Feb 2022	US$ 2 199	ebay.com
16.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	US$ 2 499	amazon.com
17.		Sony A99	147 mm	111 mm	78 mm	812 g	500	Y	Sep 2012	US$ 2 799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The R6 Mark II was launched at a markedly lower price (by 58 percent) than the GFX 100S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon R6 Mark II features a full frame sensor and the Fujifilm GFX 100S a medium format sensor. The sensor area in the GFX 100S is 68 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.79. The sensor in the R6 Mark II has a native 3:2 aspect ratio, while the one in the GFX 100S offers a 4:3 aspect.

With 101.8MP, the GFX 100S offers a higher resolution than the R6 Mark II (24MP), but the GFX 100S has smaller individual pixels (pixel pitch of 3.76μm versus 5.98μm for the R6 Mark II). It is noteworthy in this context that the R6 Mark II is a somewhat more recent model (by 1 year and 9 months) than the GFX 100S, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 100S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Canon R6 Mark II are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

Unlike the R6 Mark II, the GFX 100S has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS R6 Mark II has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 100-204800. The corresponding ISO settings for the Fujifilm GFX 100S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the R6 Mark II is build around a CMOS sensor, while the GFX 100S uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon R6 Mark II	Full Frame	24.0	6000	4000	4k/60p	25.4	14.6	3154	96
2.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
3.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
4.		Canon R	Full Frame	30.1	6720	4480	4K/30p	24.5	13.5	2742	89
5.		Canon R3	Full Frame	24.0	6000	4000	6K/60p	25.0	14.7	4086	96
6.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
7.		Canon R5 C	Full Frame	44.8	8192	5464	8k/60p	25.4	14.5	3082	96
8.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
9.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
10.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
11.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
12.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
13.		Fujifilm X-H2S	APS-C	26.0	6240	4160	6.2k/30p	24.3	13.9	2224	86
14.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
15.		OM System OM-1	Four Thirds	20.2	5184	3888	4K/60p	23.4	13.4	1553	77
16.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
17.		Sony A99	Full Frame	24.0	6000	4000	1080/60p	25.0	14.0	1555	89
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R6 Mark II provides a higher frame rate than the GFX 100S. It can shoot video footage at 4k/60p, while the Fujifilm is limited to 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The R6 Mark II and the GFX 100S are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 3690k dots. The following table reports on some other key feature differences and similarities of the Canon R6 Mark II, the Fujifilm GFX 100S, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon R6 Mark II	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
2.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
3.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
4.		Canon R	3690	Y	3.2 / 2100	swivel	Y	1/8000s	8.0/s	n	n
5.		Canon R3	5760	Y	3.2 / 4150	swivel	Y	1/8000s	12.0/s	n	Y
6.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
7.		Canon R5 C	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	n
8.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
9.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
10.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
11.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
12.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
13.		Fujifilm X-H2S	5760	Y	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
14.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
15.		OM System OM-1	5760	n	3.0 / 1640	swivel	Y	1/8000s	10.0/s	n	Y
16.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
17.		Sony A99	2359	Y	3.0 / 1229	full-flex	n	1/8000s	6.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 100S, but is missing on the R6 Mark II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon R6 Mark II and the Fujifilm GFX 100S both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the R6 Mark II and the GFX 100S write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R6 Mark II and Fujifilm GFX 100S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon R6 Mark II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
3.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
4.		Canon R	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
5.		Canon R3	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
6.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
7.		Canon R5 C	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
9.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
10.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
11.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
12.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
13.		Fujifilm X-H2S	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
14.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
15.		OM System OM-1	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
16.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Sony A99	Y	stereo / mono	Y	Y	mini	2.0	-	-	-

Studio photographers will appreciate that the Fujifilm GFX 100S (unlike the R6 Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the R6 Mark II and the GFX 100S are recent models that are part of the current product line-up. The GFX 100S replaced the earlier Fujifilm GFX 100, while the R6 Mark II followed on from the Canon R6. Further information on the features and operation of the R6 Mark II and GFX 100S can be found, respectively, in the Canon R6 Mark II Manual (free pdf) or the online Fujifilm GFX 100S Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Canon R6 Mark II or the Fujifilm GFX 100S – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Canon EOS R6 Mark II:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better video: Provides higher movie framerates (4k/60p versus 4K/30p).
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (138x98mm vs 150x104mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 230g or 26 percent) and hence easier to carry around.
• More affordable: Was introduced into a lower priced category (58 percent cheaper at launch).
• More modern: Is somewhat more recent (announced 1 year and 9 months after the GFX 100S).

Arguments in favor of the Fujifilm GFX 100S:

• More detail: Has more megapixels (101.8 vs 24MP), which boosts linear resolution by 102%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.76x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1620k dots).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been on the market for longer (launched in January 2021).

If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (9 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon R6 Mark II and the Fujifilm GFX 100S place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R6 Mark II or the GFX 100S. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon R6 Mark II	5/5	+ +	4.5/5	91/100	4.5/5	5/5	Nov 2022	US$ 2 499	amazon.com
2.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
3.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	US$ 2 099	ebay.com
4.		Canon R	4/5	o	4/5	79/100	4.5/5	4/5	Sep 2018	US$ 2 299	ebay.com
5.		Canon R3	5/5	o	4.5/5	..	5/5	4.5/5	Sep 2021	US$ 5 999	amazon.com
6.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	US$ 3 899	amazon.com
7.		Canon R5 C	..	+ +	..	..	..	..	Jan 2022	US$ 4 499	amazon.com
8.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	US$ 2 499	amazon.com
9.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
10.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
11.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
12.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
13.		Fujifilm X-H2S	5/5	+	5/5	90/100	5/5	5/5	May 2022	US$ 2 499	amazon.com
14.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
15.		OM System OM-1	5/5	..	..	87/100	5/5	4.5/5	Feb 2022	US$ 2 199	ebay.com
16.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	US$ 2 499	amazon.com
17.		Sony A99	5/5	..	..	84/100	4.5/5	4.5/5	Sep 2012	US$ 2 799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check R6 Mark II price at
amazon.com
Check GFX 100S price at
amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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Check R6 Mark II price at
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Check GFX 100S price at
amazon.com

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