Fujifilm GFX 100S vs Nikon D5300

The Fujifilm GFX 100S and the Nikon D5300 are two digital cameras that were revealed to the public, respectively, in January 2021 and October 2013. The GFX 100S is a mirrorless interchangeable lens camera, while the D5300 is a DSLR. The cameras are based on a medium format (GFX 100S) and an APS-C (D5300) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Nikon provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 100S		Nikon D5300
Mirrorless system camera		Digital single lens reflex
Fujifilm G mount lenses		Nikon F mount lenses
101.8 MP – Medium Format sensor		24 MP – APS-C sensor
4K/30p Video		1080/60p Video
ISO 100-12,800 (50 - 102,400)		ISO 100-12,800 (100 - 25,600)
Electronic viewfinder (3690k dots)		Optical viewfinder
3.2" LCD – 2360k dots		3.2" LCD – 1037k dots
Fully flexible touchscreen		Swivel screen (not touch-sensitive)
5 shutter flaps per second		5 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
460 shots per battery charge		600 shots per battery charge
150 x 104 x 87 mm, 900 g		125 x 98 x 76 mm, 480 g

Check GFX 100S price at
amazon.com
Check D5300 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100S and the Nikon D5300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 100S and the Nikon D5300 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The D5300 can be obtained in three different colors (black, grey, red), while the GFX 100S is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5300 is notably smaller (21 percent) than the Fujifilm GFX 100S. Moreover, the D5300 is substantially lighter (47 percent) than the GFX 100S. It is worth mentioning in this context that the GFX 100S is splash and dust resistant, while the D5300 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 100S gets 460 shots out of its Fujifilm NP-W235 battery, while the D5300 can take 600 images on a single charge of its Nikon EN-EL14a power pack. The power pack in the GFX 100S can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	5,999	amazon.com
2.		Nikon D5300	125 mm	98 mm	76 mm	480 g	600	n	Oct 2013	799	ebay.com
3.		Canon R3	150 mm	143 mm	87 mm	1015 g	760	Y	Sep 2021	5,999	amazon.com
4.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	4,499	ebay.com
5.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	6,499	ebay.com
6.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	3,999	amazon.com
7.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	9,999	ebay.com
8.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	7,499	amazon.com
9.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	5,750	ebay.com
10.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	8,199	amazon.com
11.		Leica SL2	146 mm	107 mm	42 mm	953 g	370	Y	Nov 2019	5,999	amazon.com
12.		Nikon D3200	125 mm	96 mm	77 mm	505 g	540	n	Apr 2012	599	ebay.com
13.		Nikon D3300	124 mm	98 mm	76 mm	430 g	700	n	Jan 2014	499	ebay.com
14.		Nikon D5200	129 mm	98 mm	78 mm	555 g	500	n	Nov 2012	749	ebay.com
15.		Nikon D5500	124 mm	97 mm	70 mm	470 g	820	n	Jan 2015	899	ebay.com
16.		Nikon D5600	124 mm	97 mm	70 mm	465 g	970	n	Nov 2016	699	ebay.com
17.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	6,499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D5300 was launched at a markedly lower price (by 87 percent) than the GFX 100S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100S features a medium format sensor and the Nikon D5300 an APS-C sensor. The sensor area in the D5300 is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 100S has a native 4:3 aspect ratio, while the one in the D5300 offers a 3:2 aspect.

With 101.8MP, the GFX 100S offers a higher resolution than the D5300 (24MP), but the GFX 100S has smaller individual pixels (pixel pitch of 3.76μm versus 3.91μm for the D5300). However, the GFX 100S is a much more recent model (by 7 years and 3 months) than the D5300, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 100S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Nikon D5300 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The GFX 100S has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the D5300, the GFX 100S has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon D5300 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 100-25600.

In terms of underlying technology, the GFX 100S is build around a BSI-CMOS sensor, while the D5300 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
2.		Nikon D5300	APS-C	24.0	6000	4000	1080/60p	24.0	13.9	1338	83
3.		Canon R3	Full Frame	24.0	6000	4000	6K/60p	25.0	14.7	4086	96
4.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
5.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
6.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
7.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
8.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
9.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
10.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
11.		Leica SL2	Full Frame	46.7	8368	5584	4K/60p	25.3	14.3	2866	95
12.		Nikon D3200	APS-C	24.1	6016	4000	1080/30p	24.1	13.2	1131	81
13.		Nikon D3300	APS-C	24.0	6000	4000	1080/60p	24.3	12.8	1385	82
14.		Nikon D5200	APS-C	24.0	6000	4000	1080/60i	24.2	13.9	1284	84
15.		Nikon D5500	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1438	84
16.		Nikon D5600	APS-C	24.0	6000	4000	1080/60p	24.1	14.0	1306	84
17.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GFX 100S provides a higher video resolution than the D5300. It can shoot video footage at 4K/30p, while the Nikon is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 100S has an electronic viewfinder (3690k dots), while the D5300 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GFX 100S offers a wider field of view (100%) than the one in the D5300 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GFX 100S has a higher magnification (0.77x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Fujifilm GFX 100S and Nikon D5300 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
2.		Nikon D5300	optical	n	3.2 / 1037	swivel	n	1/4000s	5.0/s	Y	n
3.		Canon R3	5760	Y	3.2 / 4150	swivel	Y	1/8000s	12.0/s	n	Y
4.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
5.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
6.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
7.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
8.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
9.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
10.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
11.		Leica SL2	5760	Y	3.2 / 2100	fixed	Y	1/8000s	10.0/s	n	Y
12.		Nikon D3200	optical	n	3.0 / 921	fixed	n	1/4000s	4.0/s	Y	n
13.		Nikon D3300	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
14.		Nikon D5200	optical	n	3.0 / 921	swivel	n	1/4000s	5.0/s	Y	n
15.		Nikon D5500	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
16.		Nikon D5600	optical	n	3.2 / 1037	swivel	Y	1/4000s	5.0/s	Y	n
17.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 100S, but is missing on the D5300 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100S and the Nikon D5300 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 100S and the D5300 write their files to SDXC cards. The GFX 100S features dual card slots, which can be very useful in case a memory card fails. In contrast, the D5300 only has one slot. The GFX 100S supports UHS-II cards (on both slots), while the D5300 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100S and Nikon D5300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
2.		Nikon D5300	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
3.		Canon R3	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
5.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
6.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
7.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
8.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
9.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
10.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
11.		Leica SL2	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
12.		Nikon D3200	Y	mono / mono	Y	-	mini	2.0	-	-	-
13.		Nikon D3300	Y	mono / mono	Y	-	mini	2.0	-	-	-
14.		Nikon D5200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
15.		Nikon D5500	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
16.		Nikon D5600	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
17.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the GFX 100S has a headphone jack, which is not present on the D5300 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Studio photographers will appreciate that the Fujifilm GFX 100S (unlike the D5300) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Travel and landscape photographers will find it useful that the D5300 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

The GFX 100S is a recent model that features in the current product line-up of Fujifilm. In contrast, the D5300 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the D5300 was succeeded by the Nikon D5500. Further information on the features and operation of the GFX 100S and D5300 can be found, respectively, in the Fujifilm GFX 100S Manual (free pdf) or the online Nikon D5300 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Fujifilm GFX 100S or the Nikon D5300 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Fujifilm GFX 100S:

• More detail: Offers more megapixels (101.8 vs 24MP) with a 102% higher linear resolution.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.57x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1037k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 7 years and 3 months of technical progress since the D5300 launch.

Advantages of the Nikon D5300:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More compact: Is smaller (125x98mm vs 150x104mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 420g or 47 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (600 versus 460) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• More affordable: Was introduced into a lower priced category (87 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in October 2013).

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100S is the clear winner of the match-up (26 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 100S and the Nikon D5300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GFX 100S and the D5300 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	5,999	amazon.com
2.		Nikon D5300	4/5	+ +	..	79/100	4.5/5	4.5/5	Oct 2013	799	ebay.com
3.		Canon R3	5/5	o	4.5/5	..	5/5	4.5/5	Sep 2021	5,999	amazon.com
4.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	4,499	ebay.com
5.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	6,499	ebay.com
6.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	3,999	amazon.com
7.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	9,999	ebay.com
8.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	7,499	amazon.com
9.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	5,750	ebay.com
10.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	8,199	amazon.com
11.		Leica SL2	4/5	..	4.5/5	..	4.5/5	4/5	Nov 2019	5,999	amazon.com
12.		Nikon D3200	5/5	+ +	..	73/100	4.5/5	4.5/5	Apr 2012	599	ebay.com
13.		Nikon D3300	3/5	+	..	77/100	4.5/5	4.5/5	Jan 2014	499	ebay.com
14.		Nikon D5200	4/5	+ +	..	79/100	4.5/5	4.5/5	Nov 2012	749	ebay.com
15.		Nikon D5500	5/5	+	..	79/100	4.5/5	4.5/5	Jan 2015	899	ebay.com
16.		Nikon D5600	4/5	..	4/5	79/100	4.5/5	4/5	Nov 2016	699	ebay.com
17.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	6,499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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