Canon R6 Mark II vs Contax N Digital
The Canon EOS R6 Mark II and the Contax N Digital are two digital cameras that were revealed to the public, respectively, in November 2022 and February 2002. The R6 Mark II is a mirrorless interchangeable lens camera, while the N Digital is a DSLR. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 24 megapixels, whereas the Contax provides 6.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R6 Mark II and the Contax N Digital? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Canon R6 Mark II and the Contax N Digital is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Contax N Digital is considerably larger (55 percent) than the Canon R6 Mark II. Moreover, the N Digital is substantially heavier (48 percent) than the R6 Mark II. It is worth mentioning in this context that the R6 Mark II is splash and dust resistant, while the N Digital does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
As can be seen in the images above, the N Digital has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the R6 Mark II, Canon provides the BG-R10 vertical grip as an optional accessory (see here on ebay). The power pack in the R6 Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R6 Mark II | 138 mm | 98 mm | 88 mm | 670 g | 450 | Y | Nov 2022 | EUR 2 899 | amazon.com | |
2. | Contax N Digital | 152 mm | 138 mm | 80 mm | 990 g | 100 | n | Feb 2002 | EUR 7 499 | ebay.com | |
3. | Canon 10D | 150 mm | 107 mm | 75 mm | 850 g | 500 | n | Feb 2003 | EUR 1 999 | ebay.com | |
4. | Canon 300D | 142 mm | 99 mm | 72 mm | 649 g | 400 | n | Aug 2003 | EUR 1 095 | ebay.com | |
5. | Canon D60 | 150 mm | 107 mm | 75 mm | 855 g | 620 | n | Feb 2002 | EUR 2 999 | ebay.com | |
6. | Canon R3 | 150 mm | 143 mm | 87 mm | 1015 g | 760 | Y | Sep 2021 | EUR 5 999 | amazon.com | |
7. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | EUR 4 499 | amazon.com | |
8. | Canon R5 C | 142 mm | 101 mm | 111 mm | 770 g | 320 | Y | Jan 2022 | EUR 4 999 | amazon.com | |
9. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | EUR 2 699 | amazon.com | |
10. | Canon R7 | 132 mm | 90 mm | 92 mm | 612 g | 660 | Y | May 2022 | EUR 1 499 | amazon.com | |
11. | Fujifilm X-H2S | 136 mm | 93 mm | 85 mm | 660 g | 580 | Y | May 2022 | EUR 2 749 | amazon.com | |
12. | Nikon D1X | 157 mm | 153 mm | 85 mm | 1100 g | 1200 | Y | Feb 2001 | EUR 7 999 | ebay.com | |
13. | Nikon D100 | 144 mm | 116 mm | 81 mm | 780 g | 370 | n | Feb 2002 | EUR 2 499 | ebay.com | |
14. | OM System OM-1 | 135 mm | 92 mm | 73 mm | 599 g | 520 | Y | Feb 2022 | EUR 2 199 | ebay.com | |
15. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | EUR 1 699 | amazon.com | |
16. | Panasonic GH6 | 138 mm | 100 mm | 100 mm | 823 g | 360 | Y | Feb 2022 | EUR 2 799 | amazon.com | |
17. | Sony A7 IV | 131 mm | 96 mm | 80 mm | 659 g | 580 | Y | Oct 2021 | EUR 2 799 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The R6 Mark II was launched at a markedly lower price (by 66 percent) than the N Digital, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the N Digital is 1 percent bigger. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the Canon R6 Mark II offers a higher resolution of 24 megapixels, compared with 6.1 MP of the Contax N Digital. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.98μm versus 11.90μm for the N Digital). However, it should be noted that the R6 Mark II is much more recent (by 20 years and 8 months) than the N Digital, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon R6 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R6 Mark II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Contax N Digital are 15.2 x 10 inches or 38.6 x 25.5 cm for good quality, 12.2 x 8 inches or 30.9 x 20.4 cm for very good quality, and 10.1 x 6.7 inches or 25.7 x 17 cm for excellent quality prints.
The R6 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R6 Mark II has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 100-204800. The corresponding ISO settings for the Contax N Digital are ISO 50 to ISO 1600 (no boost).
In terms of underlying technology, the R6 Mark II is build around a CMOS sensor, while the N Digital uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R6 Mark II | Full Frame | 24.0 | 6000 | 4000 | 4k/60p | 25.4 | 14.6 | 3154 | 96 | |
2. | Contax N Digital | Full Frame | 6.1 | 3040 | 2008 | none | 21.5 | 10.5 | 1283 | 59 | |
3. | Canon 10D | APS-C | 6.3 | 3072 | 2048 | none | 21.1 | 10.9 | 571 | 57 | |
4. | Canon 300D | APS-C | 6.3 | 3072 | 2048 | none | 21.0 | 10.8 | 544 | 55 | |
5. | Canon D60 | APS-C | 6.3 | 3072 | 2048 | none | 20.3 | 9.8 | 301 | 47 | |
6. | Canon R3 | Full Frame | 24.0 | 6000 | 4000 | 6K/60p | 25.0 | 14.7 | 4086 | 96 | |
7. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
8. | Canon R5 C | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.5 | 3082 | 96 | |
9. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
10. | Canon R7 | APS-C | 32.3 | 6960 | 4640 | 4k/60p | 24.1 | 13.8 | 2092 | 84 | |
11. | Fujifilm X-H2S | APS-C | 26.0 | 6240 | 4160 | 6.2k/30p | 24.3 | 13.9 | 2224 | 86 | |
12. | Nikon D1X | APS-C | 5.9 | 3008 | 1960 | none | .. | .. | .. | .. | |
13. | Nikon D100 | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 9.9 | 394 | 48 | |
14. | OM System OM-1 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.4 | 13.4 | 1553 | 77 | |
15. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
16. | Panasonic GH6 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.4 | 1555 | 77 | |
17. | Sony A7 IV | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3379 | 97 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The R6 Mark II indeed provides movie recording capabilities, while the N Digital does not. The highest resolution format that the R6 Mark II can use is 4k/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the R6 Mark II has an electronic viewfinder (3690k dots), while the N Digital has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the R6 Mark II offers a wider field of view (100%) than the one in the N Digital (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the R6 Mark II has a higher magnification (0.76x vs 0.73x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon R6 Mark II, the Contax N Digital, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R6 Mark II | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
2. | Contax N Digital | optical | Y | 2.0 / 200 | fixed | n | 1/8000s | 4.0/s | n | n | |
3. | Canon 10D | optical | Y | 1.8 / 118 | fixed | n | 1/4000s | 3.0/s | Y | n | |
4. | Canon 300D | optical | n | 1.8 / 118 | fixed | n | 1/4000s | 2.5/s | Y | n | |
5. | Canon D60 | optical | Y | 1.8 / 114 | fixed | n | 1/4000s | 3.0/s | Y | n | |
6. | Canon R3 | 5760 | Y | 3.2 / 4150 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
7. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
8. | Canon R5 C | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | n | |
9. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
10. | Canon R7 | 2360 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
11. | Fujifilm X-H2S | 5760 | Y | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
12. | Nikon D1X | optical | Y | 2.0 / 120 | fixed | n | 1/16000s | 3.0/s | n | n | |
13. | Nikon D100 | optical | Y | 1.8 / 118 | fixed | n | 1/4000s | 3.0/s | Y | n | |
14. | OM System OM-1 | 5760 | n | 3.0 / 1640 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
15. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
16. | Panasonic GH6 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
17. | Sony A7 IV | 3686 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the R6 Mark II and the N Digital is in-body image stabilization (IBIS). The R6 Mark II reduces the risk of handshake-induced blur with all attached lenses, while the N Digital offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The R6 Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the N Digital does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R6 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R6 Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R6 Mark II writes its imaging data to SDXC cards, while the N Digital uses Compact Flash cards. The R6 Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the N Digital only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R6 Mark II and Contax N Digital and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R6 Mark II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
2. | Contax N Digital | Y | - / - | - | - | - | FW | - | - | - | |
3. | Canon 10D | Y | - / - | - | - | - | 1.1 | - | - | - | |
4. | Canon 300D | Y | - / - | - | - | - | 1.1 | - | - | - | |
5. | Canon D60 | Y | - / - | - | - | - | 1.1 | - | - | - | |
6. | Canon R3 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
7. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
8. | Canon R5 C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
9. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
10. | Canon R7 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
11. | Fujifilm X-H2S | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
12. | Nikon D1X | Y | - / - | - | - | - | FW | - | - | - | |
13. | Nikon D100 | Y | - / - | - | - | - | 1.1 | - | - | - | |
14. | OM System OM-1 | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
15. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
16. | Panasonic GH6 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
17. | Sony A7 IV | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
It is notable that the R6 Mark II offers wifi support, while the N Digital does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Contax N Digital (unlike the R6 Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The R6 Mark II is a recent model that features in the current product line-up of Canon. In contrast, the N Digital has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the N Digital from Contax. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Contax websites.
Review summary
So what is the bottom line? Is the Canon R6 Mark II better than the Contax N Digital or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS R6 Mark II:
- More detail: Offers more megapixels (24 vs 6.1MP) with a 98% higher linear resolution.
- Broader imaging potential: Can record not only still images but also 4k/60p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.73x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 200k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (138x98mm vs 152x138mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 320g or 32 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (450 versus 100) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (66 percent cheaper at launch).
- More modern: Reflects 20 years and 8 months of technical progress since the N Digital launch.
Arguments in favor of the Contax N Digital:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in February 2002).
If the number of relative strengths (bullet points above) is taken as a guide, the R6 Mark II is the clear winner of the match-up (26 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R6 Mark II and the Contax N Digital place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R6 Mark II or the N Digital. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R6 Mark II | 5/5 | + + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Nov 2022 | EUR 2 899 | amazon.com | |
2. | Contax N Digital | .. | .. | .. | .. | .. | .. | Feb 2002 | EUR 7 499 | ebay.com | |
3. | Canon 10D | .. | .. | .. | + + | .. | .. | Feb 2003 | EUR 1 999 | ebay.com | |
4. | Canon 300D | .. | .. | .. | + + | .. | .. | Aug 2003 | EUR 1 095 | ebay.com | |
5. | Canon D60 | .. | .. | .. | + + | o | .. | Feb 2002 | EUR 2 999 | ebay.com | |
6. | Canon R3 | 5/5 | o | 4.5/5 | .. | 5/5 | 4.5/5 | Sep 2021 | EUR 5 999 | amazon.com | |
7. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | EUR 4 499 | amazon.com | |
8. | Canon R5 C | .. | + + | .. | .. | .. | .. | Jan 2022 | EUR 4 999 | amazon.com | |
9. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | EUR 2 699 | amazon.com | |
10. | Canon R7 | 4.5/5 | + | 5/5 | 87/100 | 4.5/5 | 4.5/5 | May 2022 | EUR 1 499 | amazon.com | |
11. | Fujifilm X-H2S | 5/5 | + | 5/5 | 90/100 | 5/5 | 5/5 | May 2022 | EUR 2 749 | amazon.com | |
12. | Nikon D1X | .. | .. | .. | + + | .. | .. | Feb 2001 | EUR 7 999 | ebay.com | |
13. | Nikon D100 | .. | .. | .. | + + | o | .. | Feb 2002 | EUR 2 499 | ebay.com | |
14. | OM System OM-1 | 5/5 | .. | .. | 87/100 | 5/5 | 4.5/5 | Feb 2022 | EUR 2 199 | ebay.com | |
15. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | EUR 1 699 | amazon.com | |
16. | Panasonic GH6 | 5/5 | + + | 5/5 | 87/100 | 5/5 | 5/5 | Feb 2022 | EUR 2 799 | amazon.com | |
17. | Sony A7 IV | 5/5 | + + | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2021 | EUR 2 799 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark IV vs Canon R6 Mark II
- Canon 20D vs Contax N Digital
- Canon 77D vs Contax N Digital
- Canon R6 Mark II vs Canon T100
- Canon R6 Mark II vs Nikon P950
- Canon R6 Mark II vs Panasonic GH5s
- Canon R6 Mark II vs Sony A7R
- Canon R6 Mark II vs Sony HX99
- Contax N Digital vs Fujifilm XF10
- Contax N Digital vs Nikon D3
- Contax N Digital vs Olympus E-450
- Contax N Digital vs Olympus XZ-2
Specifications: Canon R6 Mark II vs Contax N Digital
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon R6 Mark II | Contax N Digital |
---|---|---|
Camera Type | Mirrorless system camera | Digital single lens reflex |
Camera Lens | Canon RF mount lenses | Contax N mount lenses |
Launch Date | November 2022 | February 2002 |
Launch Price | USD 2,499 | USD 7,399 |
Sensor Specs | Canon R6 Mark II | Contax N Digital |
Sensor Technology | CMOS | CCD |
Sensor Format | Full Frame Sensor | Full Frame Sensor |
Sensor Size | 35.9 x 23.9 mm | 36.0 x 24.0 mm |
Sensor Area | 858.01 mm2 | 864 mm2 |
Sensor Diagonal | 43.1 mm | 43.3 mm |
Crop Factor | 1.0x | 1.0x |
Sensor Resolution | 24 Megapixels | 6.1 Megapixels |
Image Resolution | 6000 x 4000 pixels | 3040 x 2008 pixels |
Pixel Pitch | 5.98 μm | 11.90 μm |
Pixel Density | 2.80 MP/cm2 | 0.71 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4k/60p Video | no Video |
ISO Setting | 100 - 102,400 ISO | 50 - 1,600 ISO |
ISO Boost | 100 - 204,800 ISO | no Enhancement |
Screen Specs | Canon R6 Mark II | Contax N Digital |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 95% |
Viewfinder Magnification | 0.76x | 0.73x |
Viewfinder Resolution | 3690k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | |
Rear LCD Size | 3.0inch | 2.0inch |
LCD Resolution | 1620k dots | 200k dots |
LCD Attachment | Swivel screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Canon R6 Mark II | Contax N Digital |
Focus System | On-Sensor Phase-detect | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 12 shutter flaps/s | 4 shutter flaps/s |
Electronic Shutter | up to 1/8000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | CF cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
Connectivity Specs | Canon R6 Mark II | Contax N Digital |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 3.2 | Firewire |
HDMI Port | micro HDMI | no HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | no Wifi |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Canon R6 Mark II | Contax N Digital |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Canon LP-E6NH | Contax 4xAA |
Battery Life (CIPA) | 450 shots per charge | 100 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
138 x 98 x 88 mm (5.4 x 3.9 x 3.5 in) |
152 x 138 x 80 mm (6.0 x 5.4 x 3.1 in) |
Camera Weight | 670 g (23.6 oz) | 990 g (34.9 oz) |
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