Canon R5 vs Nikon A1000
The Canon EOS R5 and the Nikon Coolpix A1000 are two digital cameras that were revealed to the public, respectively, in July 2020 and January 2019. The R5 is a mirrorless interchangeable lens camera, while the A1000 is a fixed lens compact. The cameras are based on a full frame (R5) and a 1/2.3-inch (A1000) sensor. The Canon has a resolution of 44.8 megapixels, whereas the Nikon provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS R5 and the Nikon Coolpix A1000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon R5 and the Nikon A1000 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The A1000 can be obtained in two different colors (black, silver), while the R5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon A1000 is considerably smaller (39 percent) than the Canon R5. It is worth mentioning in this context that the R5 is splash and dust resistant, while the A1000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the A1000 has a lens built in, whereas the R5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the R5 gets 320 shots out of its Canon LP-E6NH battery, while the A1000 can take 250 images on a single charge of its Nikon EN-EL12 power pack. The power pack in the R5 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | 3,899 | amazon.com | |
2. | Nikon A1000 | 114 mm | 72 mm | 41 mm | 330 g | 250 | n | Jan 2019 | 429 | ebay.com | |
3. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | 2,499 | amazon.com | |
4. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | 399 | amazon.com | |
5. | Nikon P1000 | 146 mm | 119 mm | 181 mm | 1415 g | 250 | n | Jul 2018 | 999 | amazon.com | |
6. | Nikon Z7 | 134 mm | 101 mm | 67 mm | 675 g | 330 | Y | Aug 2018 | 3,399 | ebay.com | |
7. | Nikon Z7 II | 134 mm | 101 mm | 70 mm | 705 g | 420 | Y | Oct 2020 | 2,999 | amazon.com | |
8. | Panasonic S1R | 149 mm | 110 mm | 97 mm | 1016 g | 380 | Y | Feb 2019 | 3,699 | amazon.com | |
9. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | 3,199 | ebay.com | |
10. | Sony A7R IIIA | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Apr 2021 | 3,199 | amazon.com | |
11. | Sony A7R IV | 129 mm | 96 mm | 78 mm | 665 g | 670 | Y | Jul 2019 | 3,499 | ebay.com | |
12. | Sony A7S III | 127 mm | 97 mm | 81 mm | 699 g | 600 | Y | Jul 2020 | 3,499 | amazon.com | |
13. | Sony A9 II | 129 mm | 96 mm | 76 mm | 678 g | 690 | Y | Oct 2019 | 4,499 | amazon.com | |
14. | Sony A99 II | 143 mm | 104 mm | 76 mm | 849 g | 490 | Y | Sep 2016 | 3,199 | ebay.com | |
15. | Sony HX95 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 429 | ebay.com | |
16. | Sony HX99 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 449 | ebay.com | |
17. | Sony WX800 | 102 mm | 58 mm | 36 mm | 233 g | 370 | n | Oct 2018 | 399 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A1000 was launched at a lower price than the R5, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon R5 features a full frame sensor and the Nikon A1000 a 1/2.3-inch sensor. The sensor area in the A1000 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the R5 has a native 3:2 aspect ratio, while the one in the A1000 offers a 4:3 aspect.
With 44.8MP, the R5 offers a higher resolution than the A1000 (15.9MP), but the R5 nevertheless has larger individual pixels (pixel pitch of 4.39μm versus 1.33μm for the A1000) due to its larger sensor. Moreover, the R5 is a somewhat more recent model (by 1 year and 5 months) than the A1000, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the A1000 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon R5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R5 for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the Nikon A1000 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The R5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS R5 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon Coolpix A1000 are ISO 100 to ISO 6400 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
2. | Nikon A1000 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/30p | 20.7 | 12.2 | 1095 | 52 | |
3. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
4. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
5. | Nikon P1000 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/30p | 20.6 | 12.1 | 1044 | 51 | |
6. | Nikon Z7 | Full Frame | 45.4 | 8256 | 5504 | 4K/30p | 26.3 | 14.6 | 2668 | 99 | |
7. | Nikon Z7 II | Full Frame | 45.4 | 8256 | 5504 | 4K/60p | 26.3 | 14.7 | 2841 | 100 | |
8. | Panasonic S1R | Full Frame | 46.7 | 8368 | 5584 | 4K/60p | 26.4 | 14.1 | 3525 | 100 | |
9. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
10. | Sony A7R IIIA | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
11. | Sony A7R IV | Full Frame | 60.2 | 9504 | 6336 | 4K/30p | 26.0 | 14.8 | 3344 | 99 | |
12. | Sony A7S III | Full Frame | 12.0 | 4240 | 2832 | 4K/120p | 23.7 | 13.9 | 2520 | 86 | |
13. | Sony A9 II | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.0 | 3434 | 93 | |
14. | Sony A99 II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 25.4 | 13.4 | 2317 | 92 | |
15. | Sony HX95 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1057 | 51 | |
16. | Sony HX99 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1058 | 51 | |
17. | Sony WX800 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.2 | 1070 | 51 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R5 provides a higher video resolution than the A1000. It can shoot video footage at 8K/30p, while the Nikon is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the R5 offers a substantially higher resolution than the one in the A1000 (5760k vs 1166k dots). The following table reports on some other key feature differences and similarities of the Canon R5, the Nikon A1000, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
2. | Nikon A1000 | 1166 | n | 3.0 / 1036 | tilting | Y | 1/4000s | 7.0/s | Y | Y | |
3. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
4. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
5. | Nikon P1000 | 2359 | n | 3.2 / 921 | swivel | n | 1/4000s | 7.0/s | Y | Y | |
6. | Nikon Z7 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 9.0/s | n | Y | |
7. | Nikon Z7 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
8. | Panasonic S1R | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
9. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
10. | Sony A7R IIIA | 3686 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
11. | Sony A7R IV | 5760 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
12. | Sony A7S III | 9440 | n | 3.0 / 1440 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
13. | Sony A9 II | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
14. | Sony A99 II | 2400 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | n | Y | |
15. | Sony HX95 | 638 | n | 3.0 / 922 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
16. | Sony HX99 | 638 | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
17. | Sony WX800 | none | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the R5, but is missing on the A1000 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R5 writes its imaging data to CFexpress (type B) or SDXC cards, while the A1000 uses SDXC cards. The R5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A1000 only has one slot. The R5 supports UHS-II cards (on both slots), while the A1000 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS R5 and Nikon Coolpix A1000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
2. | Nikon A1000 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
3. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
4. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
5. | Nikon P1000 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
6. | Nikon Z7 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
7. | Nikon Z7 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
8. | Panasonic S1R | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
9. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
10. | Sony A7R IIIA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
11. | Sony A7R IV | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
12. | Sony A7S III | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
13. | Sony A9 II | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
14. | Sony A99 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
15. | Sony HX95 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
16. | Sony HX99 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
17. | Sony WX800 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the R5 has a hotshoe, while the A1000 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon R5 (unlike the A1000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The R5 is a recent model that features in the current product line-up of Canon. In contrast, the A1000 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the A1000 from Nikon. Further information on the features and operation of the R5 and A1000 can be found, respectively, in the Canon R5 Manual (free pdf) or the online Nikon A1000 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Canon R5 and the Nikon A1000? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS R5:
- More detail: Offers more megapixels (44.8 vs 15.9MP) with a 71% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (8K/30p vs 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 1166k dots).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1036k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (320 versus 250) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Is somewhat more recent (announced 1 year and 5 months after the A1000).
Advantages of the Nikon Coolpix A1000:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has an integrated lens, whereas the R5 necessitates an extra lens.
- More compact: Is smaller (114x72mm vs 138x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the R5).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in January 2019).
If the number of relative strengths (bullet points above) is taken as a guide, the R5 is the clear winner of the match-up (29 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon R5 and the Nikon A1000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the R5 and the A1000 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | 3,899 | amazon.com | |
2. | Nikon A1000 | .. | + + | 3.5/5 | .. | 3.5/5 | 3/5 | Jan 2019 | 429 | ebay.com | |
3. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | 2,499 | amazon.com | |
4. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | 399 | amazon.com | |
5. | Nikon P1000 | .. | + | 3.5/5 | 73/100 | 3.5/5 | 3.5/5 | Jul 2018 | 999 | amazon.com | |
6. | Nikon Z7 | 5/5 | + | 4.8/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 3,399 | ebay.com | |
7. | Nikon Z7 II | 4.5/5 | .. | 4.5/5 | .. | 4.5/5 | 4.5/5 | Oct 2020 | 2,999 | amazon.com | |
8. | Panasonic S1R | 4.5/5 | .. | 4.6/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2019 | 3,699 | amazon.com | |
9. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | 3,199 | ebay.com | |
10. | Sony A7R IIIA | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Apr 2021 | 3,199 | amazon.com | |
11. | Sony A7R IV | 5/5 | + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2019 | 3,499 | ebay.com | |
12. | Sony A7S III | 4.5/5 | + + | 5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2020 | 3,499 | amazon.com | |
13. | Sony A9 II | .. | .. | 5/5 | 90/100 | 5/5 | 5/5 | Oct 2019 | 4,499 | amazon.com | |
14. | Sony A99 II | .. | .. | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 3,199 | ebay.com | |
15. | Sony HX95 | .. | .. | .. | .. | .. | .. | Aug 2018 | 429 | ebay.com | |
16. | Sony HX99 | .. | .. | .. | .. | 4/5 | 4.5/5 | Aug 2018 | 449 | ebay.com | |
17. | Sony WX800 | .. | .. | .. | .. | .. | .. | Oct 2018 | 399 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon R5 vs Nikon A1000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon R5 | Nikon A1000 |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Canon RF mount lenses | 24-840mm f/3.4-6.9 |
Launch Date | July 2020 | January 2019 |
Launch Price | USD 3,899 | USD 429 |
Sensor Specs | Canon R5 | Nikon A1000 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Full Frame Sensor | 1/2.3" Sensor |
Sensor Size | 36.0 x 24.0 mm | 6.17 x 4.55 mm |
Sensor Area | 864 mm2 | 28.0735 mm2 |
Sensor Diagonal | 43.3 mm | 7.7 mm |
Crop Factor | 1.0x | 5.6x |
Sensor Resolution | 44.8 Megapixels | 15.9 Megapixels |
Image Resolution | 8192 x 5464 pixels | 4608 x 3456 pixels |
Pixel Pitch | 4.39 μm | 1.33 μm |
Pixel Density | 5.18 MP/cm2 | 56.73 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 8K/30p Video | 4K/30p Video |
ISO Setting | 100 - 51,200 ISO | 100 - 6,400 ISO |
ISO Boost | 50 - 102,400 ISO | no Enhancement |
DXO Sensor Quality (score) | 95 | .. |
DXO Color Depth (bits) | 25.3 | .. |
DXO Dynamic Range (EV) | 14.6 | .. |
DXO Low Light (ISO) | 3042 | .. |
Screen Specs | Canon R5 | Nikon A1000 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 98% |
Viewfinder Magnification | 0.76x | |
Viewfinder Resolution | 5760k dots | 1166k dots |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 2100k dots | 1036k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon R5 | Nikon A1000 |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 12 shutter flaps/s | 7 shutter flaps/s |
Electronic Shutter | up to 1/8000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | Lens-based stabilization |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | CFexB or SDXC cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | Dual UHS-II | UHS-I |
Connectivity Specs | Canon R5 | Nikon A1000 |
External Flash | Hotshoe | no Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.2 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Canon R5 | Nikon A1000 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Canon LP-E6NH | Nikon EN-EL12 |
Battery Life (CIPA) | 320 shots per charge | 250 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
138 x 98 x 88 mm (5.4 x 3.9 x 3.5 in) |
114 x 72 x 41 mm (4.5 x 2.8 x 1.6 in) |
Camera Weight | 738 g (26.0 oz) | 330 g (11.6 oz) |
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