Canon M50 vs Panasonic GF7
The Canon EOS M50 and the Panasonic Lumix DMC-GF7 are two digital cameras that were revealed to the public, respectively, in February 2018 and January 2015. Both the M50 and the GF7 are mirrorless interchangeable lens cameras that are based on an APS-C (M50) and a Four Thirds (GF7) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 and the Panasonic Lumix DMC-GF7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon M50 and the Panasonic GF7. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The M50 can be obtained in two different colors (black, white), while the GF7 is also available in two color-versions, but different ones (black, pink).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF7 is considerably smaller (32 percent) than the Canon M50. Moreover, the GF7 is markedly lighter (32 percent) than the M50. In this context, it is worth noting that neither the M50 nor the GF7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|2.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499|
|3.||Canon M50 Mark II||116 mm||88 mm||59 mm||387 g||305||n||Oct 2020||599|
|4.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|5.||Canon M6 Mark II||120 mm||70 mm||49 mm||408 g||305||n||Aug 2019||849|
|6.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|7.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|8.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|9.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|10.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|11.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|12.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|13.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|14.||Panasonic GX800||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549|
|15.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|16.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|17.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GF7 was launched at a markedly lower price (by 36 percent) than the M50, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M50 features an APS-C sensor and the Panasonic GF7 a Four Thirds sensor. The sensor area in the GF7 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the M50 has a native 3:2 aspect ratio, while the one in the GF7 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the M50 offers a higher resolution than the GF7 (15.8MP), but the M50 has marginally smaller individual pixels (pixel pitch of 3.72μm versus 3.77μm for the GF7). However, the M50 is a much more recent model (by 3 years and 1 month) than the GF7, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon M50 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M50 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GF7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The M50 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M50 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-GF7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..|
|3.||Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||..||..||..||..|
|4.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|5.||Canon M6 Mark II||APS-C||32.3||6960||4640||4K/30p||..||..||..||..|
|10.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|14.||Panasonic GX800||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|15.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|16.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|17.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the M50 provides a higher video resolution than the GF7. It can shoot video footage at 4K/24p, while the Panasonic is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the M50 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF7 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon M50, the Panasonic GF7, and comparable cameras.
|1.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0||Y||n|
|2.||Panasonic GF7||none||n||3.0 / 1040||tilting||Y||1/500s||5.8||Y||n|
|3.||Canon M50 Mark II||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0||Y||n|
|4.||Canon G5 X Mark II||2360||n||3.0 / 1040||tilting||Y||1/2000s||30||Y||Y|
|5.||Canon M6 Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||14.0||Y||n|
|6.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|7.||Canon M6||optional||n||3.0 / 1040||tilting||Y||1/4000s||9.0||Y||n|
|8.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1||Y||n|
|9.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0||Y||n|
|10.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9||Y||Y|
|11.||Canon M3||optional||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|12.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6||Y||n|
|13.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0||n||n|
|14.||Panasonic GX800||none||n||3.0 / 1040||tilting||Y||1/500s||10.0||Y||n|
|15.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0||Y||n|
|16.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|17.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GF7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon M50 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M50 and the GF7 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 and Panasonic Lumix DMC-GF7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|2.||Panasonic GF7||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon M50 Mark II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|4.||Canon G5 X Mark II||-||stereo / mono||-||-||micro||3.1||Y||-||Y|
|5.||Canon M6 Mark II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|7.||Canon M6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|8.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|9.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|10.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|11.||Canon M3||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|12.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|13.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|14.||Panasonic GX800||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|16.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|17.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
It is notable that the M50 has a hotshoe, while the GF7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the M50 and the GF7 have been discontinued, but can regularly be found used on eBay. The GF7 was replaced by the Panasonic GX850, while the M50 was followed by the Canon M50 Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Canon M50 or the Panasonic GF7 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS M50:
- More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/24p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 5.8 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 3 years and 1 month of technical progress since the GF7 launch.
Arguments in favor of the Panasonic Lumix DMC-GF7:
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (107x65mm vs 116x88mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 124g or 32 percent) and is thus easier to take along.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the M50 is the clear winner of the match-up (16 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M50 and the Panasonic GF7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the M50 or the GF7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|2.||Panasonic GF7||4/5||+||..||..||4.5/5||4.5/5||Jan 2015||499|
|3.||Canon M50 Mark II||4/5||..||4/5||..||4.5/5||3.5/5||Oct 2020||599|
|4.||Canon G5 X Mark II||4/5||+||4/5||82/100||..||4/5||Jul 2019||899|
|5.||Canon M6 Mark II||..||+||4.5/5||85/100||4/5||4/5||Aug 2019||849|
|6.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899|
|7.||Canon M6||..||..||..||80/100||4/5||4/5||Feb 2017||779|
|8.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499|
|9.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979|
|10.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|11.||Canon M3||4/5||o||..||75/100||4.5/5||4/5||Feb 2015||679|
|12.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499|
|13.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899|
|14.||Panasonic GX800||..||+||..||76/100||4.5/5||4.5/5||Jan 2017||549|
|15.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|16.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|17.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 50D vs Canon M50
- Canon G7 X vs Canon M50
- Canon M50 vs Leica TL2
- Canon M50 vs Nikon 1 V1
- Canon M50 vs Olympus E-P7
- Canon M50 vs Panasonic GF1
- Fujifilm X-A3 vs Panasonic GF7
- Olympus E-620 vs Panasonic GF7
- Olympus E-PL1 vs Panasonic GF7
- Olympus XZ-2 vs Panasonic GF7
- Panasonic FZ80 vs Panasonic GF7
- Panasonic GF7 vs Panasonic GX85
Specifications: Canon M50 vs Panasonic GF7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M50||Panasonic GF7|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2018||January 2015|
|Launch Price||USD 779||USD 499|
|Sensor Specs||Canon M50||Panasonic GF7|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.72 μm||3.77 μm|
|Pixel Density||7.22 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/24p Video||1080/60p Video|
|ISO Setting||100 - 25,600 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 8||Venus|
|Screen Specs||Canon M50||Panasonic GF7|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon M50||Panasonic GF7|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/500s|
|Continuous Shooting||10 shutter flaps/s||5.8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M50||Panasonic GF7|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon M50||Panasonic GF7|
|Battery Life (CIPA)||235 shots per charge||230 shots per charge|
116 x 88 x 59 mm
(4.6 x 3.5 x 2.3 in)
107 x 65 x 33 mm
(4.2 x 2.6 x 1.3 in)
|Camera Weight||390 g (13.8 oz)||266 g (9.4 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.