Canon M50 Mark II vs Olympus E-PM2

The Canon EOS M50 Mark II and the Olympus PEN E-PM2 are two digital cameras that were revealed to the public, respectively, in October 2020 and September 2012. Both the M50 Mark II and the E-PM2 are mirrorless interchangeable lens cameras that are based on an APS-C (M50 Mark II) and a Four Thirds (E-PM2) sensor. The Canon has a resolution of 24 megapixels, whereas the Olympus provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon M50 Mark II		Olympus E-PM2
Mirrorless system camera		Mirrorless system camera
Canon EF-M mount lenses		Micro Four Thirds lenses
24 MP – APS-C sensor		15.9 MP – Four Thirds sensor
4K/24p Video		1080/30p Video
ISO 100-25,600 (100 - 51,200)		ISO 100-25,600
Electronic viewfinder (2360k dots)		Viewfinder optional
3.0" LCD – 1040k dots		3.0" LCD – 460k dots
Swivel touchscreen		Fixed touchscreen
10 shutter flaps per second		8 shutter flaps per second
Lens stabilization only		In-body stabilization
305 shots per battery charge		360 shots per battery charge
116 x 88 x 59 mm, 387 g		110 x 64 x 34 mm, 269 g

Check M50 Mark II offers at
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Check E-PM2 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 Mark II and the Olympus PEN E-PM2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon M50 Mark II and the Olympus E-PM2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The M50 Mark II can be obtained in two different colors (black, white), while the E-PM2 is available in four color-versions (black, silver, red, white).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-PM2 is considerably smaller (31 percent) than the Canon M50 Mark II. Moreover, the E-PM2 is markedly lighter (30 percent) than the M50 Mark II. In this context, it is worth noting that neither the M50 Mark II nor the E-PM2 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the M50 Mark II gets 305 shots out of its Canon LP-E12 battery, while the E-PM2 can take 360 images on a single charge of its Olympus BLS-5 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon M50 Mark II	116 mm	88 mm	59 mm	387 g	305	n	Oct 2020	EUR 599	ebay.com
2.		Olympus E-PM2	110 mm	64 mm	34 mm	269 g	360	n	Sep 2012	EUR 499	ebay.com
3.		Canon 200D	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	EUR 599	ebay.com
4.		Canon 250D	122 mm	93 mm	70 mm	449 g	1070	n	Apr 2019	EUR 549	amazon.com
5.		Canon G5 X Mark II	111 mm	61 mm	46 mm	340 g	230	n	Jul 2019	EUR 929	ebay.com
6.		Canon M3	111 mm	68 mm	44 mm	366 g	250	n	Feb 2015	EUR 749	ebay.com
7.		Canon M6	112 mm	68 mm	45 mm	390 g	295	n	Feb 2017	EUR 799	ebay.com
8.		Canon M6 Mark II	120 mm	70 mm	49 mm	408 g	305	n	Aug 2019	EUR 929	ebay.com
9.		Canon M50	116 mm	88 mm	59 mm	390 g	235	n	Feb 2018	EUR 779	ebay.com
10.		Canon M200	108 mm	67 mm	35 mm	299 g	315	n	Sep 2019	EUR 539	ebay.com
11.		Fujifilm X-A7	119 mm	68 mm	41 mm	320 g	440	n	Sep 2019	EUR 549	ebay.com
12.		Fujifilm X-T200	121 mm	84 mm	55 mm	370 g	270	n	Jan 2020	EUR 749	ebay.com
13.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	EUR 999	ebay.com
14.		Olympus E-PL5	111 mm	64 mm	38 mm	325 g	360	n	Sep 2012	EUR 599	ebay.com
15.		Olympus E-PL6	111 mm	64 mm	38 mm	325 g	360	n	May 2013	EUR 599	ebay.com
16.		Olympus E-PL7	115 mm	67 mm	38 mm	357 g	350	n	Aug 2014	EUR 599	ebay.com
17.		Olympus E-PM1	110 mm	64 mm	34 mm	265 g	330	n	Jun 2011	EUR 449	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-PM2 was launched at a somewhat lower price (by 17 percent) than the M50 Mark II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon M50 Mark II features an APS-C sensor and the Olympus E-PM2 a Four Thirds sensor. The sensor area in the E-PM2 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the M50 Mark II has a native 3:2 aspect ratio, while the one in the E-PM2 offers a 4:3 aspect.

With 24MP, the M50 Mark II offers a higher resolution than the E-PM2 (15.9MP), but the M50 Mark II has marginally smaller individual pixels (pixel pitch of 3.72μm versus 3.76μm for the E-PM2). However, the M50 Mark II is a much more recent model (by 8 years) than the E-PM2, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon M50 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M50 Mark II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-PM2 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The M50 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS M50 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Olympus PEN E-PM2 are ISO 100 to ISO 25600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon M50 Mark II	APS-C	24.0	6000	4000	4K/24p	24.0	13.6	1939	83
2.		Olympus E-PM2	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.2	932	72
3.		Canon 200D	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
4.		Canon 250D	APS-C	24.0	6000	4000	4K/25p	23.9	13.4	1791	82
5.		Canon G5 X Mark II	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	583	65
6.		Canon M3	APS-C	24.0	6000	4000	1080/30p	22.8	11.8	1169	72
7.		Canon M6	APS-C	24.0	6000	4000	1080/60p	23.4	12.6	1317	78
8.		Canon M6 Mark II	APS-C	32.3	6960	4640	4K/30p	24.0	13.5	1848	83
9.		Canon M50	APS-C	24.0	6000	4000	4K/24p	23.8	13.3	1684	81
10.		Canon M200	APS-C	24.0	6000	4000	4k/25p	24.0	13.5	1836	82
11.		Fujifilm X-A7	APS-C	24.0	6000	4000	4K/30p	24.1	13.6	1955	84
12.		Fujifilm X-T200	APS-C	24.0	6000	4000	4K/30p	24.1	13.6	1991	84
13.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
14.		Olympus E-PL5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	889	72
15.		Olympus E-PL6	Four Thirds	15.9	4608	3456	1080/30p	22.5	12.0	717	68
16.		Olympus E-PL7	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.4	873	72
17.		Olympus E-PM1	Four Thirds	12.2	4032	3024	1080/60i	21.0	10.3	499	52
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the M50 Mark II provides a higher video resolution than the E-PM2. It can shoot video footage at 4K/24p, while the Olympus is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the M50 Mark II has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-PM2 relies on live view and the rear LCD for framing. That said, the E-PM2 can be equipped with an optional viewfinder – the VF-4. The table below summarizes some of the other core capabilities of the Canon M50 Mark II and Olympus E-PM2 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon M50 Mark II	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
2.		Olympus E-PM2	optional	n	3.0 / 460	fixed	Y	1/4000s	8.0/s	n	Y
3.		Canon 200D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
4.		Canon 250D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
5.		Canon G5 X Mark II	2360	n	3.0 / 1040	tilting	Y	1/2000s	30/s	Y	Y
6.		Canon M3	optional	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
7.		Canon M6	optional	n	3.0 / 1040	tilting	Y	1/4000s	9.0/s	Y	n
8.		Canon M6 Mark II	optional	n	3.0 / 1040	tilting	Y	1/4000s	14.0/s	Y	n
9.		Canon M50	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
10.		Canon M200	none	n	3.0 / 1040	tilting	Y	1/4000s	6.1/s	Y	n
11.		Fujifilm X-A7	none	n	3.5 / 2760	swivel	Y	1/4000s	6.0/s	Y	n
12.		Fujifilm X-T200	2360	n	3.5 / 2780	swivel	Y	1/4000s	8.0/s	Y	n
13.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
14.		Olympus E-PL5	optional	n	3.0 / 460	tilting	Y	1/4000s	8.0/s	n	Y
15.		Olympus E-PL6	optional	n	3.0 / 460	tilting	Y	1/4000s	8.0/s	n	Y
16.		Olympus E-PL7	optional	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	n	Y
17.		Olympus E-PM1	optional	n	3.0 / 460	fixed	n	1/4000s	5.5/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The M50 Mark II has one, while the E-PM2 does not. While the built-in flash of the M50 Mark II is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the M50 Mark II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon M50 Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the M50 Mark II and the E-PM2 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 Mark II and Olympus PEN E-PM2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon M50 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
2.		Olympus E-PM2	Y	stereo / mono	-	-	mini	2.0	-	-	-
3.		Canon 200D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon 250D	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
5.		Canon G5 X Mark II	-	stereo / mono	-	-	micro	3.1	Y	-	Y
6.		Canon M3	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
7.		Canon M6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
8.		Canon M6 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
9.		Canon M50	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
10.		Canon M200	-	stereo / mono	-	-	micro	2.0	Y	-	Y
11.		Fujifilm X-A7	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
12.		Fujifilm X-T200	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
13.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Olympus E-PL5	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Olympus E-PL6	Y	stereo / mono	-	-	mini	2.0	-	-	-
16.		Olympus E-PL7	Y	stereo / mono	-	-	micro	2.0	Y	-	-
17.		Olympus E-PM1	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the M50 Mark II has a microphone port, which is missing on the E-PM2. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Both the M50 Mark II and the E-PM2 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Canon and Olympus. Further information on the features and operation of the M50 Mark II and E-PM2 can be found, respectively, in the Canon M50 Mark II Manual (free pdf) or the online Olympus E-PM2 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Canon M50 Mark II or the Olympus E-PM2 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Advantages of the Canon EOS M50 Mark II:

• More detail: Offers more megapixels (24 vs 15.9MP) with a 25% higher linear resolution.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/24p vs 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More modern: Reflects 8 years of technical progress since the E-PM2 launch.

Reasons to prefer the Olympus PEN E-PM2:

• More compact: Is smaller (110x64mm vs 116x88mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 118g or 30 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (360 versus 305) out of a single battery charge.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More affordable: Was released into a lower priced segment (17 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in September 2012).

If the number of relative strengths (bullet points above) is taken as a guide, the M50 Mark II is the clear winner of the match-up (19 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon M50 Mark II and the Olympus E-PM2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the M50 Mark II and the E-PM2 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon M50 Mark II	4/5	..	4/5	..	4.5/5	3.5/5	Oct 2020	EUR 599	ebay.com
2.		Olympus E-PM2	3/5	..	..	77/100	5/5	4.5/5	Sep 2012	EUR 499	ebay.com
3.		Canon 200D	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	EUR 599	ebay.com
4.		Canon 250D	4/5	o	4.5/5	79/100	4/5	4/5	Apr 2019	EUR 549	amazon.com
5.		Canon G5 X Mark II	4/5	+	4/5	82/100	..	4/5	Jul 2019	EUR 929	ebay.com
6.		Canon M3	4/5	o	..	75/100	4.5/5	4/5	Feb 2015	EUR 749	ebay.com
7.		Canon M6	..	..	..	80/100	4/5	4/5	Feb 2017	EUR 799	ebay.com
8.		Canon M6 Mark II	..	+	4.5/5	85/100	4/5	4/5	Aug 2019	EUR 929	ebay.com
9.		Canon M50	..	+	4/5	79/100	..	3.5/5	Feb 2018	EUR 779	ebay.com
10.		Canon M200	..	+	3/5	79/100	4/5	4/5	Sep 2019	EUR 539	ebay.com
11.		Fujifilm X-A7	3/5	..	3.5/5	81/100	4/5	3.5/5	Sep 2019	EUR 549	ebay.com
12.		Fujifilm X-T200	3.5/5	..	4/5	82/100	4/5	4.5/5	Jan 2020	EUR 749	ebay.com
13.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	EUR 999	ebay.com
14.		Olympus E-PL5	3/5	+ +	..	..	4.5/5	4.5/5	Sep 2012	EUR 599	ebay.com
15.		Olympus E-PL6	..	..	..	..	..	..	May 2013	EUR 599	ebay.com
16.		Olympus E-PL7	4/5	+	..	..	5/5	4/5	Aug 2014	EUR 599	ebay.com
17.		Olympus E-PM1	..	86/100	..	71/100	4.5/5	4.5/5	Jun 2011	EUR 449	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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