Canon M50 Mark II vs Leica D-LUX 7

The Canon EOS M50 Mark II and the Leica D-LUX 7 are two digital cameras that were announced, respectively, in October 2020 and November 2018. The M50 Mark II is a mirrorless interchangeable lens camera, while the D-LUX 7 is a fixed lens compact. The cameras are based on an APS-C (M50 Mark II) and a Four Thirds (D-LUX 7) sensor. The Canon has a resolution of 24 megapixels, whereas the Leica provides 16.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon M50 Mark II		Leica D-LUX 7
Mirrorless system camera		Fixed lens compact camera
Canon EF-M mount lenses		24-75mm f/1.7-2.8
24 MP – APS-C sensor		16.8 MP – Four Thirds sensor
4K/24p Video		4K/30p Video
ISO 100-25,600 (100 - 51,200)		ISO 200-25,600
Electronic viewfinder (2360k dots)		Electronic viewfinder (2764k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1240k dots
Swivel touchscreen		Fixed touchscreen
10 shutter flaps per second		11 shutter flaps per second
305 shots per battery charge		300 shots per battery charge
116 x 88 x 59 mm, 387 g		115 x 66 x 65 mm, 392 g

Check M50 Mark II offers at
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Check D-LUX 7 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M50 Mark II and the Leica D-LUX 7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon M50 Mark II and the Leica D-LUX 7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The M50 Mark II can be obtained in two different colors (black, white), while the D-LUX 7 is only available in silver.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica D-LUX 7 is notably smaller (26 percent) than the Canon M50 Mark II. In this context, it is worth noting that neither the M50 Mark II nor the D-LUX 7 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 7 has a lens built in, whereas the M50 Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the M50 Mark II gets 305 shots out of its Canon LP-E12 battery, while the D-LUX 7 can take 300 images on a single charge of its Leica BP-DC15 power pack. The power pack in the D-LUX 7 can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon M50 Mark II	116 mm	88 mm	59 mm	387 g	305	n	Oct 2020	599	ebay.com
2.		Leica D-LUX 7	115 mm	66 mm	65 mm	392 g	300	n	Nov 2018	1,195	ebay.com
3.		Canon M3	111 mm	68 mm	44 mm	366 g	250	n	Feb 2015	679	ebay.com
4.		Canon M5	116 mm	89 mm	61 mm	427 g	295	n	Sep 2016	979	ebay.com
5.		Canon M6	112 mm	68 mm	45 mm	390 g	295	n	Feb 2017	779	ebay.com
6.		Canon M6 Mark II	120 mm	70 mm	49 mm	408 g	305	n	Aug 2019	849	ebay.com
7.		Canon M50	116 mm	88 mm	59 mm	390 g	235	n	Feb 2018	779	ebay.com
8.		Canon M100	108 mm	67 mm	35 mm	302 g	295	n	Aug 2017	499	ebay.com
9.		Canon M200	108 mm	67 mm	35 mm	299 g	315	n	Sep 2019	549	ebay.com
10.		Canon R50	116 mm	86 mm	69 mm	375 g	230	n	Feb 2023	679	amazon.com
11.		Canon SL2	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	549	ebay.com
12.		Canon SL3	122 mm	93 mm	70 mm	449 g	1070	n	Apr 2019	599	amazon.com
13.		Fujifilm X100F	127 mm	75 mm	52 mm	469 g	390	n	Jan 2017	1,299	ebay.com
14.		Leica C-LUX	113 mm	67 mm	46 mm	340 g	370	n	Jun 2018	1,049	ebay.com
15.		Leica D-LUX Typ 109	118 mm	66 mm	55 mm	405 g	300	n	Sep 2014	1,195	ebay.com
16.		Leica V-LUX 5	136 mm	97 mm	131 mm	812 g	350	n	Jul 2019	1,249	amazon.com
17.		Panasonic LX100 II	115 mm	66 mm	65 mm	392 g	300	n	Aug 2018	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon M50 Mark II features an APS-C sensor and the Leica D-LUX 7 a Four Thirds sensor. The sensor area in the D-LUX 7 is 44 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.2. The sensor in the M50 Mark II has a native 3:2 aspect ratio, while the one in the D-LUX 7 offers a 4:3 aspect. The D-LUX 7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 24MP, the M50 Mark II offers a higher resolution than the D-LUX 7 (16.8MP), but the M50 Mark II nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 3.32μm for the D-LUX 7) due to its larger sensor. Moreover, the M50 Mark II is a somewhat more recent model (by 1 year and 10 months) than the D-LUX 7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D-LUX 7 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Canon M50 Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M50 Mark II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Leica D-LUX 7 are 23.7 x 17.8 inches or 60.1 x 45.1 cm for good quality, 18.9 x 14.2 inches or 48.1 x 36.1 cm for very good quality, and 15.8 x 11.8 inches or 40.1 x 30.1 cm for excellent quality prints.

The M50 Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS M50 Mark II has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Leica D-LUX 7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon M50 Mark II	APS-C	24.0	6000	4000	4K/24p	24.0	13.6	1939	83
2.		Leica D-LUX 7	Four Thirds	16.8	4736	3552	4K/30p	22.9	12.8	1002	72
3.		Canon M3	APS-C	24.0	6000	4000	1080/30p	22.8	11.8	1169	72
4.		Canon M5	APS-C	24.0	6000	4000	1080/60p	23.4	12.4	1262	77
5.		Canon M6	APS-C	24.0	6000	4000	1080/60p	23.4	12.6	1317	78
6.		Canon M6 Mark II	APS-C	32.3	6960	4640	4K/30p	24.0	13.5	1848	83
7.		Canon M50	APS-C	24.0	6000	4000	4K/24p	23.8	13.3	1684	81
8.		Canon M100	APS-C	24.0	6000	4000	1080/60p	23.5	12.9	1272	78
9.		Canon M200	APS-C	24.0	6000	4000	4k/25p	24.0	13.5	1836	82
10.		Canon R50	APS-C	24.0	6000	4000	4K/30p	24.1	13.9	2168	84
11.		Canon SL2	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
12.		Canon SL3	APS-C	24.0	6000	4000	4K/25p	23.9	13.4	1791	82
13.		Fujifilm X100F	APS-C	24.0	6000	4000	1080/60p	23.9	13.2	1704	81
14.		Leica C-LUX	1-inch	20.0	5472	3648	4K/30p	22.1	12.3	481	64
15.		Leica D-LUX Typ 109	Four Thirds	12.7	4112	3088	4K/30p	22.4	12.1	607	67
16.		Leica V-LUX 5	1-inch	20.0	5472	3648	4K/30p	22.2	12.4	584	65
17.		Panasonic LX100 II	Four Thirds	16.8	4736	3552	4K/30p	22.8	12.7	979	72
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the D-LUX 7 provides a faster frame rate than the M50 Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 4K/24p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the D-LUX 7 offers a higher resolution than the one in the M50 Mark II (2764k vs 2360k dots). The table below summarizes some of the other core capabilities of the Canon M50 Mark II and Leica D-LUX 7 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon M50 Mark II	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
2.		Leica D-LUX 7	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
3.		Canon M3	optional	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
4.		Canon M5	2360	n	3.2 / 1620	tilting	Y	1/4000s	9.0/s	Y	n
5.		Canon M6	optional	n	3.0 / 1040	tilting	Y	1/4000s	9.0/s	Y	n
6.		Canon M6 Mark II	optional	n	3.0 / 1040	tilting	Y	1/4000s	14.0/s	Y	n
7.		Canon M50	2360	n	3.0 / 1040	swivel	Y	1/4000s	10.0/s	Y	n
8.		Canon M100	none	n	3.0 / 1040	tilting	Y	1/4000s	6.1/s	Y	n
9.		Canon M200	none	n	3.0 / 1040	tilting	Y	1/4000s	6.1/s	Y	n
10.		Canon R50	2360	n	3.0 / 1620	swivel	Y	1/4000s	12.0/s	Y	n
11.		Canon SL2	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
12.		Canon SL3	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
13.		Fujifilm X100F	2360	n	3.0 / 1040	fixed	n	1/4000s	8.0/s	Y	n
14.		Leica C-LUX	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
15.		Leica D-LUX Typ 109	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
16.		Leica V-LUX 5	2360	n	3.0 / 1240	swivel	Y	1/4000s	12.0/s	Y	Y
17.		Panasonic LX100 II	2764	n	3.0 / 1240	fixed	Y	1/4000s	11.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The M50 Mark II has one, while the D-LUX 7 does not. While the built-in flash of the M50 Mark II is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon M50 Mark II and the Leica D-LUX 7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the M50 Mark II and the D-LUX 7 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M50 Mark II and Leica D-LUX 7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon M50 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
2.		Leica D-LUX 7	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
3.		Canon M3	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
4.		Canon M5	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
5.		Canon M6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
6.		Canon M6 Mark II	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
7.		Canon M50	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
8.		Canon M100	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
9.		Canon M200	-	stereo / mono	-	-	micro	2.0	Y	-	Y
10.		Canon R50	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
11.		Canon SL2	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
12.		Canon SL3	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
13.		Fujifilm X100F	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
14.		Leica C-LUX	-	stereo / mono	-	-	micro	2.0	Y	-	-
15.		Leica D-LUX Typ 109	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Leica V-LUX 5	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
17.		Panasonic LX100 II	Y	stereo / mono	-	-	micro	2.0	Y	-	Y

It is notable that the M50 Mark II has a microphone port, which is missing on the D-LUX 7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Both the M50 Mark II and the D-LUX 7 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Canon and Leica. Further information on the features and operation of the M50 Mark II and D-LUX 7 can be found, respectively, in the Canon M50 Mark II Manual (free pdf) or the online Leica D-LUX 7 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Canon M50 Mark II or the Leica D-LUX 7 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Canon EOS M50 Mark II:

• More detail: Offers more megapixels (24 vs 16.8MP) with a 22% higher linear resolution.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More modern: Is somewhat more recent (announced 1 year and 10 months after the D-LUX 7).

Advantages of the Leica D-LUX 7:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Better video: Provides higher movie framerates (4K/30p versus 4K/24p).
• More detailed viewfinder: Has higher resolution electronic viewfinder (2764k vs 2360k dots).
• More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
• Ready to shoot: Has an integrated lens, whereas the M50 Mark II necessitates an extra lens.
• More compact: Is smaller (115x66mm vs 116x88mm) and will fit more readily into a bag.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
• More heavily discounted: Has been on the market for longer (launched in November 2018).

If the count of relative strengths (bullet points above) is taken as a measure, the M50 Mark II emerges as the winner of the contest (13 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon M50 Mark II and the Leica D-LUX 7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the M50 Mark II or the D-LUX 7 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon M50 Mark II	4/5	..	4/5	..	4.5/5	3.5/5	Oct 2020	599	ebay.com
2.		Leica D-LUX 7	..	..	..	..	..	4.5/5	Nov 2018	1,195	ebay.com
3.		Canon M3	4/5	o	..	75/100	4.5/5	4/5	Feb 2015	679	ebay.com
4.		Canon M5	4/5	+	4/5	82/100	4/5	4/5	Sep 2016	979	ebay.com
5.		Canon M6	..	..	..	80/100	4/5	4/5	Feb 2017	779	ebay.com
6.		Canon M6 Mark II	..	+	4.5/5	85/100	4/5	4/5	Aug 2019	849	ebay.com
7.		Canon M50	..	+	4/5	79/100	..	3.5/5	Feb 2018	779	ebay.com
8.		Canon M100	3/5	+	..	..	4/5	3.5/5	Aug 2017	499	ebay.com
9.		Canon M200	..	+	3/5	79/100	4/5	4/5	Sep 2019	549	ebay.com
10.		Canon R50	4/5	+ +	4.5/5	84/100	..	4.5/5	Feb 2023	679	amazon.com
11.		Canon SL2	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	549	ebay.com
12.		Canon SL3	4/5	o	4.5/5	79/100	4/5	4/5	Apr 2019	599	amazon.com
13.		Fujifilm X100F	5/5	+	3.9/5	83/100	4.5/5	4.5/5	Jan 2017	1,299	ebay.com
14.		Leica C-LUX	..	..	3.5/5	..	4.5/5	4/5	Jun 2018	1,049	ebay.com
15.		Leica D-LUX Typ 109	..	..	..	..	4.5/5	4.5/5	Sep 2014	1,195	ebay.com
16.		Leica V-LUX 5	..	..	..	..	4/5	4/5	Jul 2019	1,249	amazon.com
17.		Panasonic LX100 II	4.5/5	+	4.2/5	82/100	4.5/5	4.5/5	Aug 2018	999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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