Canon M200 vs Fujifilm GFX 100S
The Canon EOS M200 and the Fujifilm GFX 100S are two digital cameras that were announced, respectively, in September 2019 and January 2021. Both the M200 and the GFX 100S are mirrorless interchangeable lens cameras that are based on an APS-C (M200) and a medium format (GFX 100S) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 101.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M200 and the Fujifilm GFX 100S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon M200 and the Fujifilm GFX 100S. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The M200 can be obtained in two different colors (black, white), while the GFX 100S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100S is considerably larger (116 percent) than the Canon M200. Moreover, the GFX 100S is substantially heavier (201 percent) than the M200. It is noteworthy in this context that the GFX 100S is splash and dust-proof, while the M200 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the M200 gets 315 shots out of its LP-E12 battery, while the GFX 100S can take 460 images on a single charge of its NP-W235 power pack. The power pack in the GFX 100S can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon M200||108 mm||67 mm||35 mm||299 g||315||n||Sep 2019||549||amazon.com|
|2.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999||amazon.com|
|3.||Canon M50 Mark II||116 mm||88 mm||59 mm||387 g||305||n||Oct 2020||599||amazon.com|
|4.||Canon SL3||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599||amazon.com|
|5.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779||ebay.com|
|6.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399||amazon.com|
|7.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449||amazon.com|
|8.||Canon SX70||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549||amazon.com|
|9.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499||ebay.com|
|10.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499||ebay.com|
|11.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599||ebay.com|
|12.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999||amazon.com|
|13.||Fujifilm GFX 100||156 mm||144 mm||75 mm||1320 g||800||Y||May 2019||9,999||amazon.com|
|14.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499||ebay.com|
|15.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499||ebay.com|
|16.||Hasselblad X2D 100C||149 mm||106 mm||75 mm||895 g||420||Y||Sep 2022||8,199||amazon.com|
|17.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499||amazon.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M200 was launched at a markedly lower price (by 91 percent) than the GFX 100S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon M200 features an APS-C sensor and the Fujifilm GFX 100S a medium format sensor. The sensor area in the GFX 100S is 334 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the M200 has a native 3:2 aspect ratio, while the one in the GFX 100S offers a 4:3 aspect.
With 101.8MP, the GFX 100S offers a higher resolution than the M200 (24MP), but the GFX 100S nevertheless has marginally larger individual pixels (pixel pitch of 3.76μm versus 3.72μm for the M200) due to its larger sensor. Moreover, the GFX 100S is a somewhat more recent model (by 1 year and 4 months) than the M200, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 100S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 100S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Canon M200 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
Unlike the M200, the GFX 100S has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS M200 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Fujifilm GFX 100S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
In terms of underlying technology, the M200 is build around a CMOS sensor, while the GFX 100S uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||25.8||14.7||3391||100|
|3.||Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||24.0||13.6||1939||83|
|12.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|13.||Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||25.7||14.5||3227||99|
|15.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|16.||Hasselblad X2D 100C||Medium Format||102.1||11656||8762||none||25.9||14.9||3550||101|
|17.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||25.9||14.5||3163||98|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GFX 100S provides a faster frame rate than the M200. It can shoot movie footage at 4K/30p, while the Canon is limited to 4k/25p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 100S has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M200 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon M200 and Fujifilm GFX 100S in connection with corresponding information for a sample of similar cameras.
|1.||Canon M200||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1/s||Y||n|
|2.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0/s||n||Y|
|3.||Canon M50 Mark II||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|4.||Canon SL3||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|6.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0/s||Y||Y|
|7.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|8.||Canon SX70||2360||n||3.0 / 922||swivel||n||1/2000s||10.0/s||Y||Y|
|9.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1/s||Y||n|
|10.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6/s||Y||n|
|11.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3/s||n||n|
|12.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||Y|
|13.||Fujifilm GFX 100||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0/s||n||Y|
|14.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0/s||Y||n|
|15.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||n|
|16.||Hasselblad X2D 100C||5760||Y||3.6 / 2360||tilting||Y||1/4000s||3.3/s||n||Y|
|17.||Sony A1||9437||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The M200 has one, while the GFX 100S does not. While the built-in flash of the M200 is not very powerful, it can at times be useful as a fill-in light.The M200 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 100S does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M200 and the GFX 100S write their files to SDXC cards. The GFX 100S features dual card slots, which can be very useful in case a memory card fails. In contrast, the M200 only has one slot. The GFX 100S supports UHS-II cards (on both slots), while the M200 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M200 and Fujifilm GFX 100S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon M200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|2.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|3.||Canon M50 Mark II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|4.||Canon SL3||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|5.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|7.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|8.||Canon SX70||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|9.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|10.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|11.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|13.||Fujifilm GFX 100||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|14.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|15.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|16.||Hasselblad X2D 100C||Y||stereo / mono||-||-||-||3.2||Y||-||-|
|17.||Sony A1||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
It is notable that the GFX 100S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M200 lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm GFX 100S (unlike the M200) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the M200 and the GFX 100S are recent models that are part of the current product line-up. The M200 replaced the earlier Canon M100, while the GFX 100S followed on from the Fujifilm GFX 100. Further information on the features and operation of the M200 and GFX 100S can be found, respectively, in the Canon M200 Manual (free pdf) or the online Fujifilm GFX 100S Manual.
So what is the bottom line? Which of the two cameras – the Canon M200 or the Fujifilm GFX 100S – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS M200:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6.1 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (108x67mm vs 150x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 601g or 67 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (91 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2019).
Reasons to prefer the Fujifilm GFX 100S:
- More detail: Has more megapixels (101.8 vs 24MP), which boosts linear resolution by 102%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (4K/30p versus 4k/25p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (460 versus 315) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (1 year and 4 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100S is the clear winner of the contest (27 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M200 and the Fujifilm GFX 100S place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the M200 or the GFX 100S perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M200||..||+||3/5||79/100||4/5||4/5||Sep 2019||549||amazon.com|
|2.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999||amazon.com|
|3.||Canon M50 Mark II||4/5||..||4/5||..||4.5/5||3.5/5||Oct 2020||599||amazon.com|
|4.||Canon SL3||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599||amazon.com|
|5.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779||ebay.com|
|6.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399||amazon.com|
|7.||Canon T7||..||o||3.5/5||..||3.5/5||3.5/5||Feb 2018||449||amazon.com|
|8.||Canon SX70||..||+ +||3.5/5||..||3.5/5||3.5/5||Sep 2018||549||amazon.com|
|9.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499||ebay.com|
|10.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499||ebay.com|
|11.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599||ebay.com|
|12.||Fujifilm GFX 50S II||5/5||..||5/5||87/100||..||5/5||Sep 2021||3,999||amazon.com|
|13.||Fujifilm GFX 100||4.5/5||+ +||4.8/5||90/100||5/5||4.5/5||May 2019||9,999||amazon.com|
|14.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499||ebay.com|
|15.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499||ebay.com|
|16.||Hasselblad X2D 100C||..||..||..||..||..||..||Sep 2022||8,199||amazon.com|
|17.||Sony A1||5/5||o||4.5/5||93/100||4.5/5||5/5||Jan 2021||6,499||amazon.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon M200 vs Leica V-LUX 5
- Canon M200 vs Nikon D500
- Canon M200 vs Nikon Z6 II
- Canon M200 vs Panasonic S1
- Canon M200 vs Panasonic S1R
- Canon M200 vs Sony HX350
- Canon R vs Fujifilm GFX 100S
- Fujifilm GFX 100S vs Nikon D5600
- Fujifilm GFX 100S vs Nikon W300
- Fujifilm GFX 100S vs Olympus E-M1X
- Fujifilm GFX 100S vs Sony A7
- Fujifilm GFX 100S vs Sony A7 III
Specifications: Canon M200 vs Fujifilm GFX 100S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M200||Fujifilm GFX 100S|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses||Fujifilm G mount lenses|
|Launch Date||September 2019||January 2021|
|Launch Price||USD 549||USD 5,999|
|Sensor Specs||Canon M200||Fujifilm GFX 100S|
|Sensor Format||APS-C Sensor||Medium Format Sensor|
|Sensor Size||22.3 x 14.9 mm||43.8 x 32.9 mm|
|Sensor Area||332.27 mm2||1441.02 mm2|
|Sensor Diagonal||26.8 mm||54.8 mm|
|Sensor Resolution||24 Megapixels||101.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||11648 x 8736 pixels|
|Pixel Pitch||3.72 μm||3.76 μm|
|Pixel Density||7.22 MP/cm2||7.06 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4k/25p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||100 - 12,800 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||DIGIC 8||X-Processor 4|
|Screen Specs||Canon M200||Fujifilm GFX 100S|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||2360k dots|
|LCD Attachment||Tilting screen||Fully flexible screen|
|Shooting Specs||Canon M200||Fujifilm GFX 100S|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||6.1 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon M200||Fujifilm GFX 100S|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon M200||Fujifilm GFX 100S|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||315 shots per charge||460 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
108 x 67 x 35 mm
(4.3 x 2.6 x 1.4 in)
150 x 104 x 87 mm
(5.9 x 4.1 x 3.4 in)
|Camera Weight||299 g (10.5 oz)||900 g (31.7 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.