Canon M200 vs Panasonic GH5s
The Canon EOS M200 and the Panasonic Lumix DC-GH5s are two digital cameras that were revealed to the public, respectively, in September 2019 and January 2018. Both the M200 and the GH5s are mirrorless interchangeable lens cameras that are based on an APS-C (M200) and a Four Thirds (GH5s) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 9.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M200 and the Panasonic Lumix DC-GH5s? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon M200 and the Panasonic GH5s are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The M200 can be obtained in two different colors (black, white), while the GH5s is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH5s is considerably larger (88 percent) than the Canon M200. Moreover, the GH5s is substantially heavier (121 percent) than the M200. It is noteworthy in this context that the GH5s is splash and dust-proof, while the M200 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon M200||108 mm||67 mm||35 mm||299 g||315||n||Sep 2019||549|
|2.||Panasonic GH5s||139 mm||98 mm||87 mm||660 g||440||Y||Jan 2018||2,499|
|3.||Canon M50 Mark II||116 mm||88 mm||59 mm||387 g||305||n||Oct 2020||599|
|4.||Canon SL3||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|5.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|6.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|7.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|8.||Canon SX70||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549|
|9.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|10.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|11.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|12.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|13.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|14.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|15.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|16.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299|
|17.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The M200 was launched at a markedly lower price (by 78 percent) than the GH5s, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon M200 features an APS-C sensor and the Panasonic GH5s a Four Thirds sensor. The sensor area in the GH5s is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the M200 has a native 3:2 aspect ratio, while the one in the GH5s offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the M200 offers a higher resolution than the GH5s (9.9MP), but the M200 has smaller individual pixels (pixel pitch of 3.72μm versus 4.77μm for the GH5s). However, the M200 is a somewhat more recent model (by 1 year and 8 months) than the GH5s, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GH5s has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon M200 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M200 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GH5s are 18.4 x 13.5 inches or 46.7 x 34.3 cm for good quality, 14.7 x 10.8 inches or 37.4 x 27.4 cm for very good quality, and 12.3 x 9 inches or 31.2 x 22.9 cm for excellent quality prints.
The M200 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M200 has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Panasonic Lumix DC-GH5s are ISO 160 to ISO 51200, with the possibility to increase the ISO range to 80-204800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic GH5s||Four Thirds||9.9||3680||2700||4K/60p||23.1||12.8||1154||74|
|3.||Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||24.0||13.6||1939||83|
|13.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|15.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|16.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|17.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GH5s provides a faster frame rate than the M200. It can shoot movie footage at 4K/60p, while the Canon is limited to 4k/25p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GH5s has an electronic viewfinder (3680k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M200 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon M200 and Panasonic GH5s along with similar information for a selection of comparators.
|1.||Canon M200||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1/s||Y||n|
|2.||Panasonic GH5s||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||n|
|3.||Canon M50 Mark II||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|4.||Canon SL3||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|6.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0/s||Y||Y|
|7.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|8.||Canon SX70||2360||n||3.0 / 922||swivel||n||1/2000s||10.0/s||Y||Y|
|9.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1/s||Y||n|
|10.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6/s||Y||n|
|11.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3/s||n||n|
|12.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0/s||Y||n|
|13.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|14.||Panasonic FZ300||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0/s||Y||Y|
|15.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0/s||Y||n|
|16.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0/s||Y||n|
|17.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The M200 has one, while the GH5s does not. While the built-in flash of the M200 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH5s is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH5s has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the M200 and the GH5s write their files to SDXC cards. The GH5s features dual card slots, which can be very useful in case a memory card fails. In contrast, the M200 only has one slot. The GH5s supports UHS-II cards (on both slots), while the M200 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M200 and Panasonic Lumix DC-GH5s and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon M200||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|2.||Panasonic GH5s||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|3.||Canon M50 Mark II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|4.||Canon SL3||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|5.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|7.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|8.||Canon SX70||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|9.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|10.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|11.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|13.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|14.||Panasonic FZ300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|15.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|17.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the GH5s has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The M200 lacks such a headphone port.
Studio photographers will appreciate that the Panasonic GH5s (unlike the M200) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the M200 and the GH5s are recent models that are part of the current product line-up. The M200 replaced the earlier Canon M100, while the GH5s does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is the Canon M200 better than the Panasonic GH5s or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS M200:
- More detail: Offers more megapixels (24 vs 9.9MP) with a 58% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More compact: Is smaller (108x67mm vs 139x98mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 361g or 55 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (78 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 8 months after the GH5s).
Arguments in favor of the Panasonic Lumix DC-GH5s:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (4K/60p versus 4k/25p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 6.1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (440 versus 315) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in January 2018).
If the count of individual advantages (bullet points above) is taken as a guide, the GH5s is the clear winner of the contest (21 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M200 and the Panasonic GH5s place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the M200 or the GH5s perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon M200||..||+||3/5||79/100||4/5||4/5||Sep 2019||549|
|2.||Panasonic GH5s||..||..||4.5/5||84/100||4.5/5||4.5/5||Jan 2018||2,499|
|3.||Canon M50 Mark II||4/5||..||4/5||..||4.5/5||3.5/5||Oct 2020||599|
|4.||Canon SL3||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599|
|5.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|6.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|7.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|8.||Canon SX70||..||+ +||3.5/5||..||3.5/5||3.5/5||Sep 2018||549|
|9.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499|
|10.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499|
|11.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599|
|12.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499|
|13.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|14.||Panasonic FZ300||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|15.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|16.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299|
|17.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Canon M200 vs Panasonic GH5s
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M200||Panasonic GH5s|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2019||January 2018|
|Launch Price||USD 549||USD 2,499|
|Sensor Specs||Canon M200||Panasonic GH5s|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||9.9 Megapixels|
|Image Resolution||6000 x 4000 pixels||3680 x 2700 pixels|
|Pixel Pitch||3.72 μm||4.77 μm|
|Pixel Density||7.22 MP/cm2||4.42 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4k/25p Video||4K/60p Video|
|ISO Setting||100 - 25,600 ISO||160 - 51,200 ISO|
|ISO Boost||no Enhancement||80 - 204,800 ISO|
|Image Processor||DIGIC 8||Venus 10|
|Screen Specs||Canon M200||Panasonic GH5s|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3680k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||1620k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Canon M200||Panasonic GH5s|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||6.1 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon M200||Panasonic GH5s|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon M200||Panasonic GH5s|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||315 shots per charge||440 shots per charge|
108 x 67 x 35 mm
(4.3 x 2.6 x 1.4 in)
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
|Camera Weight||299 g (10.5 oz)||660 g (23.3 oz)|
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