Canon M vs Panasonic GF5
The Canon EOS M and the Panasonic Lumix DMC-GF5 are two digital cameras that were revealed to the public, respectively, in July 2012 and April 2012. Both the Canon M and the GF5 are mirrorless interchangeable lens cameras that are based on an APS-C (Canon M) and a Four Thirds (GF5) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon M||Panasonic GF5|
|Mirrorless system camera||Mirrorless system camera|
|Canon EF-M mount lenses||Micro Four Thirds lenses|
|17.9 MP, APS-C Sensor||12 MP, Four Thirds Sensor|
|1080/30p Video||1080/60i Video|
|ISO 100-12800 (100-25600)||ISO 160-6400 (160-12800)|
|No viewfinder, LCD framing||No viewfinder, LCD framing|
|3.0" LCD, 1040k dots||3.0" LCD, 920k dots|
|Fixed touchscreen||Fixed touchscreen|
|4.3 shutter flaps per second||4 shutter flaps per second|
|230 shots per battery charge||360 shots per battery charge|
|109 x 66 x 32 mm, 298 g||108 x 67 x 37 mm, 267 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS M and the Panasonic Lumix DMC-GF5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon M and the Panasonic GF5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The Canon M can be obtained in two different colors (black, white), while the GF5 is available in three color-versions (black, red, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon M and the Panasonic GF5 are of equal size. However, the GF5 is markedly lighter (10 percent) than the Canon M. In this context, it is worth noting that neither the Canon M nor the GF5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon M»||4.3 in||2.6 in||1.3 in||10.5 oz||230||n||Jul 2012||599||-||Canon M|
|Panasonic GF5«||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499||-||Panasonic GF5|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon M10« »||4.3 in||2.6 in||1.4 in||10.6 oz||255||n||Oct 2015||499||-||Canon M10|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon T5i|
|Canon T3i« »||5.2 in||3.9 in||3.1 in||20.1 oz||440||n||Feb 2011||599||-||Canon T3i|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-||Panasonic GF6|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-||Panasonic G3|
|Panasonic GF3« »||4.3 in||2.6 in||1.3 in||9.3 oz||300||n||Jun 2011||549||-||Panasonic GF3|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||-||Panasonic G2|
|Sony NEX-3N« »||4.3 in||2.4 in||1.4 in||9.5 oz||480||n||Feb 2013||499||-||Sony NEX-3N|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GF5 was launched at a somewhat lower price (by 17 percent) than the Canon M, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon M features an APS-C sensor and the Panasonic GF5 a Four Thirds sensor. The sensor area in the GF5 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the Canon M has a native 3:2 aspect ratio, while the one in the GF5 offers a 4:3 aspect.
With 17.9MP, the Canon M offers a higher resolution than the GF5 (12MP), but the Canon M has marginally smaller individual pixels (pixel pitch of 4.31μm versus 4.33μm for the GF5). However, the Canon M is a somewhat more recent model (by 3 months) than the GF5, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon M implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Canon M for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inch or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inch or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inch or 43.9 x 29.3 cm. The corresponding values for the Panasonic GF5 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Canon M has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS M has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GF5 are ISO 160 to ISO 6400, with the possibility to increase the ISO range to 160-12800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the Canon M has a notably higher overall DXO score than the GF5 (overall score 4 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.7 bits higher color depth, 0.4 EV of lower dynamic range, and 0.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon M»||APS-C||17.9||5184||3456||1080/30p||22.1||11.2||827||65||Canon M|
|Panasonic GF5«||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61||Panasonic GF5|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon M10« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65||Canon M10|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T5i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon T5i|
|Canon T3i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon T3i|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54||Panasonic GF6|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GF3« »||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Sony NEX-3N« »||APS-C||16.0||4912||3264||1080/60i||22.8||12.5||1067||74||Sony NEX-3N|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GF5 provides a faster frame rate than the Canon M. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The Canon M and the GF5 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. The table below summarizes some of the other core capabilities of the Canon M and Panasonic GF5 in connection with corresponding information for a sample of similar cameras.
|Canon M»||-||n||3.0||1040||fixed||Y||1/4000s||4.3||n||n||Canon M|
|Panasonic GF5«||-||n||3.0||920||fixed||Y||1/4000s||4.0||Y||n||Panasonic GF5|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon M10« »||-||n||3.0||1040||tilting||Y||1/4000s||4.6||Y||n||Canon M10|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Canon T5i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T5i|
|Canon T3i« »||optical||n||3.0||1040||swivel||n||1/4000s||3.7||Y||n||Canon T3i|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||1/4000s||4.2||Y||n||Panasonic GF6|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic GF3« »||-||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Panasonic G10« »||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2« »||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
|Sony NEX-3N« »||-||n||3.0||460||tilting||n||1/4000s||4.0||Y||n||Sony NEX-3N|
One difference between the cameras concerns the presence of an on-board flash. The GF5 has one, while the Canon M does not. While the built-in flash of the GF5 is not very powerful, it can at times be useful as a fill-in light.
Concerning the storage of imaging data, both the Canon M and the GF5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS M and Panasonic Lumix DMC-GF5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon M»||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon M|
|Panasonic GF5«||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF5|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon M10« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon M10|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T5i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T5i|
|Canon T3i« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon T3i|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GF6« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GF6|
|Panasonic G3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GF3« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Sony NEX-3N« »||-||stereo||mono||-||-||micro||2.0||-||-||-||Sony NEX-3N|
It is notable that the Canon M has a hotshoe, while the GF5 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the Canon M and the GF5 have been discontinued, but can regularly be found used on eBay. The GF5 was replaced by the Panasonic GF6, while the Canon M was followed by the Canon EOS M3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is the Canon M better than the Panasonic GF5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS M:
- More detail: Offers more megapixels (17.9 vs 12MP) with a 25% higher linear resolution.
- Better image quality: Scores markedly higher (4 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (0.4 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More modern: Is somewhat more recent (announced 3 months after the GF5).
Advantages of the Panasonic Lumix DMC-GF5:
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- Longer lasting: Gets more shots (360 versus 230) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was released into a lower priced segment (17 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in April 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the Canon M emerges as the winner of the contest (8 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon M and the Panasonic GF5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the Canon M and the GF5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon M»||+||-||4/5||3.5/5||4/5||Jul 2012||599||-||Canon M|
|Panasonic GF5«||-||-||4.5/5||4/5||4.5/5||Apr 2012||499||-||Panasonic GF5|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon M10« »||-||-||-||o||4/5||Oct 2015||499||-||Canon M10|
|Canon G7 X« »||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon SL1« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon T5i|
|Canon T3i« »||o||77/100||4.5/5||5/5||4.5/5||Feb 2011||599||-||Canon T3i|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GF6« »||+ +||-||4.5/5||-||4.5/5||Apr 2013||499||-||Panasonic GF6|
|Panasonic G3« »||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599||-||Panasonic G3|
|Panasonic GF3« »||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549||-||Panasonic GF3|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||-||72/100||4/5||4/5||4.5/5||Mar 2010||599||-||Panasonic G2|
|Sony NEX-3N« »||-||-||4.5/5||4/5||4.5/5||Feb 2013||499||-||Sony NEX-3N|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X Mark II vs Panasonic GF5
- Canon 250D vs Canon M
- Canon M vs Canon M100
- Canon M vs Canon T6i
- Canon M vs Canon XT
- Canon M vs Olympus E-1
- Canon M vs Sony NEX-5N
- Nikon D610 vs Panasonic GF5
- Nikon Z6 vs Panasonic GF5
- Panasonic GF5 vs Panasonic GX850
- Panasonic GF5 vs Panasonic TZ95
- Panasonic GF5 vs Sony A900
Specifications: Canon M vs Panasonic GF5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon M||Panasonic GF5|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Canon EF-M mount lenses||Micro Four Thirds lenses|
|Launch Date||July 2012||April 2012|
|Launch Price||USD 599||USD 499|
|Sensor Specs||Canon M||Panasonic GF5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||12 Megapixels|
|Image Resolution||5184 x 3456 pixels||4000 x 3000 pixels|
|Pixel Pitch||4.31 μm||4.33 μm|
|Pixel Density||5.39 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||100-12800 ISO||160-6400 ISO|
|ISO Boost||100-25600 ISO||160-12800 ISO|
|Image Processor||DIGIC V||Venus FHD|
|DXO Sensor Quality (score)||65||61|
|DXO Color Depth (bits)||22.1||21.4|
|DXO Dynamic Range (EV)||11.2||11.6|
|DXO Low Light (ISO)||827||618|
|Screen Specs||Canon M||Panasonic GF5|
|Viewfinder Type||No viewfinder||No viewfinder|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon M||Panasonic GF5|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Continuous Shooting||4.3 shutter flaps/s||4 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon M||Panasonic GF5|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon M||Panasonic GF5|
|Battery Life (CIPA)||230 shots per charge||360 shots per charge|
109 x 66 x 32 mm
(4.3 x 2.6 x 1.3 in)
108 x 67 x 37 mm
(4.3 x 2.6 x 1.5 in)
|Camera Weight||298 g (10.5 oz)||267 g (9.4 oz)|
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