Canon G9 X vs Fujifilm X-Pro1
The Canon PowerShot G9 X and the Fujifilm X-Pro1 are two digital cameras that were revealed to the public, respectively, in October 2015 and January 2012. The G9X is a fixed lens compact, while the X-Pro1 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (G9X) and an APS-C (X-Pro1) sensor. The Canon has a resolution of 20 megapixels, whereas the Fujifilm provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G9 X and the Fujifilm X-Pro1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon G9 X and the Fujifilm X-Pro1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The G9X can be obtained in two different colors (black, silver), while the X-Pro1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro1 is considerably larger (102 percent) than the Canon G9 X. In this context, it is worth noting that neither the G9X nor the X-Pro1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G9X has a lens built in, whereas the X-Pro1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-Pro1 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the G9X gets 220 shots out of its NB-13L battery, while the X-Pro1 can take 300 images on a single charge of its NP-W126 power pack. The power pack in the G9X can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529||ebay.com|
|2.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699||ebay.com|
|3.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529||ebay.com|
|4.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699||ebay.com|
|5.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799||ebay.com|
|6.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499||ebay.com|
|7.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699||ebay.com|
|8.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||ebay.com|
|9.||Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299||ebay.com|
|10.||Fujifilm X100S||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299||ebay.com|
|11.||Fujifilm X-E2||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999||ebay.com|
|12.||Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699||ebay.com|
|13.||Nikon 1 J4||100 mm||60 mm||29 mm||232 g||300||n||Apr 2014||549||ebay.com|
|14.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||ebay.com|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||ebay.com|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799||ebay.com|
|17.||Sony RX100||102 mm||58 mm||36 mm||240 g||330||n||Jun 2012||649||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G9X was launched at a lower price than the X-Pro1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G9 X features an one-inch sensor and the Fujifilm X-Pro1 an APS-C sensor. The sensor area in the X-Pro1 is 217 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon G9 X offers a higher resolution of 20 megapixels, compared with 16 MP of the Fujifilm X-Pro1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.80μm for the X-Pro1). However, it should be noted that the G9X is much more recent (by 3 years and 9 months) than the X-Pro1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the X-Pro1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon G9 X implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G9X for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Fujifilm X-Pro1 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The Canon PowerShot G9 X has a native sensitivity range from ISO 125 to ISO 12800. The corresponding ISO settings for the Fujifilm X-Pro1 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.
In terms of underlying technology, the G9X is build around a BSI-CMOS sensor, while the X-Pro1 uses a CMOS imager. Like most digital cameras, the G9X uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-Pro1 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|3.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|4.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.8||11.9||260||62|
|5.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||471||62|
|7.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|13.||Nikon 1 J4||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||426||53|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G9X provides a higher frame rate than the X-Pro1. It can shoot video footage at 1080/60p, while the Fujifilm is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-Pro1 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G9X relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon G9 X and Fujifilm X-Pro1 in connection with corresponding information for a sample of similar cameras.
|1.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0/s||Y||Y|
|2.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0/s||n||n|
|3.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2/s||Y||Y|
|4.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0/s||Y||Y|
|5.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9/s||Y||Y|
|6.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6/s||Y||n|
|7.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5/s||Y||Y|
|8.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|9.||Fujifilm X-T1||2360||n||3.0 / 1040||tilting||n||1/4000s||8.0/s||n||n|
|10.||Fujifilm X100S||2360||n||2.8 / 460||fixed||n||1/4000s||6.0/s||Y||n|
|11.||Fujifilm X-E2||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|12.||Fujifilm X-M1||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|13.||Nikon 1 J4||none||n||3.0 / 1037||Fixed||Y||1/4000s||60.0/s||Y||n|
|14.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|17.||Sony RX100||none||n||3.0 / 1229||fixed||n||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The G9X has one, while the X-Pro1 does not. While the built-in flash of the G9X is not very powerful, it can at times be useful as a fill-in light.
The Canon G9 X has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G9X and the X-Pro1 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G9 X and Fujifilm X-Pro1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|2.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|4.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|5.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|6.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|7.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Fujifilm X-T1||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|10.||Fujifilm X100S||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|11.||Fujifilm X-E2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Fujifilm X-M1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|13.||Nikon 1 J4||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|14.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100||-||stereo / mono||-||-||micro||2.0||-||-||-|
It is notable that the G9X offers wifi support, while the X-Pro1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Fujifilm X-Pro1 (unlike the G9X) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the G9X and the X-Pro1 have been discontinued, but can regularly be found used on ebay. The X-Pro1 was replaced by the Fujifilm X-Pro2, while the G9X was followed by the Canon G9 X Mark II. Further information on the features and operation of the G9X and X-Pro1 can be found, respectively, in the Canon G9 X Manual (free pdf) or the online Fujifilm X-Pro1 Manual.
So what conclusions can be drawn? Is the Canon G9 X better than the Fujifilm X-Pro1 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon PowerShot G9 X:
- More detail: Offers more megapixels (20 vs 16MP) with a 12% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/24p).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the X-Pro1 requires a separate lens.
- More compact: Is smaller (98x58mm vs 140x82mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the X-Pro1).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 3 years and 9 months of technical progress since the X-Pro1 launch.
Advantages of the Fujifilm X-Pro1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (300 versus 220) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in January 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the G9X is the clear winner of the match-up (15 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G9 X and the Fujifilm X-Pro1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the G9X and the X-Pro1 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529||ebay.com|
|2.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699||ebay.com|
|3.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529||ebay.com|
|4.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699||ebay.com|
|5.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799||ebay.com|
|6.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499||ebay.com|
|7.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699||ebay.com|
|8.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699||ebay.com|
|9.||Fujifilm X-T1||5/5||+ +||..||84/100||5/5||5/5||Jan 2014||1,299||ebay.com|
|10.||Fujifilm X100S||5/5||+ +||..||81/100||4.5/5||5/5||Jan 2013||1,299||ebay.com|
|11.||Fujifilm X-E2||4/5||..||..||80/100||4.5/5||5/5||Oct 2013||999||ebay.com|
|12.||Fujifilm X-M1||3/5||+||..||77/100||4.5/5||4.5/5||Jun 2013||699||ebay.com|
|13.||Nikon 1 J4||3/5||..||..||..||4.5/5||4/5||Apr 2014||549||ebay.com|
|14.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899||ebay.com|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999||ebay.com|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799||ebay.com|
|17.||Sony RX100||5/5||+ +||..||78/100||4/5||5/5||Jun 2012||649||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G1 X Mark III vs Fujifilm X-Pro1
- Canon G9 X vs Canon RP
- Canon G9 X vs Canon SX50
- Canon G9 X vs Nikon D100
- Canon G9 X vs Panasonic GF1
- Canon G9 X vs Sony A6600
- Canon G9 X vs Sony H300
- Canon SX510 vs Fujifilm X-Pro1
- Fujifilm X-Pro1 vs Panasonic GX85
- Fujifilm X-Pro1 vs Panasonic TS7
- Fujifilm X-Pro1 vs Pentax Q
- Fujifilm X-Pro1 vs Sony RX10
Specifications: Canon G9 X vs Fujifilm X-Pro1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G9 X||Fujifilm X-Pro1|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-84mm f/2.0-4.9||Fujifilm X mount lenses|
|Launch Date||October 2015||January 2012|
|Launch Price||USD 529||USD 1,699|
|Sensor Specs||Canon G9 X||Fujifilm X-Pro1|
|Sensor Format||1" Sensor||APS-C Sensor|
|Sensor Size||13.2 x 8.8 mm||23.6 x 15.6 mm|
|Sensor Area||116.16 mm2||368.16 mm2|
|Sensor Diagonal||15.9 mm||28.3 mm|
|Sensor Resolution||20 Megapixels||16 Megapixels|
|Image Resolution||5472 x 3648 pixels||4896 x 3264 pixels|
|Pixel Pitch||2.41 μm||4.80 μm|
|Pixel Density||17.18 MP/cm2||4.34 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/24p Video|
|ISO Setting||125 - 12,800 ISO||200 - 6,400 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||DIGIC 6||EXR Processor|
|DXO Sensor Quality (score)||63||..|
|DXO Color Depth (bits)||21.5||..|
|DXO Dynamic Range (EV)||12.3||..|
|DXO Low Light (ISO)||495||..|
|Screen Specs||Canon G9 X||Fujifilm X-Pro1|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1230k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G9 X||Fujifilm X-Pro1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||6 shutter flaps/s||6 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G9 X||Fujifilm X-Pro1|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon G9 X||Fujifilm X-Pro1|
|Battery Life (CIPA)||220 shots per charge||300 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
98 x 58 x 31 mm
(3.9 x 2.3 x 1.2 in)
140 x 82 x 43 mm
(5.5 x 3.2 x 1.7 in)
|Camera Weight||209 g (7.4 oz)||450 g (15.9 oz)|
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