Canon G5 X vs Panasonic GX7
The Canon PowerShot G5 X and the Panasonic Lumix DMC-GX7 are two digital cameras that were revealed to the public, respectively, in October 2015 and August 2013. The G5X is a fixed lens compact, while the GX7 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (G5X) and a Four Thirds (GX7) sensor. The Canon has a resolution of 20 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G5 X and the Panasonic Lumix DMC-GX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon G5 X and the Panasonic GX7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GX7 can be obtained in two different colors (black, silver), while the G5X is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is somewhat larger (3 percent) than the Canon G5 X. In this context, it is worth noting that neither the G5X nor the GX7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G5X has a lens built in, whereas the GX7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GX7 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the G5X gets 210 shots out of its NB-13L battery, while the GX7 can take 350 images on a single charge of its DMW-BLG10 power pack. The power pack in the G5X can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|2.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|3.||Canon G5 X Mark II||111 mm||61 mm||46 mm||340 g||230||n||Jul 2019||899|
|4.||Canon G7 X Mark III||105 mm||61 mm||41 mm||304 g||235||n||Jul 2019||749|
|5.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|6.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|7.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|8.||Canon SX420||104 mm||69 mm||85 mm||325 g||195||n||Jan 2016||299|
|9.||Canon M3||111 mm||68 mm||44 mm||366 g||250||n||Feb 2015||679|
|10.||Canon SX410||104 mm||69 mm||85 mm||325 g||185||n||Feb 2015||279|
|11.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|12.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|13.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|14.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|15.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|16.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|17.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G5X was launched at a lower price than the GX7, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G5 X features an one-inch sensor and the Panasonic GX7 a Four Thirds sensor. The sensor area in the GX7 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the G5X has a native 3:2 aspect ratio, while the one in the GX7 offers a 4:3 aspect.
Despite having a smaller sensor, the Canon G5 X offers a higher resolution of 20 megapixels, compared with 15.8 MP of the Panasonic GX7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 3.77μm for the GX7). However, it should be noted that the G5X is much more recent (by 2 years and 2 months) than the GX7, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon G5 X implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G5X for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic GX7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Canon PowerShot G5 X has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GX7 are ISO 125 to ISO 25600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|2.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|3.||Canon G5 X Mark II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|4.||Canon G7 X Mark III||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|6.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|11.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|12.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|13.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|14.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|15.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|16.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|17.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GX7 offers a higher resolution than the one in the G5X (2760k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Canon G5 X, the Panasonic GX7, and comparable cameras.
|1.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9||Y||Y|
|2.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|3.||Canon G5 X Mark II||2360||n||3.0 / 1040||tilting||Y||1/2000s||30||Y||Y|
|4.||Canon G7 X Mark III||none||n||3.0 / 1040||tilting||Y||1/2000s||30||Y||Y|
|5.||Canon M6||optional||n||3.0 / 1040||tilting||Y||1/4000s||9.0||Y||n|
|6.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0||Y||Y|
|7.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0||Y||n|
|8.||Canon SX420||none||n||3.0 / 230||fixed||n||1/4000s||0.5||Y||Y|
|9.||Canon M3||optional||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|10.||Canon SX410||none||n||3.0 / 230||fixed||n||1/4000s||0.5||Y||Y|
|11.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5||Y||Y|
|12.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|13.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|14.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|15.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2||Y||n|
|16.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|17.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G5 X and the Panasonic GX7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G5X and the GX7 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G5 X and Panasonic Lumix DMC-GX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|2.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|3.||Canon G5 X Mark II||-||stereo / mono||-||-||micro||3.1||Y||-||Y|
|4.||Canon G7 X Mark III||-||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|5.||Canon M6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|7.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|8.||Canon SX420||-||mono / mono||-||-||-||2.0||Y||Y||-|
|9.||Canon M3||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|10.||Canon SX410||-||stereo / mono||-||-||-||2.0||-||-||-|
|11.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|12.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|15.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
Both the G5X and the GX7 have been discontinued, but can regularly be found used on eBay. The GX7 was replaced by the Panasonic GX85, while the G5X was followed by the Canon G5 X Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is the Canon G5 X better than the Panasonic GX7 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon PowerShot G5 X:
- More detail: Offers more megapixels (20 vs 15.8MP) with a 15% higher linear resolution.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.9 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the GX7 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GX7).
- Easier travel charging: Can be conveniently charged via its USB port.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 2 months of technical progress since the GX7 launch.
Arguments in favor of the Panasonic Lumix DMC-GX7:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2760k vs 2360k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (350 versus 210) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in August 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the GX7 comes out slightly ahead of the G5X (10 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G5 X and the Panasonic GX7 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G5X or the GX7. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|2.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|3.||Canon G5 X Mark II||4/5||+||4/5||82/100||..||4/5||Jul 2019||899|
|4.||Canon G7 X Mark III||..||+ +||4/5||81/100||4/5||..||Jul 2019||749|
|5.||Canon M6||..||..||..||80/100||4/5||4/5||Feb 2017||779|
|6.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|7.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979|
|8.||Canon SX420||..||..||..||..||..||3/5||Jan 2016||299|
|9.||Canon M3||4/5||o||..||75/100||4.5/5||4/5||Feb 2015||679|
|10.||Canon SX410||..||o||..||..||..||..||Feb 2015||279|
|11.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699|
|12.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|13.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|14.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|15.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|16.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|17.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds Mark II vs Panasonic GX7
- Canon 5D Mark III vs Panasonic GX7
- Canon 5D Mark IV vs Canon G5 X
- Canon G5 X vs Panasonic GX85
- Canon G5 X vs Sony HX400V
- Canon G5 X vs Sony NEX-5N
- Canon G5 X vs Sony NEX-6
- Canon G5 X vs Sony RX10 II
- Canon R5 vs Panasonic GX7
- Fujifilm X-M1 vs Panasonic GX7
- Fujifilm XP130 vs Panasonic GX7
- Olympus E-PL8 vs Panasonic GX7
Specifications: Canon G5 X vs Panasonic GX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G5 X||Panasonic GX7|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-100mm f/1.8-2.8||Micro Four Thirds lenses|
|Launch Date||October 2015||August 2013|
|Launch Price||USD 799||USD 999|
|Sensor Specs||Canon G5 X||Panasonic GX7|
|Sensor Format||1" Sensor||Four Thirds Sensor|
|Sensor Size||13.2 x 8.8 mm||17.3 x 13.0 mm|
|Sensor Area||116.16 mm2||224.9 mm2|
|Sensor Diagonal||15.9 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||15.8 Megapixels|
|Image Resolution||5472 x 3648 pixels||4592 x 3448 pixels|
|Pixel Pitch||2.41 μm||3.77 μm|
|Pixel Density||17.18 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||125 - 12,800 ISO||125 - 25,600 ISO|
|ISO Boost||125 - 25,600 ISO||no Enhancement|
|Image Processor||DIGIC 6||Venus|
|DXO Sensor Quality (score)||..||70|
|DXO Color Depth (bits)||..||22.6|
|DXO Dynamic Range (EV)||..||12.2|
|DXO Low Light (ISO)||..||718|
|Screen Specs||Canon G5 X||Panasonic GX7|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2760k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon G5 X||Panasonic GX7|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/8000s|
|Continuous Shooting||5.9 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G5 X||Panasonic GX7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Canon G5 X||Panasonic GX7|
|Battery Life (CIPA)||210 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
112 x 76 x 44 mm
(4.4 x 3.0 x 1.7 in)
123 x 71 x 55 mm
(4.8 x 2.8 x 2.2 in)
|Camera Weight||353 g (12.5 oz)||402 g (14.2 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.