Canon G1 X Mark III vs Sony H200
The Canon PowerShot G1 X Mark III and the Sony Cyber-shot DSC-H200 are two digital cameras that were revealed to the public, respectively, in October 2017 and January 2013. Both the G1X Mark III and the H200 are fixed lens compact cameras that are based on an APS-C (G1X Mark III) and a 1/2.3-inch (H200) sensor. The Canon has a resolution of 24 megapixels, whereas the Sony provides 15.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon G1 X Mark III||Sony H200|
|Fixed lens compact camera||Fixed lens compact camera|
|24-72mm f/2.8-5.6||24-633mm f/3.1-5.9|
|24 MP, APS-C Sensor||15.2 MP, 1/2.3" Sensor|
|1080/60p Video||720/30p Video|
|ISO 100-25600||ISO 100-3200|
|Electronic viewfinder (2360k dots)||No viewfinder, LCD framing|
|3.0" LCD, 1040k dots||3.0" LCD, 460k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|9 shutter flaps per second||0.8 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|200 shots per battery charge||240 shots per battery charge|
|115 x 78 x 51 mm, 399 g||123 x 83 x 87 mm, 530 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark III and the Sony Cyber-shot DSC-H200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon G1 X Mark III and the Sony H200. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony H200 is notably larger (14 percent) than the Canon G1 X Mark III. Moreover, the H200 is markedly heavier (33 percent) than the G1X Mark III. It is worth mentioning in this context that the G1X Mark III is splash and dust resistant, while the H200 does not feature any corresponding weather-sealing.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon G1 X Mark III»||115 mm||78 mm||51 mm||399 g||200||Y||Oct 2017||1,299||Canon G1 X Mark III|
|Sony H200«||123 mm||83 mm||87 mm||530 g||240||n||Jan 2013||249||Sony H200|
|Canon M50« »||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779||Canon M50|
|Canon 6D Mark II« »||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 200D« »||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||-||Canon 200D|
|Canon G9 X Mark II« »||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon 80D« »||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||-||Canon 80D|
|Canon SX540« »||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399||Canon SX540|
|Canon G1 X Mark II« »||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799||Canon G1 X Mark II|
|Fujifilm X100V« »||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399||Fujifilm X100V|
|Fujifilm X100F« »||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299||-||Fujifilm X100F|
|Fujifilm X100T« »||127 mm||74 mm||52 mm||440 g||330||n||Sep 2014||1,299||-||Fujifilm X100T|
|Fujifilm X100S« »||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299||-||Fujifilm X100S|
|Leica X Typ 113« »||133 mm||73 mm||78 mm||486 g||350||n||Sep 2014||2,295||Leica X Typ 113|
|Nikon D7500« »||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||Nikon D7500|
|Sony RX10 III« »||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499||Sony RX10 III|
|Sony H300« »||128 mm||89 mm||92 mm||590 g||350||n||Feb 2014||219||Sony H300|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The H200 was launched at a markedly lower price (by 81 percent) than the G1X Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X Mark III features an APS-C sensor and the Sony H200 a 1/2.3-inch sensor. The sensor area in the H200 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the G1X Mark III has a native 3:2 aspect ratio, while the one in the H200 offers a 4:3 aspect.
With 24MP, the G1X Mark III offers a higher resolution than the H200 (15.2MP), but the G1X Mark III nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 1.36μm for the H200) due to its larger sensor. Moreover, the G1X Mark III is a much more recent model (by 4 years and 9 months) than the H200, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the H200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon G1 X Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G1X Mark III for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Sony H200 are 25.9 x 14.7 inch or 65.8 x 37.2 cm for good quality, 20.7 x 11.7 inch or 52.7 x 29.8 cm for very good quality, and 17.3 x 9.8 inch or 43.9 x 24.8 cm for excellent quality prints.
The G1X Mark III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot G1 X Mark III has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Sony Cyber-shot DSC-H200 are ISO 100 to ISO 3200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon G1 X Mark III»||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon G1 X Mark III|
|Sony H200«||1/2.3||15.2||5184||2930||720/30p||-||-||-||-||Sony H200|
|Canon M50« »||APS-C||24.0||6000||4000||4K/24p||-||-||-||-||Canon M50|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 200D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Canon G9 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon SX540« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX540|
|Canon G1 X Mark II« »||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Fujifilm X100V« »||APS-C||26.0||6240||4160||4K/30p||-||-||-||-||Fujifilm X100V|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Fujifilm X100T« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X100T|
|Fujifilm X100S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X100S|
|Leica X Typ 113« »||APS-C||16.1||4928||3264||1080/30p||-||-||-||-||Leica X Typ 113|
|Nikon D7500« »||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Sony RX10 III« »||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70||Sony RX10 III|
|Sony H300« »||1/2.3||19.9||5152||3864||720/30p||-||-||-||-||Sony H300|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G1X Mark III provides a higher video resolution than the H200. It can shoot video footage at 1080/60p, while the Sony is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G1X Mark III has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the H200 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon G1 X Mark III and Sony H200 in connection with corresponding information for a sample of similar cameras.
|Canon G1 X Mark III»||2360||n||3.0||1040||swivel||Y||1/2000s||9.0||Y||Y||Canon G1 X Mark III|
|Sony H200«||-||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H200|
|Canon M50« »||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 200D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 200D|
|Canon G9 X Mark II« »||-||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon SX540« »||-||n||3.0||461||fixed||n||1/2000s||5.9||Y||Y||Canon SX540|
|Canon G1 X Mark II« »||-||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Fujifilm X100V« »||3690||n||3.0||1620||tilting||Y||1/4000s||11.0||Y||n||Fujifilm X100V|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Fujifilm X100T« »||2360||n||3.0||1040||fixed||n||1/4000s||6.0||Y||n||Fujifilm X100T|
|Fujifilm X100S« »||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X100S|
|Leica X Typ 113« »||-||n||3.0||920||fixed||n||1/2000s||5.0||Y||n||Leica X Typ 113|
|Nikon D7500« »||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Sony RX10 III« »||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y||Sony RX10 III|
|Sony H300« »||-||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H300|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G1X Mark III has a touchscreen, while the H200 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G1X Mark III has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the H200 does not have a selfie-screen.
The Canon G1 X Mark III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the G1X Mark III and the H200 have zoom lenses built in. The G1X Mark III has a 24-72mm f/2.8-5.6 optic and the H200 offers a 24-633mm f/3.1-5.9 (focal lengths in full frame equivalent terms). Hence, the Canon and Sony provide the same view at the wide-angle end, but the Sony has more tele-photo reach at the long end. The G1X Mark III offers the faster maximum aperture.
The G1X Mark III writes its imaging data to SDXC cards, while the H200 uses SDXC or Memory Stick PRO Duo cards. The G1X Mark III supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the H200 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark III and Sony Cyber-shot DSC-H200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon G1 X Mark III»||Y||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G1 X Mark III|
|Sony H200«||-||mono||mono||-||-||-||2.0||-||-||-||Sony H200|
|Canon M50« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 200D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Canon G9 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon SX540« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon SX540|
|Canon G1 X Mark II« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Fujifilm X100V« »||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X100V|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Fujifilm X100T« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100T|
|Fujifilm X100S« »||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X100S|
|Leica X Typ 113« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica X Typ 113|
|Nikon D7500« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Sony RX10 III« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 III|
|Sony H300« »||-||mono||mono||-||-||micro||2.0||Y||-||-||Sony H300|
It is notable that the G1X Mark III has a hotshoe, while the H200 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the G1X Mark III and the H200 are recent models that are part of the current product line-up. The H200 replaced the earlier Sony H90, while the G1X Mark III followed on from the Canon G1 X Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Canon G1 X Mark III or the Sony H200 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon PowerShot G1 X Mark III:
- More detail: Offers more megapixels (24 vs 15.2MP) with a 21% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/2000s vs 1/1500s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 0.8 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.1).
- More compact: Is smaller (115x78mm vs 123x83mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 131g or 25 percent) and hence easier to carry around.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 9 months of technical progress since the H200 launch.
Advantages of the Sony Cyber-shot DSC-H200:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Gets more shots (240 versus 200) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (81 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the G1X Mark III is the clear winner of the match-up (26 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X Mark III and the Sony H200 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the G1X Mark III or the H200 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon G1 X Mark III»||+||79/100||4.5/5||-||4.5/5||Oct 2017||1,299||Canon G1 X Mark III|
|Sony H200«||-||-||3.5/5||-||3.5/5||Jan 2013||249||Sony H200|
|Canon M50« »||+||79/100||-||4/5||3.5/5||Feb 2018||779||Canon M50|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 200D« »||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon 200D|
|Canon G9 X Mark II« »||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529||Canon G9 X Mark II|
|Canon 80D« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||-||Canon 80D|
|Canon SX540« »||-||-||-||-||-||Jan 2016||399||Canon SX540|
|Canon G1 X Mark II« »||+||77/100||4/5||4/5||4.5/5||Feb 2014||799||Canon G1 X Mark II|
|Fujifilm X100V« »||-||-||-||-||-||Feb 2020||1,399||Fujifilm X100V|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||-||Fujifilm X100F|
|Fujifilm X100T« »||+||81/100||4.5/5||4.5/5||5/5||Sep 2014||1,299||-||Fujifilm X100T|
|Fujifilm X100S« »||+ +||81/100||4.5/5||4/5||5/5||Jan 2013||1,299||-||Fujifilm X100S|
|Leica X Typ 113« »||-||-||3.5/5||-||4/5||Sep 2014||2,295||Leica X Typ 113|
|Nikon D7500« »||+ +||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299||Nikon D7500|
|Sony RX10 III« »||+||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499||Sony RX10 III|
|Sony H300« »||+||-||4.5/5||-||4/5||Feb 2014||219||Sony H300|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G1 X Mark III vs Canon T4i
- Canon G1 X Mark III vs Nikon D2X
- Canon G1 X Mark III vs Nikon D300
- Canon G1 X Mark III vs Nikon D3200
- Canon G1 X Mark III vs Panasonic G3
- Canon G1 X Mark III vs Panasonic LX100 II
- Canon XT vs Sony H200
- Fujifilm XP140 vs Sony H200
- Leica M10 vs Sony H200
- Leica Q2 vs Sony H200
- Olympus E-PL7 vs Sony H200
- Olympus TG-6 vs Sony H200
Specifications: Canon G1 X Mark III vs Sony H200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X Mark III||Sony H200|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-72mm f/2.8-5.6||24-633mm f/3.1-5.9|
|Launch Date||October 2017||January 2013|
|Launch Price||USD 1299||USD 249|
|Sensor Specs||Canon G1 X Mark III||Sony H200|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.3 x 14.9 mm||6.17 x 4.55 mm|
|Sensor Area||332.27 mm2||28.0735 mm2|
|Sensor Diagonal||26.8 mm||7.7 mm|
|Sensor Resolution||24 Megapixels||15.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||5184 x 2930 pixels|
|Pixel Pitch||3.72 μm||1.36 μm|
|Pixel Density||7.22 MP/cm2||54.10 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||720/30p Video|
|ISO Setting||100-25600 ISO||100-3200 ISO|
|Image Processor||DIGIC 7||BIONZ|
|Screen Specs||Canon G1 X Mark III||Sony H200|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G1 X Mark III||Sony H200|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||9 shutter flaps/s||0.8 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon G1 X Mark III||Sony H200|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon G1 X Mark III||Sony H200|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||200 shots per charge||240 shots per charge|
115 x 78 x 51 mm
(4.5 x 3.1 x 2.0 in)
123 x 83 x 87 mm
(4.8 x 3.3 x 3.4 in)
|Camera Weight||399 g (14.1 oz)||530 g (18.7 oz)|
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