Canon G1 X Mark II versus Canon G1 X Mark III
The Canon PowerShot G1 X Mark II and the Canon PowerShot G1 X Mark III are two enthusiast cameras that were revealed to the public, respectively, in February 2014 and October 2017. Both the G1X Mark II and the G1X Mark III are fixed lens compact cameras that are based on an 1.5-inch (G1X Mark II) and an APS-C sensor. The G1X Mark II has a resolution of 13 megapixel, whereas the G1X Mark III provides 24 MP.
The physical size and weight of the Canon G1 X Mark II and the Canon G1 X Mark III are illustrated in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the G1X Mark II – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G1 X Mark III is somewhat larger (4 percent) than the Canon G1 X Mark II. However, the G1X Mark III is markedly lighter (28 percent) than the G1X Mark II. It is noteworthy in this context that the G1X Mark III is splash and dust-proof, while the G1X Mark II does not feature any corresponding weather-sealing.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon G1 X Mark II (⇒ rgt)||116 mm||74 mm||66 mm||553 g||240||no||2014||799||latest||check|
|Canon G1 X Mark III (⇒ lft)||115 mm||78 mm||51 mm||399 g||200||YES||2017||1,299||latest||check|
|Canon 6D Mark II (⇒ lft | rgt)||144 mm||111 mm||75 mm||765 g||1200||YES||2017||1,999||latest||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||158 mm||168 mm||83 mm||1530 g||1210||YES||2016||5,999||latest||check|
|Canon 760D (⇒ lft | rgt)||132 mm||101 mm||78 mm||565 g||440||no||2015||849||discont.||check|
|Canon XC10 (⇒ lft | rgt)||125 mm||102 mm||122 mm||1040 g||..||no||2015||2,499||discont.||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Canon SX60 (⇒ lft | rgt)||128 mm||93 mm||114 mm||650 g||340||no||2014||549||latest||check|
|Canon G7 X (⇒ lft | rgt)||103 mm||60 mm||40 mm||304 g||210||no||2014||699||discont.||check|
|Canon G16 (⇒ lft | rgt)||109 mm||76 mm||40 mm||356 g||360||no||2013||549||latest||check|
|Canon G1 X (⇒ lft | rgt)||117 mm||81 mm||65 mm||534 g||250||no||2012||799||discont.||check|
|Canon 500D (⇒ lft | rgt)||129 mm||98 mm||62 mm||520 g||400||no||2009||799||discont.||check|
|Canon 450D (⇒ lft | rgt)||129 mm||98 mm||62 mm||524 g||500||no||2008||799||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||136 mm||104 mm||73 mm||720 g||950||YES||2017||1,299||latest||check|
|Panasonic LX100 (⇒ lft | rgt)||115 mm||66 mm||55 mm||393 g||300||no||2014||899||latest||check|
|Sony RX10 III (⇒ lft | rgt)||133 mm||94 mm||127 mm||1051 g||420||YES||2016||1,499||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G1X Mark II was launched at a markedly lower price (by 38 percent) than the G1X Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X Mark II features an 1.5-inch sensor and the Canon G1 X Mark III an APS-C sensor. The sensor area in the G1X Mark III is 27 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 1.5. The sensor in the G1X Mark II has a native 4:3 aspect ratio, while the one in the G1X Mark III offers a 3:2 aspect.
With 24MP, the G1X Mark III offers a higher resolution than the G1X Mark II (13MP), but the G1X Mark III has smaller individual pixels (pixel pitch of 3.72μm versus 4.49μm for the G1X Mark II). Yet, the G1X Mark III is a much more recent model (by 3 years and 8 months) than the G1X Mark II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon G1 X Mark II (⇒ rgt)||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Canon G1 X Mark III (⇒ lft)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon 6D Mark II (⇒ lft | rgt)||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon 1D X Mark II (⇒ lft | rgt)||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 760D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon XC10 (⇒ lft | rgt)||1-inch||12.0||4000||3000||4K/30p||-||-||-||-|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon SX60 (⇒ lft | rgt)||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39|
|Canon G7 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Canon G16 (⇒ lft | rgt)||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54|
|Canon G1 X (⇒ lft | rgt)||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|Canon 500D (⇒ lft | rgt)||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63|
|Canon 450D (⇒ lft | rgt)||APS-C||12.2||4272||2848||no||21.9||10.8||692||61|
|Nikon D7500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86|
|Panasonic LX100 (⇒ lft | rgt)||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|Sony RX10 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G1X Mark III provides a faster frame rate than the G1X Mark II. It can shoot movie footage at 1080/60p, while the G1X Mark II is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G1X Mark III has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the G1X Mark II relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon G1 X Mark II and Canon G1 X Mark III along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon G1 X Mark II (⇒ rgt)||no||no||3.0||1040||tilting||YES||4000||5.2||6.8||YES|
|Canon G1 X Mark III (⇒ lft)||2360||no||3.0||1040||swivel||YES||2000||9.0||9||YES|
|Canon 6D Mark II (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.5||no||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon 1D X Mark II (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||16.0||no||no|
|Canon 760D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon XC10 (⇒ lft | rgt)||no||no||3.0||1030||tilting||YES||2000||3.8||no||YES|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Canon SX60 (⇒ lft | rgt)||922||no||3.0||922||swivel||no||2000||6.4||5.5||YES|
|Canon G7 X (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||6.5||7||YES|
|Canon G16 (⇒ lft | rgt)||optical||no||3.0||922||fixed||no||4000||2.2||7||YES|
|Canon G1 X (⇒ lft | rgt)||optical||no||3.0||922||Swivel||no||4000||1.9||7||YES|
|Canon 500D (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.4||YES||no|
|Canon 450D (⇒ lft | rgt)||optical||no||3.0||230||fixed||no||4000||3.5||YES||no|
|Nikon D7500 (⇒ lft | rgt)||optical||YES||3.2||922||tilting||YES||8000||8.0||12||no|
|Panasonic LX100 (⇒ lft | rgt)||2764||no||3.0||921||fixed||no||4000||11.0||no||YES|
|Sony RX10 III (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||2000||14.0||10.8||YES|
Both the G1X Mark II and the G1X Mark III have zoom lenses build in. The G1X Mark II has a 24-120mm f/2.0-3.9 optic and the G1X Mark III offers a 24-72mm f/2.8-5.6 (focal lengths in full frame equivalent terms). Hence, the G1X Mark II and G1X Mark III provide the same view at the wide-angle end, but the G1X Mark III has less tele-photo reach at the long end. The G1X Mark II offers the faster maximum aperture.
Both the G1X Mark II and the G1X Mark III are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The G1X Mark II replaced the earlier Canon G1 X, while the G1X Mark III followed on from the Canon G1 X Mark II.
So what conclusions can be drawn? Is there a clear favorite between the Canon G1 X Mark II and the Canon G1 X Mark II? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon PowerShot G1 X Mark II:
- Faster shutter: Has higher mechanical shutter speed (4000/sec vs 2000/sec) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Longer lasting: Can take more shots (240 versus 200) on a single battery charge.
- More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2014).
Advantages of the Canon PowerShot G1 X Mark III:
- More detail: Has more megapixels (24 vs 13MP), which boosts linear resolution by 39%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Better video: Provides higher movie framerates (1080/60p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (9 vs 5.2 flaps/sec) to capture the decisive moment.
- Less heavy: Has a lower weight (by 154g or 28 percent) and is thus easier to take along.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More modern: Reflects 3 years and 8 months of technical progress since the G1X Mark II launch.
If the count of relative strengths (bullet points above) is taken as a measure, the G1X Mark III emerges as the winner of the match-up (9 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the G1X Mark II and the G1X Mark III in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon G1 X Mark II (⇒ rgt)||Rec||77/100 Silver||4/5||4/5||4.5/5||2014||799||latest||check|
|Canon G1 X Mark III (⇒ lft)||Rec||79/100||4.5/5||..||4.5/5||2017||1,299||latest||check|
|Canon 6D Mark II (⇒ lft | rgt)||Rec||80/100||4.5/5||4/5||4/5||2017||1,999||latest||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||4.5/5||2016||5,999||latest||check|
|Canon 760D (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon XC10 (⇒ lft | rgt)||-||80/100||-||-||-||2015||2,499||discont.||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Canon SX60 (⇒ lft | rgt)||HiRec||75/100||4/5||-||4.5/5||2014||549||latest||check|
|Canon G7 X (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||3.5/5||4.5/5||2014||699||discont.||check|
|Canon G16 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||4.5/5||2013||549||latest||check|
|Canon G1 X (⇒ lft | rgt)||79/100 Rec||76/100 Silver||4/5||4/5||4.5/5||2012||799||discont.||check|
|Canon 500D (⇒ lft | rgt)||88/100 HiRec||74/100 HiRec||4.5/5||5/5||4.5/5||2009||799||discont.||check|
|Canon 450D (⇒ lft | rgt)||88/100 HiRec||HiRec||4/5||5/5||4.5/5||2008||799||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||HiRec||86/100 Silver||5/5||4.5/5||4.5/5||2017||1,299||latest||check|
|Panasonic LX100 (⇒ lft | rgt)||HiRec||85/100 Gold||5/5||4/5||5/5||2014||899||latest||check|
|Sony RX10 III (⇒ lft | rgt)||Rec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,499||discont.||check|
The review scores listed above should be treated with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, kindly get in touch, and I will try to locate and add the respective data to the application.
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