Canon 7D versus Panasonic G80
The Canon EOS 7D and the Panasonic Lumix DMC-G80 (labelled Panasonic G85 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2009 and September 2016. The 7D is a DSLR, while the G80 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (7D) and a Four Thirds sensor. The Canon has a resolution of 17.9 megapixel, whereas the Panasonic provides 15.8 MP.
An illustration of the physical size and weight of the Canon 7D and the Panasonic G80 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the 7D – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G80 is considerably smaller (31 percent) than the Canon 7D. Moreover, the G80 is substantially lighter (41 percent) than the 7D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (7D) and the Micro Four Thirds Lens Catalog (G80). Mirrorless cameras, such as the G80, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon 7D (⇒ rgt)||148 mm||111 mm||74 mm||860 g||800||YES||2009||1,699||discont.||check|
|Panasonic G80 (⇒ lft)||128 mm||89 mm||74 mm||505 g||330||YES||2016||899||latest||check|
|Canon G3 X (⇒ lft | rgt)||123 mm||77 mm||105 mm||733 g||300||YES||2015||999||latest||check|
|Canon 7D II (⇒ lft | rgt)||149 mm||112 mm||78 mm||910 g||670||YES||2014||1,799||latest||check|
|Canon 70D (⇒ lft | rgt)||139 mm||104 mm||79 mm||755 g||920||YES||2013||1,199||discont.||check|
|Canon 60D (⇒ lft | rgt)||145 mm||106 mm||79 mm||755 g||1100||YES||2010||1,399||discont.||check|
|Canon 5D Mark II (⇒ lft | rgt)||152 mm||114 mm||75 mm||850 g||850||YES||2008||3,499||discont.||check|
|Canon 50D (⇒ lft | rgt)||146 mm||108 mm||74 mm||822 g||800||YES||2008||1,299||discont.||check|
|Canon 30D (⇒ lft | rgt)||144 mm||106 mm||74 mm||785 g||750||no||2006||1,399||discont.||check|
|Nikon D7000 (⇒ lft | rgt)||132 mm||105 mm||77 mm||780 g||1050||YES||2010||1,499||discont.||check|
|Nikon D300S (⇒ lft | rgt)||147 mm||115 mm||81 mm||938 g||950||YES||2009||1,799||discont.||check|
|Olympus E-M10 II (⇒ lft | rgt)||120 mm||83 mm||47 mm||390 g||320||no||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||124 mm||85 mm||45 mm||469 g||310||YES||2015||1,099||latest||check|
|Olympus E-P5 (⇒ lft | rgt)||122 mm||69 mm||37 mm||420 g||330||no||2013||999||discont.||check|
|Panasonic GH5 (⇒ lft | rgt)||139 mm||98 mm||87 mm||725 g||410||YES||2017||1,999||latest||check|
|Panasonic GX80 (⇒ lft | rgt)||122 mm||71 mm||44 mm||426 g||290||no||2016||799||latest||check|
|Sony RX10 III (⇒ lft | rgt)||133 mm||94 mm||127 mm||1051 g||420||YES||2016||1,499||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G80 was launched at a markedly lower price (by 47 percent) than the 7D, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 7D features an APS-C sensor and the Panasonic G80 a Four Thirds sensor. The sensor area in the G80 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 7D has a native 3:2 aspect ratio, while the one in the G80 offers a 4:3 aspect.
With 17.9MP, the 7D offers a higher resolution than the G80 (15.8MP), but the 7D nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.77μm for the G80) due to its larger sensor. However, the G80 is a somewhat more recent model (by 7 years) than the 7D, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the G80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the G80 has a markedly higher DXO score than the 7D (overall score 5 points higher), which will translate into better image quality. The advantage is based on 0.8 bits higher color depth, 0.8 EV in additional dynamic range, 0.4 stops of reduced low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 7D (⇒ rgt)||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66|
|Panasonic G80 (⇒ lft)||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Canon G3 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon 7D II (⇒ lft | rgt)||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|Canon 70D (⇒ lft | rgt)||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68|
|Canon 60D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66|
|Canon 5D Mark II (⇒ lft | rgt)||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 50D (⇒ lft | rgt)||APS-C||15.1||4752||3168||no||21.8||11.4||696||63|
|Canon 30D (⇒ lft | rgt)||APS-C||8.2||3504||2336||no||21.5||10.8||736||59|
|Nikon D7000 (⇒ lft | rgt)||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80|
|Nikon D300S (⇒ lft | rgt)||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70|
|Olympus E-M10 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M5 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-P5 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Panasonic GH5 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic GX80 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Sony RX10 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G80 provides a better video resolution than the 7D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G80 has an electronic viewfinder (2360k dots), while the 7D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon 7D and Panasonic G80 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon 7D (⇒ rgt)||optical||YES||3.0||920||fixed||no||8000||8.0||12||no|
|Panasonic G80 (⇒ lft)||2360||no||3.0||1040||swivel||YES||4000||9.0||6.2||YES|
|Canon G3 X (⇒ lft | rgt)||no||no||3.2||1620||tilting||YES||2000||5.9||6.8||YES|
|Canon 7D II (⇒ lft | rgt)||optical||YES||3.0||1040||fixed||no||8000||10.0||11||no|
|Canon 70D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon 60D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||no||8000||5.3||13||no|
|Canon 5D Mark II (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||3.9||no||no|
|Canon 50D (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||6.3||13||no|
|Canon 30D (⇒ lft | rgt)||optical||YES||2.5||230||fixed||no||8000||5.0||13||no|
|Nikon D7000 (⇒ lft | rgt)||optical||YES||3.0||921||fixed||no||8000||6.0||12||no|
|Nikon D300S (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||7.0||12||no|
|Olympus E-M10 II (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-M5 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Olympus E-P5 (⇒ lft | rgt)||no||no||3.0||1037||tilting||YES||8000||9.0||7||YES|
|Panasonic GH5 (⇒ lft | rgt)||3680||no||3.2||1620||swivel||YES||8000||12.0||no||YES|
|Panasonic GX80 (⇒ lft | rgt)||2765||no||3.0||1040||tilting||YES||4000||8.0||6||YES|
|Sony RX10 III (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||2000||14.0||10.8||YES|
The G80 is a current model that online retailers, such as amazon, will have in stock. In contrast, the 7D has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the 7D was succeeded by the Canon 7D Mark II.
So what is the bottom line? Which of the two cameras – the Canon 7D or the Panasonic G80 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 7D:
- More detail: Offers more megapixels (17.9 vs 15.8MP) with a 8% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better low-light sensitivity: Requires less light for good images (0.4 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Longer lasting: Can take more shots (800 versus 330) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in September 2009).
Arguments in favor of the Panasonic Lumix DMC-G80:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (5 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (0.8 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (9 vs 8 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (128x89mm vs 148x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 355g or 41 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More affordable: Was introduced into a lower priced category (47 percent cheaper at launch).
- More modern: Reflects 7 years of technical progress since the 7D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the G80 is the clear winner of the contest (15 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the 7D or the G80. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon 7D (⇒ rgt)||93/100 HiRec||84/100||4.5/5||5/5||4.5/5||2009||1,699||discont.||check|
|Panasonic G80 (⇒ lft)||HiRec||84/100 Gold||5/5||4.5/5||4.5/5||2016||899||latest||check|
|Canon G3 X (⇒ lft | rgt)||Rec||-||4.5/5||3.5/5||4/5||2015||999||latest||check|
|Canon 7D II (⇒ lft | rgt)||Rec||84/100 Silver||4/5||5/5||4.5/5||2014||1,799||latest||check|
|Canon 70D (⇒ lft | rgt)||HiRec||83/100 Gold||4.5/5||4.5/5||5/5||2013||1,199||discont.||check|
|Canon 60D (⇒ lft | rgt)||87/100 Rec||79/100 Silver||4/5||5/5||4.5/5||2010||1,399||discont.||check|
|Canon 5D Mark II (⇒ lft | rgt)||91/100||79/100 HiRec||4/5||5/5||-||2008||3,499||discont.||check|
|Canon 50D (⇒ lft | rgt)||90/100 HiRec||HiRec||4.5/5||5/5||4.5/5||2008||1,299||discont.||check|
|Canon 30D (⇒ lft | rgt)||87/100 HiRec||HiRec||reviewed||reviewed||-||2006||1,399||discont.||check|
|Nikon D7000 (⇒ lft | rgt)||-||80/100 Silver||4.5/5||5/5||4.5/5||2010||1,499||discont.||check|
|Nikon D300S (⇒ lft | rgt)||90/100 HiRec||82/100 HiRec||4/5||5/5||4.5/5||2009||1,799||discont.||check|
|Olympus E-M10 II (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||5/5||5/5||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||HiRec||81/100 Silver||5/5||4.5/5||5/5||2015||1,099||latest||check|
|Olympus E-P5 (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4.5/5||5/5||2013||999||discont.||check|
|Panasonic GH5 (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||5/5||2017||1,999||latest||check|
|Panasonic GX80 (⇒ lft | rgt)||HiRec||82/100 Silver||5/5||4.5/5||5/5||2016||799||latest||check|
|Sony RX10 III (⇒ lft | rgt)||Rec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,499||discont.||check|
The review scores listed above should be treated with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you cannot find the camera you are interested in, please send me an email, and I will try to add information on that model to the database.
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