Canon 7D II vs R3
The Canon EOS 7D Mark II and the Canon EOS R3 are two digital cameras that were officially introduced, respectively, in September 2014 and September 2021. The 7D Mark II is a DSLR, while the R3 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (7D Mark II) and a full frame (R3) sensor. The 7D Mark II has a resolution of 20 megapixels, whereas the R3 provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 7D Mark II and the Canon EOS R3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 7D II and the Canon R3. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon R3 is notably larger (29 percent) than the Canon 7D II. Moreover, the R3 is markedly heavier (12 percent) than the 7D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 7D Mark II gets 670 shots out of its LP-E6N battery, while the R3 can take 760 images on a single charge of its LP-E19 power pack. As can be seen in the images above, the R3 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the 7D Mark II, Canon provides the BG-E16 vertical grip as an optional accessory (see here on eBay). The power pack in the R3 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|2.||Canon R3||150 mm||143 mm||87 mm||1015 g||760||Y||Sep 2021||5,999|
|3.||Canon 1D X Mark III||158 mm||168 mm||83 mm||1440 g||2850||Y||Jan 2020||6,499|
|4.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899|
|5.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499|
|6.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|7.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|8.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|9.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|10.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|11.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|12.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|13.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|14.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299|
|15.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499|
|16.||Leica SL2-S||146 mm||107 mm||83 mm||931 g||510||Y||Dec 2020||4,895|
|17.||Nikon D6||160 mm||163 mm||92 mm||1270 g||3580||Y||Feb 2020||6,499|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 7D Mark II was launched at a markedly lower price (by 70 percent) than the R3, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 7D II features an APS-C sensor and the Canon R3 a full frame sensor. The sensor area in the R3 is 157 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the R3 offers a higher resolution than the 7D Mark II (20MP), but the R3 nevertheless has larger individual pixels (pixel pitch of 6.00μm versus 4.10μm for the 7D Mark II) due to its larger sensor. Moreover, the R3 is a much more recent model (by 7 years) than the 7D Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Canon R3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R3 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon 7D II are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Canon EOS 7D Mark II has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-51200. The corresponding ISO settings for the Canon EOS R3 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|2.||Canon R3||Full Frame||24.0||6000||4000||6K/60p||25.4||14.5||3048||96|
|3.||Canon 1D X Mark III||Full Frame||20.0||5472||3648||4K/60p||24.2||14.5||3248||91|
|4.||Canon R5||Full Frame||44.8||8192||5464||8K/30p||25.3||14.6||3042||95|
|5.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|11.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|16.||Leica SL2-S||Full Frame||24.0||6000||4000||4K/60p||25.2||14.1||3504||95|
|17.||Nikon D6||Full Frame||20.7||5568||3712||4K/30p||25.3||14.3||2886||95|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the R3 provides a better video resolution than the 7D Mark II. It can shoot movie footage at 6K/60p, while the 7D Mark II is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the R3 has an electronic viewfinder (5760k dots), while the 7D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the R3 has a higher magnification than the one of the 7D Mark II (0.76x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 7D II and Canon R3 along with similar information for a selection of comparators.
|1.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0/s||Y||n|
|2.||Canon R3||5760||Y||3.2 / 4150||swivel||Y||1/8000s||12.0/s||n||Y|
|3.||Canon 1D X Mark III||optical||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||n|
|4.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||10.0/s||n||Y|
|5.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|6.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|7.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|8.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|9.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|10.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|11.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|12.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|13.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0/s||Y||n|
|14.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3/s||Y||n|
|15.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0/s||Y||n|
|16.||Leica SL2-S||5760||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||Y|
|17.||Nikon D6||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The 7D Mark II has one, while the R3 does not. While the built-in flash of the 7D Mark II is not very powerful, it can at times be useful as a fill-in light.The R3 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 7D Mark II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 7D II and the Canon R3 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 7D Mark II writes its imaging data to Compact Flash or SDXC cards, while the R3 uses CFexpress or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The R3 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the 7D Mark II can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 7D Mark II and Canon EOS R3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|2.||Canon R3||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|3.||Canon 1D X Mark III||Y||mono / mono||Y||Y||mini||3.1||Y||-||Y|
|4.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|5.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|6.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|7.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|8.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|9.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|12.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|13.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|14.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|15.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|16.||Leica SL2-S||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|17.||Nikon D6||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
It is notable that the R3 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 7D Mark II does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Travel and landscape photographers will find it useful that the 7D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 7D Mark II and the R3 are recent models that are part of the current product line-up. The 7D Mark II replaced the earlier Canon 7D, while the R3 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So how do things add up? Is there a clear favorite between the Canon 7D II and the Canon R3? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 7D Mark II:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More compact: Is smaller (149x112mm vs 150x143mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 105g or 10 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2014).
Arguments in favor of the Canon EOS R3:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (6K/60p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.63x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (4150k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (760 versus 670) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 7 years of technical progress since the 7D Mark II launch.
If the count of relative strengths (bullet points above) is taken as a measure, the R3 is the clear winner of the contest (24 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 7D II and the Canon R3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 7D Mark II and the R3 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|2.||Canon R3||..||o||..||..||..||..||Sep 2021||5,999|
|3.||Canon 1D X Mark III||..||+ +||5/5||..||4.5/5||4/5||Jan 2020||6,499|
|4.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899|
|5.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499|
|6.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|7.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|8.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|9.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|10.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|11.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|12.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|13.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|14.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299|
|15.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499|
|16.||Leica SL2-S||4/5||..||4/5||..||4.5/5||4.5/5||Dec 2020||4,895|
|17.||Nikon D6||..||..||4/5||..||4.5/5||4.5/5||Feb 2020||6,499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon 7D II vs Canon R3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 7D II||Canon R3|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Canon RF mount lenses|
|Launch Date||September 2014||September 2021|
|Launch Price||USD 1,799||USD 5,999|
|Sensor Specs||Canon 7D II||Canon R3|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.4 x 15.0 mm||36.0 x 24.0 mm|
|Sensor Area||336 mm2||864 mm2|
|Sensor Diagonal||27 mm||43.3 mm|
|Sensor Resolution||20 Megapixels||24 Megapixels|
|Image Resolution||5472 x 3648 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.10 μm||6.00 μm|
|Pixel Density||5.94 MP/cm2||2.78 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||6K/60p Video|
|ISO Setting||100 - 16,000 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 51,200 ISO||50 - 204,800 ISO|
|Image Processor||DIGIC 6 (Dual)||DIGIC X|
|DXO Sensor Quality (score)||70||..|
|DXO Color Depth (bits)||22.4||..|
|DXO Dynamic Range (EV)||11.8||..|
|DXO Low Light (ISO)||1082||..|
|Screen Specs||Canon 7D II||Canon R3|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||4150k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 7D II||Canon R3|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||300 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/64000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||CFexpress or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Canon 7D II||Canon R3|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 3.2|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 7D II||Canon R3|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||670 shots per charge||760 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
149 x 112 x 78 mm
(5.9 x 4.4 x 3.1 in)
150 x 143 x 87 mm
(5.9 x 5.6 x 3.4 in)
|Camera Weight||910 g (32.1 oz)||1015 g (35.8 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.