Canon 7D II vs Panasonic GH3
The Canon EOS 7D Mark II and the Panasonic Lumix DMC-GH3 are two enthusiast cameras that were revealed to the public, respectively, in September 2014 and September 2012. The 7D Mark II is a DSLR, while the GH3 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (7D Mark II) and a Four Thirds (GH3) sensor. The Canon has a resolution of 20 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 7D Mark II and the Panasonic Lumix DMC-GH3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 7D II and the Panasonic GH3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH3 is notably smaller (26 percent) than the Canon 7D II. Moreover, the GH3 is substantially lighter (40 percent) than the 7D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (7D Mark II) and the Micro Four Thirds Lens Catalog (GH3). Mirrorless cameras, such as the GH3, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799||ebay.com|
|2.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299||ebay.com|
|3.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749||ebay.com|
|4.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||ebay.com|
|5.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199||ebay.com|
|6.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||ebay.com|
|7.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649||ebay.com|
|8.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||ebay.com|
|9.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399||ebay.com|
|10.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699||ebay.com|
|11.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299||ebay.com|
|12.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499||ebay.com|
|13.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||ebay.com|
|14.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||ebay.com|
|15.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499||ebay.com|
|16.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599||ebay.com|
|17.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GH3 was launched at a markedly lower price (by 28 percent) than the 7D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 7D II features an APS-C sensor and the Panasonic GH3 a Four Thirds sensor. The sensor area in the GH3 is 33 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 7D Mark II has a native 3:2 aspect ratio, while the one in the GH3 offers a 4:3 aspect.
With 20MP, the 7D Mark II offers a higher resolution than the GH3 (15.9MP), but the 7D Mark II nevertheless has larger individual pixels (pixel pitch of 4.10μm versus 3.76μm for the GH3) due to its larger sensor. Moreover, the 7D Mark II is a somewhat more recent model (by 1 year and 11 months) than the GH3, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 7D II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 7D Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Panasonic GH3 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The 7D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 7D Mark II has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-GH3 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 125-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|2.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|8.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|13.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|14.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|15.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|16.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||21.4||11.6||618||61|
|17.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GH3 has an electronic viewfinder (1746k dots), while the 7D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GH3 has a higher magnification than the one of the 7D Mark II (0.67x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 7D II and Panasonic GH3 along with similar information for a selection of comparators.
|1.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0/s||Y||n|
|2.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0/s||Y||n|
|3.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|4.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|6.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|7.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|9.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|10.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0/s||Y||n|
|11.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3/s||Y||n|
|12.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0/s||Y||n|
|13.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|14.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0/s||n||Y|
|15.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0/s||Y||n|
|16.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0/s||Y||n|
|17.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 7D Mark II, but is missing on the GH3 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The GH3 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 7D Mark II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 7D II and the Panasonic GH3 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 7D Mark II writes its imaging data to Compact Flash or SDXC cards, while the GH3 uses SDXC cards. The 7D Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the GH3 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 7D Mark II and Panasonic Lumix DMC-GH3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|2.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|3.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|5.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|6.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|9.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|11.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|13.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the GH3 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 7D Mark II does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Travel and landscape photographers will find it useful that the 7D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 7D Mark II and the GH3 have been discontinued, but can regularly be found used on ebay. The GH3 was replaced by the Panasonic GH4, while the 7D Mark II does not have a direct successor. Further information on the features and operation of the 7D Mark II and GH3 can be found, respectively, in the Canon 7D II Manual (free pdf) or the online Panasonic GH3 Manual.
So what is the bottom line? Which of the two cameras – the Canon 7D II or the Panasonic GH3 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 7D Mark II:
- More detail: Offers more megapixels (20 vs 15.9MP) with a 14% higher linear resolution.
- Better low-light sensitivity: Requires less light for good images (0.4 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 614k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (670 versus 540) on a single battery charge.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Is somewhat more recent (announced 1 year and 11 months after the GH3).
Advantages of the Panasonic Lumix DMC-GH3:
- More dynamic range: Captures a broader range of light and dark details (0.6 EV of extra DR).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.67x vs 0.63x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (133x93mm vs 149x112mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 360g or 40 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (28 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (13 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 7D II and the Panasonic GH3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 7D Mark II and the GH3 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799||ebay.com|
|2.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299||ebay.com|
|3.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749||ebay.com|
|4.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449||ebay.com|
|5.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199||ebay.com|
|6.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549||ebay.com|
|7.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649||ebay.com|
|8.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099||ebay.com|
|9.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399||ebay.com|
|10.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699||ebay.com|
|11.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299||ebay.com|
|12.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499||ebay.com|
|13.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099||ebay.com|
|14.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399||ebay.com|
|15.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499||ebay.com|
|16.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|17.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark IV vs Canon 7D II
- Canon 7D II vs Canon R6
- Canon 7D II vs Fujifilm GFX 50R
- Canon 7D II vs Nikon D5200
- Canon 7D II vs Olympus E-M5 III
- Canon 7D II vs Sony A3000
- Kodak S-1 vs Panasonic GH3
- Leica V-LUX Typ 114 vs Panasonic GH3
- Nikon D1X vs Panasonic GH3
- Nikon D7000 vs Panasonic GH3
- Panasonic GH3 vs Pentax MX-1
- Panasonic GH3 vs Sony HX99
Specifications: Canon 7D II vs Panasonic GH3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 7D II||Panasonic GH3|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2014||September 2012|
|Launch Price||USD 1,799||USD 1,299|
|Sensor Specs||Canon 7D II||Panasonic GH3|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.4 x 15.0 mm||17.3 x 13.0 mm|
|Sensor Area||336 mm2||224.9 mm2|
|Sensor Diagonal||27 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||15.9 Megapixels|
|Image Resolution||5472 x 3648 pixels||4608 x 3456 pixels|
|Pixel Pitch||4.10 μm||3.76 μm|
|Pixel Density||5.94 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 16,000 ISO||200 - 12,800 ISO|
|ISO Boost||100 - 51,200 ISO||125 - 25,600 ISO|
|Image Processor||DIGIC 6 (Dual)||Venus VII FHD|
|DXO Sensor Quality (score)||70||71|
|DXO Color Depth (bits)||22.4||22.7|
|DXO Dynamic Range (EV)||11.8||12.4|
|DXO Low Light (ISO)||1082||812|
|Screen Specs||Canon 7D II||Panasonic GH3|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1746k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||614k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 7D II||Panasonic GH3|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Single or Dual Card Slots||Dual card slots||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 7D II||Panasonic GH3|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 7D II||Panasonic GH3|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||670 shots per charge||540 shots per charge|
149 x 112 x 78 mm
(5.9 x 4.4 x 3.1 in)
133 x 93 x 82 mm
(5.2 x 3.7 x 3.2 in)
|Camera Weight||910 g (32.1 oz)||550 g (19.4 oz)|
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