Canon 700D vs Panasonic GF5
The Canon EOS 700D (called Canon T5i in some regions) and the Panasonic Lumix DMC-GF5 are two digital cameras that were officially introduced, respectively, in March 2013 and April 2012. The 700D is a DSLR, while the GF5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (700D) and a Four Thirds (GF5) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 700D and the Panasonic Lumix DMC-GF5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 700D and the Panasonic GF5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GF5 can be obtained in three different colors (black, red, white), while the 700D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF5 is considerably smaller (46 percent) than the Canon 700D. Moreover, the GF5 is substantially lighter (54 percent) than the 700D. In this context, it is worth noting that neither the 700D nor the GF5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (700D) and the Micro Four Thirds Lens Catalog (GF5). Mirrorless cameras, such as the GF5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 700D||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649||ebay.com|
|2.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499||ebay.com|
|3.||Canon 750D||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749||ebay.com|
|4.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649||ebay.com|
|5.||Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||ebay.com|
|6.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699||ebay.com|
|7.||Canon 100D||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||ebay.com|
|8.||Canon 650D||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849||ebay.com|
|9.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599||ebay.com|
|10.||Canon 600D||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599||ebay.com|
|11.||Canon 550D||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699||ebay.com|
|12.||Canon 500D||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799||ebay.com|
|13.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|14.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499||ebay.com|
|15.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549||ebay.com|
|16.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499||ebay.com|
|17.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GF5 was launched at a somewhat lower price (by 23 percent) than the 700D, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 700D features an APS-C sensor and the Panasonic GF5 a Four Thirds sensor. The sensor area in the GF5 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 700D has a native 3:2 aspect ratio, while the one in the GF5 offers a 4:3 aspect.
With 17.9MP, the 700D offers a higher resolution than the GF5 (12MP), but the 700D has marginally smaller individual pixels (pixel pitch of 4.31μm versus 4.33μm for the GF5). However, the 700D is a somewhat more recent model (by 11 months) than the GF5, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 700D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 700D for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic GF5 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The 700D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 700D has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GF5 are ISO 160 to ISO 6400, with the possibility to increase the ISO range to 160-12800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the 700D provides substantially higher image quality than the GF5, with an overall score that is 11 points higher. This advantage is based on 1.2 bits higher color depth, 1.2 EV in additional dynamic range, and 0.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||20.5||10.0||573||50|
|6.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|13.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|14.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|15.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.1||459||50|
|16.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|17.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GF5 provides a faster frame rate than the 700D. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 700D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF5 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon 700D, the Panasonic GF5, and comparable cameras.
|1.||Canon 700D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|2.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0/s||Y||n|
|3.||Canon 750D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|4.||Canon 760D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon 1200D||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5/s||Y||Y|
|7.||Canon 100D||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|8.||Canon 650D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|9.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3/s||n||n|
|10.||Canon 600D||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|11.||Canon 550D||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|12.||Canon 500D||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|13.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|14.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|15.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2/s||Y||n|
|16.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|17.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
Concerning the storage of imaging data, both the 700D and the GF5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 700D and Panasonic Lumix DMC-GF5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 700D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|2.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 750D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon 760D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon 1200D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|6.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|7.||Canon 100D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon 650D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon 600D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon 550D||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|12.||Canon 500D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|14.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|15.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|17.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the 700D has a hotshoe, while the GF5 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the 700D and the GF5 have been discontinued, but can regularly be found used on ebay. The GF5 was replaced by the Panasonic GF6, while the 700D was followed by the Canon 750D. Further information on the features and operation of the 700D and GF5 can be found, respectively, in the Canon 700D Manual (free pdf) or the online Panasonic GF5 Manual.
So how do things add up? Is the Canon 700D better than the Panasonic GF5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 700D:
- More detail: Offers more megapixels (17.9 vs 12MP) with a 25% higher linear resolution.
- Better image quality: Scores substantially higher (11 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.2 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.2 EV of extra DR).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5 vs 4 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (440 versus 360) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More modern: Is somewhat more recent (announced 11 months after the GF5).
Reasons to prefer the Panasonic Lumix DMC-GF5:
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- More compact: Is smaller (108x67mm vs 133x100mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 313g or 54 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was released into a lower priced segment (23 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in April 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the 700D is the clear winner of the match-up (14 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 700D and the Panasonic GF5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 700D or the GF5. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 700D||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649||ebay.com|
|2.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499||ebay.com|
|3.||Canon 750D||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749||ebay.com|
|4.||Canon 760D||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649||ebay.com|
|5.||Canon 1200D||3/5||+||..||..||4/5||4.5/5||Feb 2014||449||ebay.com|
|6.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699||ebay.com|
|7.||Canon 100D||4/5||+||..||78/100||4/5||4/5||Mar 2013||549||ebay.com|
|8.||Canon 650D||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849||ebay.com|
|9.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599||ebay.com|
|10.||Canon 600D||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599||ebay.com|
|11.||Canon 550D||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699||ebay.com|
|12.||Canon 500D||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799||ebay.com|
|13.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|14.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499||ebay.com|
|15.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549||ebay.com|
|16.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499||ebay.com|
|17.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds Mark II vs Canon 700D
- Canon 1Ds Mark II vs Panasonic GF5
- Canon 500D vs Canon 700D
- Canon 6D vs Panasonic GF5
- Canon 700D vs Fujifilm X10
- Canon 700D vs Fujifilm X70
- Canon 700D vs Sony A850
- Canon 700D vs Sony A9
- Canon Rebel vs Panasonic GF5
- Fujifilm X-Pro2 vs Panasonic GF5
- Nikon D3000 vs Panasonic GF5
- Panasonic GF5 vs YI M1
Specifications: Canon 700D vs Panasonic GF5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 700D||Panasonic GF5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||March 2013||April 2012|
|Launch Price||USD 649||USD 499|
|Sensor Specs||Canon 700D||Panasonic GF5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||12 Megapixels|
|Image Resolution||5184 x 3456 pixels||4000 x 3000 pixels|
|Pixel Pitch||4.31 μm||4.33 μm|
|Pixel Density||5.39 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||100 - 12,800 ISO||160 - 6,400 ISO|
|ISO Boost||100 - 25,600 ISO||160 - 12,800 ISO|
|Image Processor||DIGIC 5||Venus FHD|
|DXO Sensor Quality (score)||61||50|
|DXO Color Depth (bits)||21.7||20.5|
|DXO Dynamic Range (EV)||11.2||10.0|
|DXO Low Light (ISO)||681||573|
|Screen Specs||Canon 700D||Panasonic GF5|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Canon 700D||Panasonic GF5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||4 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 700D||Panasonic GF5|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 700D||Panasonic GF5|
|Battery Life (CIPA)||440 shots per charge||360 shots per charge|
133 x 100 x 79 mm
(5.2 x 3.9 x 3.1 in)
108 x 67 x 37 mm
(4.3 x 2.6 x 1.5 in)
|Camera Weight||580 g (20.5 oz)||267 g (9.4 oz)|
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