Canon 6D Mark II vs Panasonic ZS70
The Canon EOS 6D Mark II and the Panasonic Lumix DC-ZS70 (labelled Panasonic TZ90 in some countries) are two digital cameras that were officially introduced, respectively, in June 2017 and April 2017. The 6D Mark II is a DSLR, while the ZS70 is a fixed lens compact. The cameras are based on a full frame (6D Mark II) and a 1/2.3-inch (ZS70) sensor. The Canon has a resolution of 26 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D Mark II and the Panasonic Lumix DC-ZS70? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 6D Mark II and the Panasonic ZS70 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The ZS70 can be obtained in two different colors (black, silver), while the 6D Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS70 is considerably smaller (53 percent) than the Canon 6D Mark II. It is worth mentioning in this context that the 6D Mark II is splash and dust resistant, while the ZS70 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS70 has a lens built in, whereas the 6D Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 6D Mark II and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 6D Mark II gets 1200 shots out of its LP-E6N battery, while the ZS70 can take 380 images on a single charge of its DMW-BLG10 power pack. The power pack in the ZS70 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|2.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|3.||Canon R||139 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299|
|4.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|5.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|6.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|7.||Canon SX720||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379|
|8.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|9.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|10.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|11.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|12.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|13.||Nikon D600||141 mm||113 mm||82 mm||850 g||900||Y||Sep 2012||2,099|
|14.||Panasonic ZS80||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449|
|15.||Panasonic FZ80||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399|
|16.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|17.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The ZS70 was launched at a lower price than the 6D Mark II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Panasonic ZS70 a 1/2.3-inch sensor. The sensor area in the ZS70 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the 6D Mark II has a native 3:2 aspect ratio, while the one in the ZS70 offers a 4:3 aspect.
With 26MP, the 6D Mark II offers a higher resolution than the ZS70 (20.2MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 1.18μm for the ZS70) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the ZS70 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 6D Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 6D Mark II for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Panasonic ZS70 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The 6D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DC-ZS70 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 6D Mark II provides substantially higher image quality than the ZS70, with an overall score that is 49 points higher. This advantage is based on 5.3 bits higher color depth, 1.3 EV in additional dynamic range, and 4.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|3.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|5.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|8.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|9.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|10.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|11.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|12.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|13.||Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|17.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the ZS70 provides a better video resolution than the 6D Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the ZS70 has an electronic viewfinder (1166k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the ZS70 offers a wider field of view (100%) than the one in the 6D Mark II (98%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 6D Mark II has a higher magnification (0.72x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 6D Mark II and Panasonic ZS70 along with similar information for a selection of comparators.
|1.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5/s||n||n|
|2.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|3.||Canon R||3690||Y||3.2 / 2100||swivel||Y||1/8000s||8.0/s||n||n|
|4.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9/s||Y||Y|
|5.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0/s||n||n|
|6.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|7.||Canon SX720||none||n||3.0 / 922||fixed||n||1/3200s||5.9/s||Y||Y|
|8.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0/s||n||n|
|9.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|10.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9/s||n||n|
|11.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0/s||Y||n|
|12.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0/s||Y||n|
|13.||Nikon D600||optical||Y||3.0 / 921||fixed||n||1/4000s||5.5/s||Y||n|
|14.||Panasonic ZS80||2330||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|15.||Panasonic FZ80||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||Y||Y|
|16.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|17.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 6D Mark II, but is missing on the ZS70 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZS70 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 6D Mark II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 6D Mark II and the ZS70 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Panasonic Lumix DC-ZS70 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|2.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon R||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|4.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|5.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|6.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|7.||Canon SX720||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|9.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|10.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|12.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|13.||Nikon D600||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|14.||Panasonic ZS80||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|15.||Panasonic FZ80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|17.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the 6D Mark II has a hotshoe, while the ZS70 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Travel and landscape photographers will find it useful that the 6D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The 6D Mark II is a recent model that features in the current product line-up of Canon. In contrast, the ZS70 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the ZS70 was succeeded by the Panasonic ZS80. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Canon 6D Mark II or the Panasonic ZS70 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 6D Mark II:
- More detail: Offers more megapixels (26 vs 20.2MP) with a 16% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (49 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (5.3 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.3 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (4.8 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (1200 versus 380) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
Arguments in favor of the Panasonic Lumix DC-ZS70:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- Faster burst: Shoots at higher frequency (10 vs 6.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 6D Mark II requires a separate lens.
- More compact: Is smaller (112x67mm vs 144x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 6D Mark II).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
If the count of individual advantages (bullet points above) is taken as a guide, the 6D Mark II is the clear winner of the match-up (21 : 13 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 6D Mark II and the Panasonic ZS70 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 6D Mark II or the ZS70 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|2.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449|
|3.||Canon R||4/5||o||4/5||79/100||4.5/5||4/5||Sep 2018||2,299|
|4.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399|
|5.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|6.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|7.||Canon SX720||..||+||..||..||4/5||4.5/5||Feb 2016||379|
|8.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|9.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|10.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|11.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|12.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|13.||Nikon D600||4/5||+ +||..||87/100||5/5||4.5/5||Sep 2012||2,099|
|14.||Panasonic ZS80||..||+ +||..||..||4.5/5||..||Feb 2019||449|
|15.||Panasonic FZ80||..||+ +||..||..||4.5/5||4.5/5||Jan 2017||399|
|16.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|17.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark III vs Canon 6D Mark II
- Canon 6D Mark II vs Canon T4i
- Canon 6D Mark II vs Leica SL2
- Canon 6D Mark II vs Nikon D5300
- Canon 6D Mark II vs Panasonic L10
- Canon 6D Mark II vs Ricoh GR
- Nikon B600 vs Panasonic ZS70
- Nikon D5000 vs Panasonic ZS70
- Nikon D7100 vs Panasonic ZS70
- Panasonic GF7 vs Panasonic ZS70
- Panasonic ZS70 vs Sony A850
- Panasonic ZS70 vs Sony NEX-F3
Specifications: Canon 6D Mark II vs Panasonic ZS70
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 6D Mark II||Panasonic ZS70|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-720mm f/3.3-6.4|
|Launch Date||June 2017||April 2017|
|Launch Price||USD 1,999||USD 449|
|Sensor Specs||Canon 6D Mark II||Panasonic ZS70|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||35.9 x 24.0 mm||6.17 x 4.55 mm|
|Sensor Area||861.6 mm2||28.0735 mm2|
|Sensor Diagonal||43.2 mm||7.7 mm|
|Sensor Resolution||26 Megapixels||20.2 Megapixels|
|Image Resolution||6240 x 4160 pixels||5184 x 3888 pixels|
|Pixel Pitch||5.76 μm||1.18 μm|
|Pixel Density||3.01 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 40,000 ISO||80 - 3,200 ISO|
|ISO Boost||50 - 102,400 ISO||80 - 6,400 ISO|
|Image Processor||DIGIC 7||Venus|
|DXO Sensor Quality (score)||85||36|
|DXO Color Depth (bits)||24.4||19.1|
|DXO Dynamic Range (EV)||11.9||10.6|
|DXO Low Light (ISO)||2862||106|
|Screen Specs||Canon 6D Mark II||Panasonic ZS70|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||98%||100%|
|Viewfinder Resolution||1166k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon 6D Mark II||Panasonic ZS70|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||6.5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 6D Mark II||Panasonic ZS70|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 6D Mark II||Panasonic ZS70|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1200 shots per charge||380 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
144 x 111 x 75 mm
(5.7 x 4.4 x 3.0 in)
112 x 67 x 41 mm
(4.4 x 2.6 x 1.6 in)
|Camera Weight||765 g (27.0 oz)||322 g (11.4 oz)|
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