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Canon 6D Mark II versus Fujifilm X-Pro2

The Canon EOS 6D Mark II and the Fujifilm X-Pro2 are two enthusiast cameras that were announced, respectively, in June 2017 and January 2016. The 6D Mark II is a DSLR, while the X-Pro2 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D Mark II) and an APS-C (X-Pro2) sensor. The Canon has a resolution of 26 megapixel, whereas the Fujifilm provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Canon 6D Mark II vs Fujifilm X-Pro2

The side-by-side display below illustrates the physical size and weight of the Canon 6D Mark II and the Fujifilm X-Pro2. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the 6D Mark II – represents the basis for the calculations across all the size and weight measures).

Compare Canon 6D Mark II vs Fujifilm X-Pro2
Compare 6D Mark II versus X-Pro2 top
Compare 6D Mark II and X-Pro2 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro2 is notably smaller (27 percent) than the Canon 6D Mark II. Moreover, the X-Pro2 is substantially lighter (35 percent) than the 6D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Fujinon X Lens Catalog (X-Pro2). Mirrorless cameras, such as the X-Pro2, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 6D Mark II gets 1200 shots out of its LP-E6N battery, while the X-Pro2 can take 350 images on a single charge of its NP-W126 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Canon 6D Mark II» 144 mm 111 mm 75 mm 765 g 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
Fujifilm X-Pro2« 141 mm 83 mm 46 mm 495 g 350 Y Jan 2016 1,699 i i Fujifilm X-Pro2
Canon R« » 139 mm 98 mm 84 mm 660 g 370 Y Sep 2018 2,299 i i Canon R
Canon 5D Mark IV« » 151 mm 116 mm 76 mm 890 g 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« » 139 mm 105 mm 79 mm 730 g 960 Y Feb 2016 1,199 i i Canon 80D
Canon 5D Mark III« » 152 mm 116 mm 76 mm 950 g 950 Y Mar 2012 3,499- i Canon 5D Mark III
Canon 6D« » 145 mm 111 mm 71 mm 770 g 1090 Y Sep 2012 2,099- i Canon 6D
Canon 5D Mark II« » 152 mm 114 mm 75 mm 850 g 850 Y Sep 2008 3,499- i Canon 5D Mark II
Fujifilm X-T3« » 133 mm 93 mm 59 mm 539 g 390 Y Sep 2018 1,499 i i Fujifilm X-T3
Fujifilm X100F« » 127 mm 75 mm 52 mm 469 g 390 n Jan 2017 1,299 i i Fujifilm X100F
Fujifilm X-A3« » 117 mm 67 mm 40 mm 339 g 410 n Aug 2016 399 i i Fujifilm X-A3
Fujifilm X-T2« » 133 mm 92 mm 49 mm 507 g 340 Y Jul 2016 1,599- i Fujifilm X-T2
Fujifilm X-Pro1« » 140 mm 82 mm 43 mm 450 g 300 n Jan 2012 1,699- i Fujifilm X-Pro1
Nikon D750« » 141 mm 113 mm 78 mm 750 g 1230 Y Sep 2014 2,299 i i Nikon D750
Nikon D610« » 141 mm 113 mm 82 mm 850 g 900 Y Oct 2013 1,999 i i Nikon D610
Nikon D600« » 141 mm 113 mm 82 mm 850 g 900 Y Sep 2012 2,099- i Nikon D600
Sony A7 III« » 127 mm 96 mm 74 mm 650 g 610 Y Feb 2018 1,999 i i Sony A7 III

The camera’s price is obviously a critical decision-making factor. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-Pro2 was launched at a somewhat lower price (by 15 percent) than the 6D Mark II, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Canon 6D Mark II vs Fujifilm X-Pro2

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Fujifilm X-Pro2 an APS-C sensor. The sensor area in the X-Pro2 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

In terms of underlying technology, both cameras are build around CMOS sensors.

Canon 6D Mark II and Fujifilm X-Pro2 sensor measures

With 26MP, the 6D Mark II offers a slightly higher resolution than the X-Pro2 (24MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 3.92μm for the X-Pro2) due to its larger sensor. Moreover, the 6D Mark II is a somewhat more recent model (by 1 year and 5 months) than the X-Pro2, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

6D Mark II versus X-Pro2 MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Canon 6D Mark II» Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
Fujifilm X-Pro2« APS-C 24.0 6000 40001080/60p----Fujifilm X-Pro2
Canon R« » Full Frame 30.1 6720 44804K/30p----Canon R
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
Canon 5D Mark III« » Full Frame 22.1 5760 38401080/30p24.011.7229381Canon 5D Mark III
Canon 6D« » Full Frame 20.0 5472 36481080/30p23.812.1234082Canon 6D
Canon 5D Mark II« » Full Frame 21.0 5616 37441080/30p23.711.9181579Canon 5D Mark II
Fujifilm X-T3« » APS-C 26.0 6240 41604K/60p----Fujifilm X-T3
Fujifilm X100F« » APS-C 24.0 6000 40001080/60p----Fujifilm X100F
Fujifilm X-A3« » APS-C 24.0 6000 40001080/60p----Fujifilm X-A3
Fujifilm X-T2« » APS-C 24.0 6000 40004K/30p----Fujifilm X-T2
Fujifilm X-Pro1« » APS-C 16.0 4896 32641080/24p----Fujifilm X-Pro1
Nikon D750« » Full Frame 24.2 6016 40161080/60p24.814.5295693Nikon D750
Nikon D610« » Full Frame 24.2 6016 40161080/30p25.114.4292594Nikon D610
Nikon D600« » Full Frame 24.2 6016 40161080/30p25.114.2298094Nikon D600
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).

 

Feature comparison: Canon 6D Mark II vs Fujifilm X-Pro2

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon 6D Mark II and Fujifilm X-Pro2 in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Canon 6D Mark II»optical Y 3.0 1040 swivel Y 4000 6.5 n n Canon 6D Mark II
Fujifilm X-Pro2«2360 n 3.0 1620 fixed n 8000 8.0 n n Fujifilm X-Pro2
Canon R« »3690 n 3.2 2100 swivel Y 8000 8.0 n n Canon R
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 8000 7.0 n n Canon 5D Mark IV
Canon 80D« »optical Y 3.0 1040 swivel Y 8000 7.0 Y n Canon 80D
Canon 5D Mark III« »optical Y 3.2 1040 fixed n 8000 6.0 n n Canon 5D Mark III
Canon 6D« »optical Y 3.0 1040 fixed n 4000 4.5 n n Canon 6D
Canon 5D Mark II« »optical Y 3.0 920 fixed n 8000 3.9 n n Canon 5D Mark II
Fujifilm X-T3« »3690 n 3.2 1040 tilting Y 8000 11.0 n n Fujifilm X-T3
Fujifilm X100F« »2360 n 3.0 1040 fixed n 4000 8.0 Y n Fujifilm X100F
Fujifilm X-A3« »- n 3.0 1040 tilting Y 4000 6.0 Y n Fujifilm X-A3
Fujifilm X-T2« »2360 n 3.0 1040 tilting n 8000 14.0 n n Fujifilm X-T2
Fujifilm X-Pro1« »1440 n 3.0 1230 fixed n 4000 6.0 n n Fujifilm X-Pro1
Nikon D750« »optical Y 3.2 1229 tilting n 4000 6.0 Y n Nikon D750
Nikon D610« »optical Y 3.2 921 fixed n 4000 6.0 Y n Nikon D610
Nikon D600« »optical Y 3.0 921 fixed n 4000 5.5 Y n Nikon D600
Sony A7 III« »2359 n 3.0 922 tilting Y 8000 10.0 n Y Sony A7 III

One feature that is present on the 6D Mark II, but is missing on the X-Pro2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

Both the 6D Mark II and the X-Pro2 write their imaging data to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 6D Mark II only has one slot.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Canon 6D Mark II»YstereomonoY-mini2.0YYYCanon 6D Mark II
Fujifilm X-Pro2«YstereomonoY-micro2.0Y--Fujifilm X-Pro2
Canon R« »YstereomonoY-mini3.1Y-YCanon R
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
Canon 80D« »YstereomonoYYmini2.0YY-Canon 80D
Canon 5D Mark III« »YmonomonoYYmini2.0---Canon 5D Mark III
Canon 6D« »YmonomonoY-mini2.0Y--Canon 6D
Canon 5D Mark II« »YmonomonoY-mini2.0---Canon 5D Mark II
Fujifilm X-T3« »YstereomonoYYmicro3.1Y-YFujifilm X-T3
Fujifilm X100F« »YstereomonoY-micro2.0Y--Fujifilm X100F
Fujifilm X-A3« »Ystereomono--micro2.0Y--Fujifilm X-A3
Fujifilm X-T2« »YstereomonoY-micro3.0Y--Fujifilm X-T2
Fujifilm X-Pro1« »Ystereomono--mini2.0---Fujifilm X-Pro1
Nikon D750« »YstereomonoYYmini2.0Y--Nikon D750
Nikon D610« »YmonomonoYYmini2.0---Nikon D610
Nikon D600« »YmonomonoYYmini2.0---Nikon D600
Sony A7 III« »YstereomonoYYmicro3.1YYYSony A7 III

Both the 6D Mark II and the X-Pro2 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-Pro2 replaced the earlier Fujifilm X-Pro1, while the 6D Mark II followed on from the Canon 6D.

Review summary: Canon 6D Mark II vs Fujifilm X-Pro2

So how do things add up? Is there a clear favorite between the Canon 6D Mark II and the Fujifilm X-Pro2? The listing below highlights the relative strengths of the two models.

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Reasons to prefer the Canon EOS 6D Mark II:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: Larger sensor generates images with better, more accurate colors.
  • More dynamic range: Capable of capturing a wider spectrum of light and dark details.
  • Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Longer lasting: Can take more shots (1200 versus 350) on a single battery charge.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • More modern: Is somewhat more recent (announced 1 year and 5 months after the X-Pro2).

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Advantages of the Fujifilm X-Pro2:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Faster burst: Shoots at higher frequency (8 vs 6.5 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (141x83mm vs 144x111mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 270g or 35 percent) and is thus easier to take along.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • More affordable: Was released into a lower priced segment (15 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in January 2016).

If the number of relative strengths (bullet points above) is taken as a guide, the 6D Mark II emerges as the winner of the contest (13 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.

6D Mark II 13:11 X-Pro2

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 6D Mark II or the X-Pro2 handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Canon 6D Mark II»Rec80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
Fujifilm X-Pro2«Rec83/1004.5/54.5/54.5/5 Jan 2016 1,699 i i Fujifilm X-Pro2
Canon R« »rev-4.5/5-4/5 Sep 2018 2,299 i i Canon R
Canon 5D Mark IV« »HiRec87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
Canon 80D« »HiRec84/1004.5/54.5/54.5/5 Feb 2016 1,199 i i Canon 80D
Canon 5D Mark III« »HiRec82/1004.5/55/54.5/5 Mar 2012 3,499- i Canon 5D Mark III
Canon 6D« »HiRec83/1004.5/54.5/54.5/5 Sep 2012 2,099- i Canon 6D
Canon 5D Mark II« »91/10079/1004/55/5- Sep 2008 3,499- i Canon 5D Mark II
Fujifilm X-T3« »----5/5 Sep 2018 1,499 i i Fujifilm X-T3
Fujifilm X100F« »Rec83/1004.5/5-4.5/5 Jan 2017 1,299 i i Fujifilm X100F
Fujifilm X-A3« »-74/1004.5/5-4/5 Aug 2016 399 i i Fujifilm X-A3
Fujifilm X-T2« »HiRec86/1004.5/55/55/5 Jul 2016 1,599- i Fujifilm X-T2
Fujifilm X-Pro1« »HiRec79/1004.5/54/54.5/5 Jan 2012 1,699- i Fujifilm X-Pro1
Nikon D750« »HiRec90/1004.5/55/54.5/5 Sep 2014 2,299 i i Nikon D750
Nikon D610« »HiRec87/1004.5/54.5/54.5/5 Oct 2013 1,999 i i Nikon D610
Nikon D600« »HiRec87/1005/54.5/54.5/5 Sep 2012 2,099- i Nikon D600
Sony A7 III« »HiRec89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, kindly get in touch, and I will try to locate and add the respective data to the application.

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