Canon 6D Mark II vs Fujifilm X-Pro2
The Canon EOS 6D Mark II and the Fujifilm X-Pro2 are two enthusiast cameras that were announced, respectively, in June 2017 and January 2016. The 6D Mark II is a DSLR, while the X-Pro2 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D Mark II) and an APS-C (X-Pro2) sensor. The Canon has a resolution of 26 megapixels, whereas the Fujifilm provides 24 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 6D Mark II||Fujifilm X-Pro2|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Fujifilm X mount lenses|
|26 MP, Full Frame Sensor||24 MP, APS-C Sensor|
|1080/60p Video||1080/60p Video|
|ISO 100-40000 (50-102400)||ISO 200-12800 (100-51200)|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1620k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|6.5 shutter flaps per second||8 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|1200 shots per battery charge||350 shots per battery charge|
|144 x 111 x 75 mm, 765 g||141 x 83 x 46 mm, 495 g|
Body comparison: Canon 6D Mark II vs Fujifilm X-Pro2
The side-by-side display below illustrates the physical size and weight of the Canon 6D Mark II and the Fujifilm X-Pro2. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro2 is notably smaller (27 percent) than the Canon 6D Mark II. Moreover, the X-Pro2 is substantially lighter (35 percent) than the 6D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Fujinon X Lens Catalog (X-Pro2). Mirrorless cameras, such as the X-Pro2, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 6D Mark II»||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Fujifilm X-Pro2«||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Canon R« »||136 mm||98 mm||84 mm||660 g||370||Y||Sep 2018||2,299||Canon R|
|Canon 1D X Mark II« »||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 80D« »||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||Canon 80D|
|Canon 5DS« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 7D II« »||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 6D« »||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Fujifilm X-T3« »||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-T2« »||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-T1« »||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,699||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon D500« »||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D610« »||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999||Nikon D610|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-Pro2 was launched at a somewhat lower price (by 15 percent) than the 6D Mark II, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 6D Mark II vs Fujifilm X-Pro2
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Fujifilm X-Pro2 an APS-C sensor. The sensor area in the X-Pro2 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 26MP, the 6D Mark II offers a slightly higher resolution than the X-Pro2 (24MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 3.92μm for the X-Pro2) due to its larger sensor. Moreover, the 6D Mark II is a somewhat more recent model (by 1 year and 5 months) than the X-Pro2, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm X-Pro2 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200..
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 6D Mark II»||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Fujifilm X-Pro2«||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Canon R« »||Full Frame||30.1||6720||4480||4K/30p||-||-||-||-||Canon R|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 7D II« »||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Fujifilm X-T3« »||APS-C||26.0||6240||4160||4K/60p||-||-||-||-||Fujifilm X-T3|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T2|
|Fujifilm X-T1« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D610« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Feature comparison: Canon 6D Mark II vs Fujifilm X-Pro2
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the 6D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon 6D Mark II and Fujifilm X-Pro2 in connection with corresponding information for a sample of similar cameras.
|Canon 6D Mark II»||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n||Canon 6D Mark II|
|Fujifilm X-Pro2«||2360||n||3.0||1620||fixed||n||8000||8.0||n||n||Fujifilm X-Pro2|
|Canon R« »||3690||Y||3.2||2100||swivel||Y||8000||8.0||n||n||Canon R|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||8000||16.0||n||n||Canon 1D X Mark II|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||8000||7.0||n||n||Canon 5D Mark IV|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 80D|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS R|
|Canon 7D II« »||optical||Y||3.0||1040||fixed||n||8000||10.0||Y||n||Canon 7D II|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||4000||4.5||n||n||Canon 6D|
|Fujifilm X-T3« »||3690||n||3.2||1040||tilting||Y||8000||11.0||n||n||Fujifilm X-T3|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||8000||14.0||n||n||Fujifilm X-T2|
|Fujifilm X-T1« »||2360||n||3.0||1040||tilting||n||4000||8.0||n||n||Fujifilm X-T1|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||4000||6.0||n||n||Fujifilm X-Pro1|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||8000||10.0||n||n||Nikon D500|
|Nikon D610« »||optical||Y||3.2||921||fixed||n||4000||6.0||Y||n||Nikon D610|
One feature that is present on the 6D Mark II, but is missing on the X-Pro2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The 6D Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the X-Pro2 does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the X-Pro2 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the 6D Mark II and the X-Pro2 write their files to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 6D Mark II only has one slot.
Connectivity comparison: Canon 6D Mark II vs Fujifilm X-Pro2
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Fujifilm X-Pro2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 6D Mark II»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Fujifilm X-Pro2«||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Canon R« »||Y||stereo||mono||Y||Y||mini||3.1||Y||-||Y||Canon R|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 7D II« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Fujifilm X-T3« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X-T2« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Fujifilm X-T1« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D610« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the 6D Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 6D Mark II and the X-Pro2 are recent models that feature in their makers' current product line-up. The X-Pro2 replaced the earlier Fujifilm X-Pro1, while the 6D Mark II followed on from the Canon 6D.
Review summary: Canon 6D Mark II vs Fujifilm X-Pro2
So how do things add up? Is there a clear favorite between the Canon 6D Mark II and the Fujifilm X-Pro2? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 6D Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: Larger sensor generates images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Can take more shots (1200 versus 350) on a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Is somewhat more recent (announced 1 year and 5 months after the X-Pro2).
Advantages of the Fujifilm X-Pro2:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 6.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (141x83mm vs 144x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 270g or 35 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was released into a lower priced segment (15 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the 6D Mark II comes out slightly ahead of the X-Pro2 (14 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 6D Mark II or the X-Pro2 handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Canon 6D Mark II vs Fujifilm X-Pro2
This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Canon 6D Mark II»||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Fujifilm X-Pro2«||Rec||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Canon R« »||rev||79/100||4.5/5||4/5||4/5||Sep 2018||2,299||Canon R|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||HiRec||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||Canon 80D|
|Canon 5DS« »||Rec||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||Rec||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon 7D II« »||Rec||84/100||4/5||5/5||4.5/5||Sep 2014||1,799||Canon 7D II|
|Canon 6D« »||HiRec||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Fujifilm X-T3« »||HiRec||88/100||5/5||-||5/5||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-T2« »||HiRec||86/100||4.5/5||5/5||5/5||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-T1« »||HiRec||84/100||5/5||4/5||5/5||Jan 2014||1,699||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||HiRec||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon D500« »||HiRec||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon D610« »||HiRec||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark IV vs Canon T1i
- Canon 5DS R vs Leica S Typ 007
- Canon SX70 vs Canon 4000D
- Fujifilm X-A10 vs Nikon D90
- Nikon D60 vs Fujifilm X-T2
- Nikon D610 vs Nikon D4
- Olympus E-M1 vs Nikon D850
- Panasonic GH5 vs Fujifilm X-T20
- Panasonic GX9 vs Olympus PEN-F
- Panasonic LX100 vs Pentax 645D
- Sony A5100 vs Panasonic GX9
- Sony A7R II vs Leica M8
Specifications: Canon 6D Mark II vs Fujifilm X-Pro2
|Camera Model||Canon 6D Mark II||Fujifilm X-Pro2|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm X mount lenses|
|Launch Date||June 2017||January 2016|
|Launch Price||USD 1999||USD 1699|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.9 x 24.0 mm||23.6 x 24.0 mm|
|Sensor Area||861.6 mm2||368.16 mm2|
|Sensor Diagonal||43.2 mm||28.3 mm|
|Sensor Resolution||26 Megapixels||24 Megapixels|
|Image Resolution||6240 x 4160 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.76 μm||3.92 μm|
|Pixel Density||3.01 MP/cm2||6.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100-40000 ISO||200-12800 ISO|
|ISO Boost||50-102400 ISO||100-51200 ISO|
|Image Processor||DIGIC 7||X Processor Pro|
|DXO Sensor Quality (score)||85||..|
|DXO Color Depth (bits)||24.4||..|
|DXO Dynamic Range (EV)||11.9||..|
|DXO Low Light (ISO)||2862||..|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||98%||100%|
|Viewfinder Resolution||n/a||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1620k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Maximum Shutter Speed||1/4000s||1/8000s|
|Continuous Shooting||6.5 shutter flaps/s||8 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||LP-E6N power pack||NP-W126 power pack|
|Battery Life (CIPA)||1200 shots per charge||350 shots per charge|
144 x 111 x 75 mm
(5.7 x 4.4 x 3.0 in)
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
|Camera Weight||765 g (27.0 oz)||495 g (17.5 oz)|
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