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Canon 6D Mark II vs Fujifilm GFX 50S

The Canon EOS 6D Mark II and the Fujifilm GFX 50S are two digital cameras that were revealed to the public, respectively, in June 2017 and September 2016. The 6D Mark II is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D Mark II) and a medium format (GFX 50S) sensor. The Canon has a resolution of 26 megapixels, whereas the Fujifilm provides 51.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Canon 6D Mark II   Fujifilm GFX 50S
Canon 6D Mark II Fujifilm GFX 50S
Digital single lens reflex Mirrorless system camera
Canon EF mount lenses Fujifilm G mount lenses
26 MP, Full Frame Sensor 51.1 MP, Medium Format Sensor
1080/60p Video 1080/30p Video
ISO 100-40000 (50-102400) ISO 100-12800 (50-102400)
Optical viewfinder Viewfinder optional
3.0" LCD, 1040k dots 3.2" LCD, 2360k dots
Swivel touchscreen Fully flexible touchscreen
6.5 shutter flaps per second 3 shutter flaps per second
Weathersealed bodyWeathersealed body
1200 shots per battery charge400 shots per battery charge
144 x 111 x 75 mm, 765 g 148 x 94 x 91 mm, 740 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D Mark II and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison: Canon 6D Mark II vs Fujifilm GFX 50S

An illustration of the physical size and weight of the Canon 6D Mark II and the Fujifilm GFX 50S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

Size Canon 6D Mark II vs Fujifilm GFX 50S
Compare 6D Mark II versus GFX 50S top
Comparison 6D Mark II or GFX 50S rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably smaller (13 percent) than the Canon 6D Mark II. Moreover, the GFX 50S is slightly lighter (3 percent) than the 6D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the 6D Mark II gets 1200 shots out of its LP-E6N battery, while the GFX 50S can take 400 images on a single charge of its NP-T125 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Canon 6D Mark II» 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
 
Fujifilm GFX 50S« 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
 
Canon R« » 5.5 in 3.9 in 3.3 in 23.3 oz 370 Y Sep 2018 2,299 i i Canon R
 
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199 i i Canon 80D
 
Canon 5D Mark III« » 6.0 in 4.6 in 3.0 in 33.5 oz 950 Y Mar 2012 3,499- i Canon 5D Mark III
 
Canon 6D« » 5.7 in 4.4 in 2.8 in 27.2 oz 1090 Y Sep 2012 2,099- i Canon 6D
 
Canon 5D Mark II« » 6.0 in 4.5 in 3.0 in 30.0 oz 850 Y Sep 2008 3,499- i Canon 5D Mark II
 
Fujifilm GFX 50R« » 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i i Fujifilm GFX 50R
 
Hasselblad X1D« » 5.9 in 3.9 in 2.8 in 25.6 oz .. Y Jun 2016 8,995 i i Hasselblad X1D
 
Leica SL« » 5.8 in 4.1 in 1.5 in 29.9 oz 400 Y Oct 2015 7,450 i i Leica SL
 
Nikon D7500« » 5.4 in 4.1 in 2.9 in 25.4 oz 950 Y Apr 2017 1,299 i i Nikon D7500
 
Nikon D750« » 5.6 in 4.4 in 3.1 in 26.5 oz 1230 Y Sep 2014 2,299 i i Nikon D750
 
Nikon D610« » 5.6 in 4.4 in 3.2 in 30.0 oz 900 Y Oct 2013 1,999 i i Nikon D610
 
Nikon D600« » 5.6 in 4.4 in 3.2 in 30.0 oz 900 Y Sep 2012 2,099- i Nikon D600
 
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 6D Mark II was launched at a markedly lower price (by 69 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Canon 6D Mark II vs Fujifilm GFX 50S

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 68 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.79. The sensor in the 6D Mark II has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.

In terms of underlying technology, both cameras are build around CMOS sensors.

Canon 6D Mark II and Fujifilm GFX 50S sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the 6D Mark II (26MP), but the GFX 50S has smaller individual pixels (pixel pitch of 5.33μm versus 5.76μm for the 6D Mark II). It is noteworthy in this context that the 6D Mark II is a somewhat more recent model (by 9 months) than the GFX 50S, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Canon 6D Mark II are 31.2 x 20.8 inch or 79.2 x 52.8 cm for good quality, 25 x 16.6 inch or 63.4 x 42.3 cm for very good quality, and 20.8 x 13.9 inch or 52.8 x 35.2 cm for excellent quality prints.

The 6D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Canon EOS 6D Mark II has a native sensitivity range from ISO 100 to ISO 40000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

6D Mark II versus GFX 50S MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Canon 6D Mark II» Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
 
Fujifilm GFX 50S« Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50S
 
Canon R« » Full Frame 30.1 6720 44804K/30p24.513.5274289Canon R
 
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
 
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
 
Canon 5D Mark III« » Full Frame 22.1 5760 38401080/30p24.011.7229381Canon 5D Mark III
 
Canon 6D« » Full Frame 20.0 5472 36481080/30p23.812.1234082Canon 6D
 
Canon 5D Mark II« » Full Frame 21.0 5616 37441080/30p23.711.9181579Canon 5D Mark II
 
Fujifilm GFX 50R« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50R
 
Hasselblad X1D« » Medium Format 51.3 8272 62001080/25p26.214.84489102Hasselblad X1D
 
Leica SL« » Full Frame 24.0 6000 40004K/30p25.013.4182188Leica SL
 
Nikon D7500« » APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500
 
Nikon D750« » Full Frame 24.2 6016 40161080/60p24.814.5295693Nikon D750
 
Nikon D610« » Full Frame 24.2 6016 40161080/30p25.114.4292594Nikon D610
 
Nikon D600« » Full Frame 24.2 6016 40161080/30p25.114.2298094Nikon D600
 
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 6D Mark II provides a higher frame rate than the GFX 50S. It can shoot video footage at 1080/60p, while the Fujifilm is limited to 1080/30p.

 

Feature comparison: Canon 6D Mark II vs Fujifilm GFX 50S

Beyond body and sensor, cameras can and do differ across a range of features. For example, the 6D Mark II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The table below summarizes some of the other core capabilities of the Canon 6D Mark II and Fujifilm GFX 50S in connection with corresponding information for a sample of similar cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Canon 6D Mark II»optical Y 3.0 1040 swivel Y 1/4000s 6.5 n n Canon 6D Mark II
 
Fujifilm GFX 50S«- Y 3.2 2360 full-flex Y 1/4000s 3.0 n n Fujifilm GFX 50S
 
Canon R« »3690 Y 3.2 2100 swivel Y 1/8000s 8.0 n n Canon R
 
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 1/8000s 7.0 n n Canon 5D Mark IV
 
Canon 80D« »optical Y 3.0 1040 swivel Y 1/8000s 7.0 Y n Canon 80D
 
Canon 5D Mark III« »optical Y 3.2 1040 fixed n 1/8000s 6.0 n n Canon 5D Mark III
 
Canon 6D« »optical Y 3.0 1040 fixed n 1/4000s 4.5 n n Canon 6D
 
Canon 5D Mark II« »optical Y 3.0 920 fixed n 1/8000s 3.9 n n Canon 5D Mark II
 
Fujifilm GFX 50R« »3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n Fujifilm GFX 50R
 
Hasselblad X1D« »2360 n 3.0 920 fixed Y 1/2000s 2.3 n n Hasselblad X1D
 
Leica SL« »4400 Y 3.0 1040 fixed Y 1/8000s 11.0 n n Leica SL
 
Nikon D7500« »optical Y 3.2 922 tilting Y 1/8000s 8.0 Y n Nikon D7500
 
Nikon D750« »optical Y 3.2 1229 tilting n 1/4000s 6.0 Y n Nikon D750
 
Nikon D610« »optical Y 3.2 921 fixed n 1/4000s 6.0 Y n Nikon D610
 
Nikon D600« »optical Y 3.0 921 fixed n 1/4000s 5.5 Y n Nikon D600
 
Sony A7 III« »2359 n 3.0 922 tilting Y 1/8000s 10.0 n Y Sony A7 III
The 6D Mark II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 50S does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Canon 6D Mark II and the Fujifilm GFX 50S both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the 6D Mark II and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the 6D Mark II only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the 6D Mark II can use UHS-I cards.

 

Connectivity comparison: Canon 6D Mark II vs Fujifilm GFX 50S

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D Mark II and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Canon 6D Mark II»YstereomonoY-mini2.0YYYCanon 6D Mark II
 
Fujifilm GFX 50S«YstereomonoYYmicro3.0Y--Fujifilm GFX 50S
 
Canon R« »YstereomonoY-mini3.1Y-YCanon R
 
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
 
Canon 80D« »YstereomonoYYmini2.0YY-Canon 80D
 
Canon 5D Mark III« »YmonomonoYYmini2.0---Canon 5D Mark III
 
Canon 6D« »YmonomonoY-mini2.0Y--Canon 6D
 
Canon 5D Mark II« »YmonomonoY-mini2.0---Canon 5D Mark II
 
Fujifilm GFX 50R« »YstereomonoYYmicro3.0Y-YFujifilm GFX 50R
 
Hasselblad X1D« »YstereomonoYYmini3.0Y--Hasselblad X1D
 
Leica SL« »YstereomonoYYfull3.0Y--Leica SL
 
Nikon D7500« »YstereomonoYYmini2.0Y-YNikon D7500
 
Nikon D750« »YstereomonoYYmini2.0Y--Nikon D750
 
Nikon D610« »YmonomonoYYmini2.0---Nikon D610
 
Nikon D600« »YmonomonoYYmini2.0---Nikon D600
 
Sony A7 III« »YstereomonoYYmicro3.1YYYSony A7 III

It is notable that the GFX 50S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 6D Mark II lacks such a headphone port.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the 6D Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the 6D Mark II and the GFX 50S are recent models that are part of the current product line-up. The 6D Mark II replaced the earlier Canon 6D, while the GFX 50S does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.


Review summary: Canon 6D Mark II vs Fujifilm GFX 50S

So what is the bottom line? Is there a clear favorite between the Canon 6D Mark II and the Fujifilm GFX 50S? Which camera is better? The listing below highlights the relative strengths of the two models.

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Reasons to prefer the Canon EOS 6D Mark II:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
  • Better live-view autofocus: Features on-sensor phase-detection for quicker and more confident autofocus.
  • Easier framing: Has an optical viewfinder for image framing and settings control.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster burst: Shoots at higher frequency (6.5 vs 3 flaps/sec) to capture the decisive moment.
  • Longer lasting: Can take more shots (1200 versus 400) on a single battery charge.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
  • More modern: Is somewhat more recent (announced 9 months after the GFX 50S).

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Advantages of the Fujifilm GFX 50S:

  • More detail: Has more megapixels (51.1 vs 26MP), which boosts linear resolution by 38%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More compact: Is smaller (148x94mm vs 144x111mm) and will fit more readily into a bag.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More heavily discounted: Has been on the market for longer (launched in September 2016).

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S emerges as the winner of the match-up (13 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

6D Mark II 11:13 GFX 50S

How about other alternatives? Do the specifications of the Canon 6D Mark II and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 6D Mark II or the GFX 50S. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews: Canon 6D Mark II vs Fujifilm GFX 50S

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Canon 6D Mark II»+80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
 
Fujifilm GFX 50S«-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
 
Canon R« »o79/1004.5/54/54/5 Sep 2018 2,299 i i Canon R
 
Canon 5D Mark IV« »+ +87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon 80D« »+ +84/1004.5/54.5/54.5/5 Feb 2016 1,199 i i Canon 80D
 
Canon 5D Mark III« »+ +82/1004.5/55/54.5/5 Mar 2012 3,499- i Canon 5D Mark III
 
Canon 6D« »+ +83/1004.5/54.5/54.5/5 Sep 2012 2,099- i Canon 6D
 
Canon 5D Mark II« »91/10079/1004/55/5- Sep 2008 3,499- i Canon 5D Mark II
 
Fujifilm GFX 50R« »-84/1004.5/5-4.5/5 Sep 2018 4,499 i i Fujifilm GFX 50R
 
Hasselblad X1D« »o81/100--4/5 Jun 2016 8,995 i i Hasselblad X1D
 
Leica SL« »-84/1004.5/54/54/5 Oct 2015 7,450 i i Leica SL
 
Nikon D7500« »+ +86/1005/54.5/54.5/5 Apr 2017 1,299 i i Nikon D7500
 
Nikon D750« »+ +90/1004.5/55/54.5/5 Sep 2014 2,299 i i Nikon D750
 
Nikon D610« »+ +87/1004.5/54.5/54.5/5 Oct 2013 1,999 i i Nikon D610
 
Nikon D600« »+ +87/1005/54.5/54.5/5 Sep 2012 2,099- i Nikon D600
 
Sony A7 III« »+ +89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Canon 6D Mark II:
Check Amazon price
Fujifilm GFX 50S:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Canon 6D Mark II vs Fujifilm GFX 50S

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Canon 6D Mark II Fujifilm GFX 50S
    Camera Type Digital single lens reflex Mirrorless system camera
    Camera Lens Canon EF mount lenses Fujifilm G mount lenses
    Launch Date June 2017 September 2016
    Launch Price USD 1999 USD 6499
    Sensor Specs Canon 6D Mark II Fujifilm GFX 50S
    Sensor Technology CMOS CMOS
    Sensor Format Full Frame Sensor Medium Format Sensor
    Sensor Size 35.9 x 24.0 mm 44.0 x 33.0 mm
    Sensor Area 861.6 mm2 1452 mm2
    Sensor Diagonal 43.2 mm 55 mm
    Crop Factor 1.0x 0.79x
    Sensor Resolution 26 Megapixels 51.1 Megapixels
    Image Resolution 6240 x 4160 pixels 8256 x 6192 pixels
    Pixel Pitch 5.76 μm 5.33 μm
    Pixel Density 3.01 MP/cm2 3.52 MP/cm2
    Moiré control Anti-Alias filter no AA filter
    Movie Capability 1080/60p Video 1080/30p Video
    ISO Setting 100-40000 ISO 100-12800 ISO
    ISO Boost 50-102400 ISO 50-102400 ISO
    Image Processor DIGIC 7 X Processor Pro
    DXO Sensor Quality (score) 85 ..
    DXO Color Depth (bits) 24.4 ..
    DXO Dynamic Range (EV) 11.9 ..
    DXO Low Light (ISO) 2862 ..
    Screen Specs Canon 6D Mark II Fujifilm GFX 50S
    Viewfinder Type Optical viewfinder Viewfinder optional
    Viewfinder Field of View 98%
    Viewfinder Magnification 0.72x
    Top-Level Screen Control Panel Control Panel
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.2 inch
    LCD Resolution 1040k dots 2360k dots
    LCD Attachment Swivel screen Fully flexible screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Canon 6D Mark II Fujifilm GFX 50S
    Autofocus System Phase-detect AF Contrast-detect AF
    Manual Focusing AidNo Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/4000/s
    Continuous Shooting 6.5 shutter flaps/s 3 shutter flaps/s
    Electronic Shutterno E-Shutterup to 1/16000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Single card slot Dual card slots
    UHS card support UHS-I Dual UHS-II
    Connectivity Specs Canon 6D Mark II Fujifilm GFX 50S
    External Flash Hotshoe Hotshoe
    Studio Flash no PC Sync PC Sync socket
    USB Connector USB 2.0 USB 3.0
    HDMI Port mini HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication NFC built-in no NFC
    Bluetooth Support Bluetooth built-in no Bluetooth
    Geotagging GPS built-in
    Body Specs Canon 6D Mark II Fujifilm GFX 50S
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type LP-E6N power pack NP-T125 power pack
    Battery Life (CIPA)1200 shots per charge400 shots per charge
    Body Dimensions 144 x 111 x 75 mm
    (5.7 x 4.4 x 3.0 in)
    148 x 94 x 91 mm
    (5.8 x 3.7 x 3.6 in)
    Camera Weight 765 g (27.0 oz) 740 g (26.1 oz)

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