Canon 60D versus Sony A6500
The Canon EOS 60D and the Sony Alpha A6500 are two enthusiast cameras that were officially introduced, respectively, in August 2010 and October 2016. The 60D is a DSLR, while the A6500 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 17.9 megapixel, whereas the Sony provides 24 MP.
The side-by-side display below illustrates the physical size and weight of the Canon 60D and the Sony A6500. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the 60D – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is considerably smaller (48 percent) than the Canon 60D. Moreover, the A6500 is substantially lighter (40 percent) than the 60D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (60D) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the A6500, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon 60D (⇒ rgt)||5.7 in||4.2 in||3.1 in||26.6 oz||1100||YES||2010||1,399||discont.||check|
|Sony A6500 (⇒ lft)||4.7 in||2.6 in||2.1 in||16.0 oz||350||YES||2016||1,399||latest||check|
|Canon 80D (⇒ lft | rgt)||5.5 in||4.1 in||3.1 in||25.8 oz||960||YES||2016||1,199||latest||check|
|Canon G3 X (⇒ lft | rgt)||4.8 in||3.0 in||4.1 in||25.9 oz||300||YES||2015||999||latest||check|
|Canon 7D II (⇒ lft | rgt)||5.9 in||4.4 in||3.1 in||32.1 oz||670||YES||2014||1,799||latest||check|
|Canon T5i (⇒ lft | rgt)||5.2 in||3.9 in||3.1 in||20.5 oz||440||no||2013||649||discont.||check|
|Canon 70D (⇒ lft | rgt)||5.5 in||4.1 in||3.1 in||26.6 oz||920||YES||2013||1,199||discont.||check|
|Canon SL1 (⇒ lft | rgt)||4.6 in||3.6 in||2.7 in||14.4 oz||380||no||2013||549||discont.||check|
|Canon 7D (⇒ lft | rgt)||5.8 in||4.4 in||2.9 in||30.3 oz||800||YES||2009||1,699||discont.||check|
|Canon 50D (⇒ lft | rgt)||5.7 in||4.3 in||2.9 in||29.0 oz||800||YES||2008||1,299||discont.||check|
|Nikon D7000 (⇒ lft | rgt)||5.2 in||4.1 in||3.0 in||27.5 oz||1050||YES||2010||1,499||discont.||check|
|Panasonic GX8 (⇒ lft | rgt)||5.2 in||3.1 in||2.5 in||17.2 oz||330||YES||2015||1,199||latest||check|
|Panasonic GH4 (⇒ lft | rgt)||5.2 in||3.7 in||3.3 in||19.8 oz||500||YES||2014||1,499||discont.||check|
|Sony A9 (⇒ lft | rgt)||5.0 in||3.8 in||2.5 in||23.7 oz||650||YES||2017||4,499||latest||check|
|Sony A6300 (⇒ lft | rgt)||4.7 in||2.6 in||1.9 in||14.3 oz||400||YES||2016||999||discont.||check|
|Sony RX10 III (⇒ lft | rgt)||5.2 in||3.7 in||5.0 in||37.1 oz||420||YES||2016||1,499||discont.||check|
|Sony RX10 II (⇒ lft | rgt)||5.1 in||3.5 in||4.0 in||28.7 oz||400||YES||2015||1,299||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A6500 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (60D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A6500 offers a higher resolution than the 60D (17.9MP), but the A6500 has smaller individual pixels (pixel pitch of 3.91μm versus 4.31μm for the 60D). Yet, the A6500 is a much more recent model (by 6 years and 1 month) than the 60D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6500 offers substantially better image quality than the 60D (overall score 19 points higher). The advantage is based on 2.3 bits higher color depth, 2.2 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 60D (⇒ rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66|
|Sony A6500 (⇒ lft)||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon G3 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon 7D II (⇒ lft | rgt)||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|Canon T5i (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61|
|Canon 70D (⇒ lft | rgt)||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68|
|Canon SL1 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Canon 7D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66|
|Canon 50D (⇒ lft | rgt)||APS-C||15.1||4752||3168||no||21.8||11.4||696||63|
|Nikon D7000 (⇒ lft | rgt)||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80|
|Panasonic GX8 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Panasonic GH4 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|Sony A9 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A6300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Sony RX10 III (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|Sony RX10 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6500 provides a better video resolution than the 60D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6500 has an electronic viewfinder (2300k dots), while the 60D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon 60D and Sony A6500 in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon 60D (⇒ rgt)||optical||YES||3.0||1040||swivel||no||8000||5.3||13||no|
|Sony A6500 (⇒ lft)||2300||no||3.0||922||tilting||YES||4000||11.0||6||YES|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon G3 X (⇒ lft | rgt)||no||no||3.2||1620||tilting||YES||2000||5.9||6.8||no|
|Canon 7D II (⇒ lft | rgt)||optical||YES||3.0||1040||fixed||no||8000||10.0||11||no|
|Canon T5i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||13||no|
|Canon 70D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon SL1 (⇒ lft | rgt)||optical||no||3.0||1040||fixed||YES||4000||4.9||9.4||no|
|Canon 7D (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||8.0||12||no|
|Canon 50D (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||6.3||13||no|
|Nikon D7000 (⇒ lft | rgt)||optical||YES||3.0||921||fixed||no||8000||6.0||12||no|
|Panasonic GX8 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||8000||10.0||no||YES|
|Panasonic GH4 (⇒ lft | rgt)||2359||no||3.0||1036||swivel||YES||8000||12.0||17||no|
|Sony A9 (⇒ lft | rgt)||3686||no||3.0||1440||tilting||YES||8000||20.0||no||YES|
|Sony A6300 (⇒ lft | rgt)||2300||no||3.0||922||tilting||no||4000||11.0||6||no|
|Sony RX10 III (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||2000||14.0||10.8||no|
|Sony RX10 II (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||3200||14.0||10.2||no|
The A6500 is a current model that online retailers, such as amazon, will have in stock. In contrast, the 60D has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the 60D was succeeded by the Canon 70D.
So how do things add up? Is the Canon 60D better than the Sony A6500 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 60D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has a higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Longer lasting: Can take more shots (1100 versus 350) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in August 2010).
Advantages of the Sony Alpha A6500:
- More detail: Has more megapixels (24 vs 17.9MP), which boosts linear resolution by 16%.
- Better image quality: Scores substantially higher (19 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (11 vs 5.3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 145x106mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 302g or 40 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More modern: Reflects 6 years and 1 month of technical progress since the 60D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (14 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the 60D and the A6500 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon 60D (⇒ rgt)||87/100 Rec||79/100 Silver||4/5||5/5||4.5/5||2010||1,399||discont.||check|
|Sony A6500 (⇒ lft)||HiRec||85/100 Silver||4.5/5||5/5||4.5/5||2016||1,399||latest||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon G3 X (⇒ lft | rgt)||Rec||-||4.5/5||3.5/5||4/5||2015||999||latest||check|
|Canon 7D II (⇒ lft | rgt)||Rec||84/100 Silver||4/5||5/5||4.5/5||2014||1,799||latest||check|
|Canon T5i (⇒ lft | rgt)||-||76/100 Silver||4.5/5||4.5/5||4.5/5||2013||649||discont.||check|
|Canon 70D (⇒ lft | rgt)||HiRec||83/100 Gold||4.5/5||4.5/5||5/5||2013||1,199||discont.||check|
|Canon SL1 (⇒ lft | rgt)||Rec||78/100 Gold||4/5||4/5||4/5||2013||549||discont.||check|
|Canon 7D (⇒ lft | rgt)||93/100 HiRec||84/100||4.5/5||5/5||4.5/5||2009||1,699||discont.||check|
|Canon 50D (⇒ lft | rgt)||90/100 HiRec||HiRec||4.5/5||5/5||4.5/5||2008||1,299||discont.||check|
|Nikon D7000 (⇒ lft | rgt)||-||80/100 Silver||4.5/5||5/5||4.5/5||2010||1,499||discont.||check|
|Panasonic GX8 (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||5/5||4.5/5||2015||1,199||latest||check|
|Panasonic GH4 (⇒ lft | rgt)||HiRec||85/100 Gold||5/5||5/5||5/5||2014||1,499||discont.||check|
|Sony A9 (⇒ lft | rgt)||..||89/100 Gold||5/5||5/5||5/5||2017||4,499||latest||check|
|Sony A6300 (⇒ lft | rgt)||Rec||85/100 Gold||5/5||5/5||5/5||2016||999||discont.||check|
|Sony RX10 III (⇒ lft | rgt)||Rec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,499||discont.||check|
|Sony RX10 II (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4/5||2015||1,299||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you cannot find the camera you are interested in, please send me an email, and I will try to add information on that model to the database.
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