Canon 60D versus Sony A6500
The Canon EOS 60D and the Sony Alpha A6500 are two enthusiast cameras that were announced, respectively, in August 2010 and October 2016. The 60D is a DSLR, while the A6500 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 17.9 megapixel, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Canon 60D vs Sony A6500
The side-by-side display below illustrates the physical size and weight of the Canon 60D and the Sony A6500. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the 60D – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is considerably smaller (48 percent) than the Canon 60D. Moreover, the A6500 is substantially lighter (40 percent) than the 60D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (60D) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the A6500, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Canon 60D»||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||-|
|Sony A6500«||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Canon 7D II« »||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-|
|Canon 50D« »||5.7 in||4.3 in||2.9 in||29.0 oz||800||Y||Aug 2008||1,299||-|
|Canon 40D« »||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299||-|
|Nikon D7000« »||5.2 in||4.1 in||3.0 in||27.5 oz||1050||Y||Sep 2010||1,499||-|
|Olympus PEN-F« »||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||-|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-|
|Sony RX10« »||5.1 in||3.5 in||4.0 in||28.7 oz||420||Y||Oct 2013||1,299||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 60D vs Sony A6500
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A6500 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (60D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A6500 offers a higher resolution than the 60D (17.9MP), but the A6500 has smaller individual pixels (pixel pitch of 3.91μm versus 4.31μm for the 60D). Yet, the A6500 is a much more recent model (by 6 years and 1 month) than the 60D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6500 offers substantially better image quality than the 60D (overall score 19 points higher). The advantage is based on 2.3 bits higher color depth, 2.2 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon 7D II« »||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68|
|Canon 7D« »||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 50D« »||APS-C||15.1||4752||3168||-||21.8||11.4||696||63|
|Canon 40D« »||APS-C||10.1||3888||2592||-||22.1||11.3||703||64|
|Nikon D7000« »||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80|
|Olympus PEN-F« »||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|Sony RX10« »||1-inch||20.0||5472||3648||1080/60p||22.9||12.6||474||69|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6500 provides a better video resolution than the 60D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Feature comparison: Canon 60D vs Sony A6500
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6500 has an electronic viewfinder (2300k dots), while the 60D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon 60D and Sony A6500 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n|
|Canon 7D II« »||optical||Y||3.0||1040||fixed||n||8000||10.0||Y||n|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n|
|Canon 7D« »||optical||Y||3.0||920||fixed||n||8000||8.0||Y||n|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||8000||3.9||n||n|
|Canon 50D« »||optical||Y||3.0||920||fixed||n||8000||6.3||Y||n|
|Canon 40D« »||optical||Y||3.0||230||fixed||n||8000||6.5||Y||n|
|Nikon D7000« »||optical||Y||3.0||921||fixed||n||8000||6.0||Y||n|
|Olympus PEN-F« »||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||8000||10.0||n||Y|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||8000||20.0||n||Y|
|Sony A6300« »||2300||n||3.0||922||tilting||n||4000||11.0||Y||n|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||3200||14.0||Y||Y|
|Sony A7« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||n|
|Sony RX10« »||1440||Y||3.0||1229||tilting||n||3200||10.0||Y||Y|
The A6500 is a current model that online retailers, such as amazon, will have in stock. In contrast, the 60D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 60D was succeeded by the Canon 70D.
Review summary: Canon 60D vs Sony A6500
So what is the bottom line? Which of the two cameras – the Canon 60D or the Sony A6500 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 60D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Longer lasting: Can take more shots (1100 versus 350) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in August 2010).
Advantages of the Sony Alpha A6500:
- More detail: Has more megapixels (24 vs 17.9MP), which boosts linear resolution by 16%.
- Better image quality: Scores substantially higher (19 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (11 vs 5.3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 145x106mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 302g or 40 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More modern: Reflects 6 years and 1 month of technical progress since the 60D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A6500 is the clear winner of the contest (14 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the 60D and the A6500 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Canon 60D»||Rec||79/100||4/5||5/5||4.5/5||Aug 2010||1,399||-|
|Sony A6500«||HiRec||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon 7D II« »||Rec||84/100||4/5||5/5||4.5/5||Sep 2014||1,799|
|Canon 70D« »||HiRec||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-|
|Canon 7D« »||HiRec||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-|
|Canon 50D« »||HiRec||HiRec||4.5/5||5/5||4.5/5||Aug 2008||1,299||-|
|Canon 40D« »||HiRec||HiRec||4.5/5||rev||4.5/5||Aug 2007||1,299||-|
|Nikon D7000« »||-||80/100||4.5/5||5/5||4.5/5||Sep 2010||1,499||-|
|Olympus PEN-F« »||-||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199|
|Panasonic GX8« »||Rec||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-|
|Sony A9« »||HiRec||89/100||5/5||5/5||5/5||Apr 2017||4,499|
|Sony A6300« »||Rec||85/100||5/5||5/5||5/5||Feb 2016||999||-|
|Sony RX10 II« »||HiRec||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-|
|Sony A7« »||HiRec||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-|
|Sony RX10« »||Rec||80/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,299||-|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
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