Canon 5D Mark IV versus Olympus E-500
The Canon EOS 5D Mark IV and the Olympus Evolt E-500 are two digital cameras that were officially introduced, respectively, in August 2016 and September 2005. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (5D Mark IV) and a Four Thirds (E-500) sensor. The Canon has a resolution of 30.1 megapixel, whereas the Olympus provides 8 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Canon 5D Mark IV vs Olympus E-500
The side-by-side display below illustrates the physical size and weight of the Canon 5D Mark IV and the Olympus E-500. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the 5D Mark IV – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-500 is notably smaller (29 percent) than the Canon 5D Mark IV. Moreover, the E-500 is substantially lighter (46 percent) than the 5D Mark IV. It is worth mentioning in this context that the 5D Mark IV is splash and dust resistant, while the E-500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (5D Mark IV) and the Four Thirds Lens Catalog (E-500).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Canon 5D Mark IV»||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499|
|Olympus E-500«||5.1 in||3.7 in||2.6 in||16.9 oz||750||n||Sep 2005||599||-|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-|
|Canon 5D« »||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||-|
|Nikon D850« »||5.7 in||4.9 in||3.1 in||35.5 oz||1840||Y||Jul 2017||3,299|
|Nikon D800« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||2,999||-|
|Nikon D800E« »||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||3,299||-|
|Olympus E-410« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699||-|
|Olympus E-510« »||5.4 in||3.6 in||2.7 in||19.0 oz||750||n||Mar 2007||799||-|
|Olympus E-330« »||5.5 in||3.4 in||2.8 in||22.5 oz||750||n||Jan 2006||999||-|
|Olympus E-400« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Sep 2006||699||-|
|Olympus E-300« »||5.8 in||3.3 in||2.5 in||22.0 oz||750||n||Sep 2004||799||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-500 was launched at a markedly lower price (by 83 percent) than the 5D Mark IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 5D Mark IV vs Olympus E-500
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 5D Mark IV features a full frame sensor and the Olympus E-500 a Four Thirds sensor. The sensor area in the E-500 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 5D Mark IV has a native 3:2 aspect ratio, while the one in the E-500 offers a 4:3 aspect.
With 30.1MP, the 5D Mark IV offers a higher resolution than the E-500 (8MP), but the 5D Mark IV nevertheless has marginally larger individual pixels (pixel pitch of 5.36μm versus 5.30μm for the E-500) due to its larger sensor. Moreover, the 5D Mark IV is a somewhat more recent model (by 10 years and 11 months) than the E-500, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 5D Mark IV»||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Olympus E-500«||Four Thirds||8.0||3264||2448||-||-||-||-||-|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71|
|Nikon D850« »||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|Nikon D800« »||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|Nikon D800E« »||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
|Olympus E-410« »||Four Thirds||10.0||3648||2736||-||21.1||10.0||494||51|
|Olympus E-510« »||Four Thirds||10.0||3648||2736||-||21.2||10.0||442||52|
|Olympus E-330« »||Four Thirds||7.4||3136||2352||-||-||-||-||-|
|Olympus E-400« »||Four Thirds||10.0||3648||2736||-||-||-||-||-|
|Olympus E-300« »||Four Thirds||8.0||3264||2448||-||-||-||-||-|
Many modern cameras cannot only take still pictures, but also record videos. The 5D Mark IV indeed provides movie recording capabilities, while the E-500 does not. The highest resolution format that the 5D Mark IV can use is 4K/30p.
Feature comparison: Canon 5D Mark IV vs Olympus E-500
Apart from body and sensor, cameras can and do differ across a range of features. The 5D Mark IV and the E-500 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The adjacent table lists some of the other core features of the Canon 5D Mark IV and Olympus E-500 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon 5D Mark IV»||optical||Y||3.2||1620||fixed||Y||8000||7.0||n||n|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||8000||16.0||n||n|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||8000||6.0||n||n|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||8000||3.9||n||n|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||8000||3.0||n||n|
|Nikon D850« »||optical||Y||3.2||2359||tilting||Y||8000||9.0||n||n|
|Nikon D800« »||optical||Y||3.2||921||fixed||n||8000||4.0||Y||n|
|Nikon D800E« »||optical||Y||3.2||921||fixed||n||8000||4.0||Y||n|
|Olympus E-410« »||optical||n||2.5||215||fixed||n||4000||3.0||Y||n|
|Olympus E-510« »||optical||n||2.5||215||fixed||n||4000||3.0||Y||Y|
|Olympus E-330« »||optical||n||2.5||215||tilting||n||4000||3.0||Y||n|
|Olympus E-400« »||optical||n||2.5||215||fixed||n||4000||3.0||Y||n|
|Olympus E-300« »||optical||n||1.8||134||fixed||n||4000||2.5||Y||n|
The 5D Mark IV is a current model that online retailers, such as amazon, will have in stock. In contrast, the E-500 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-500 was succeeded by the Olympus E-510.
Review summary: Canon 5D Mark IV vs Olympus E-500
So how do things add up? Is there a clear favorite between the Canon 5D Mark IV and the Olympus E-500? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 5D Mark IV:
- More detail: Offers more megapixels (30.1 vs 8MP) with a 98% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 215k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 2.5 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (900 versus 750) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More modern: Reflects 10 years and 11 months of technical progress since the E-500 launch.
Arguments in favor of the Olympus Evolt E-500:
- More compact: Is smaller (130x95mm vs 151x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 411g or 46 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (83 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2005).
If the count of relative strengths (bullet points above) is taken as a measure, the 5D Mark IV is the clear winner of the match-up (12 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the 5D Mark IV and the E-500 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Canon 5D Mark IV»||HiRec||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499|
|Olympus E-500«||76/100||HiRec||-||-||-||Sep 2005||599||-|
|Canon 6D Mark II« »||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999|
|Canon 5DS R« »||Rec||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5DS« »||Rec||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5D Mark III« »||HiRec||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-|
|Canon 5D« »||88/100||HiRec||rev||rev||-||Aug 2005||3,299||-|
|Nikon D850« »||HiRec||89/100||4.5/5||5/5||5/5||Jul 2017||3,299|
|Nikon D800« »||HiRec||82/100||5/5||5/5||5/5||Feb 2012||2,999||-|
|Nikon D800E« »||-||84/100||5/5||4.5/5||5/5||Feb 2012||3,299||-|
|Olympus E-410« »||86/100||HiRec||4/5||rev||4.5/5||Mar 2007||699||-|
|Olympus E-510« »||89/100||HiRec||3.5/5||rev||4.5/5||Mar 2007||799||-|
|Olympus E-330« »||-||Rec||rev||3.5/5||-||Jan 2006||999||-|
|Olympus E-400« »||85/100||-||4/5||-||4/5||Sep 2006||699||-|
|Olympus E-300« »||-||Rec||rev||rev||4.5/5||Sep 2004||799||-|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
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