Canon 5D Mark IV vs Olympus E-500
The Canon EOS 5D Mark IV and the Olympus Evolt E-500 are two digital cameras that were revealed to the public, respectively, in August 2016 and September 2005. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (5D Mark IV) and a Four Thirds (E-500) sensor. The Canon has a resolution of 30.1 megapixels, whereas the Olympus provides 8 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 5D Mark IV||Olympus E-500|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Four Thirds lenses|
|30.1 MP, Full Frame Sensor||8 MP, Four Thirds Sensor|
|4K/30p Video||no Video|
|ISO 100-32000 (50-102400)||ISO 100-400 (100-1600)|
|Optical viewfinder||Optical viewfinder|
|3.2" LCD, 1620k dots||2.5" LCD, 215k dots|
|Fixed touchscreen||Fixed screen (not touch-sensitive)|
|7 shutter flaps per second||2.5 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|900 shots per battery charge||750 shots per battery charge|
|151 x 116 x 76 mm, 890 g||130 x 95 x 66 mm, 479 g|
Body comparison: Canon 5D Mark IV vs Olympus E-500
The side-by-side display below illustrates the physical size and weight of the Canon 5D Mark IV and the Olympus E-500. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-500 is notably smaller (29 percent) than the Canon 5D Mark IV. Moreover, the E-500 is substantially lighter (46 percent) than the 5D Mark IV. It is worth mentioning in this context that the 5D Mark IV is splash and dust resistant, while the E-500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark IV) and the Four Thirds Lens Catalog (E-500).
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 5D Mark IV»||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Olympus E-500«||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599||-||Olympus E-500|
|Canon 6D Mark II« »||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 80D« »||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||Canon 80D|
|Canon 5DS« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Nikon D850« »||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299||Nikon D850|
|Nikon D810« »||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299||-||Nikon D810|
|Olympus E-410« »||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699||-||Olympus E-410|
|Olympus E-510« »||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799||-||Olympus E-510|
|Olympus E-330« »||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999||-||Olympus E-330|
|Olympus E-400« »||130 mm||91 mm||53 mm||435 g||500||n||Sep 2006||699||-||Olympus E-400|
|Olympus E-300« »||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799||-||Olympus E-300|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-500 was launched at a markedly lower price (by 83 percent) than the 5D Mark IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Canon 5D Mark IV vs Olympus E-500
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 5D Mark IV features a full frame sensor and the Olympus E-500 a Four Thirds sensor. The sensor area in the E-500 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 5D Mark IV has a native 3:2 aspect ratio, while the one in the E-500 offers a 4:3 aspect.
With 30.1MP, the 5D Mark IV offers a higher resolution than the E-500 (8MP), but the 5D Mark IV nevertheless has marginally larger individual pixels (pixel pitch of 5.36μm versus 5.30μm for the E-500) due to its larger sensor. Moreover, the 5D Mark IV is a somewhat more recent model (by 10 years and 11 months) than the E-500, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The 5D Mark IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Canon EOS 5D Mark IV has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus Evolt E-500 are ISO 100 to ISO 400, with the possibility to increase the ISO range to 100-1600..
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 5D Mark IV»||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Olympus E-500«||Four Thirds||8.0||3264||2448||-||-||-||-||-||Olympus E-500|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Nikon D850« »||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100||Nikon D850|
|Nikon D810« »||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97||Nikon D810|
|Olympus E-410« »||Four Thirds||10.0||3648||2736||-||21.1||10.0||494||51||Olympus E-410|
|Olympus E-510« »||Four Thirds||10.0||3648||2736||-||21.2||10.0||442||52||Olympus E-510|
|Olympus E-330« »||Four Thirds||7.4||3136||2352||-||-||-||-||-||Olympus E-330|
|Olympus E-400« »||Four Thirds||10.0||3648||2736||-||-||-||-||-||Olympus E-400|
|Olympus E-300« »||Four Thirds||8.0||3264||2448||-||-||-||-||-||Olympus E-300|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The 5D Mark IV indeed provides movie recording capabilities, while the E-500 does not. The highest resolution format that the 5D Mark IV can use is 4K/30p.
Feature comparison: Canon 5D Mark IV vs Olympus E-500
Apart from body and sensor, cameras can and do differ across a range of features. The 5D Mark IV and the E-500 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The following table reports on some other key feature differences and similarities of the Canon 5D Mark IV, the Olympus E-500, and comparable cameras.
|Canon 5D Mark IV»||optical||Y||3.2||1620||fixed||Y||8000||7.0||n||n||Canon 5D Mark IV|
|Olympus E-500«||optical||n||2.5||215||fixed||n||4000||2.5||Y||n||Olympus E-500|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n||Canon 6D Mark II|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||8000||16.0||n||n||Canon 1D X Mark II|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 80D|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS R|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||8000||6.0||n||n||Canon 5D Mark III|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||4000||4.5||n||n||Canon 6D|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||8000||3.9||n||n||Canon 5D Mark II|
|Nikon D850« »||optical||Y||3.2||2359||tilting||Y||8000||9.0||n||n||Nikon D850|
|Nikon D810« »||optical||Y||3.2||1229||fixed||n||8000||5.0||Y||n||Nikon D810|
|Olympus E-410« »||optical||n||2.5||215||fixed||n||4000||3.0||Y||n||Olympus E-410|
|Olympus E-510« »||optical||n||2.5||215||fixed||n||4000||3.0||Y||Y||Olympus E-510|
|Olympus E-330« »||optical||n||2.5||215||tilting||n||4000||3.0||Y||n||Olympus E-330|
|Olympus E-400« »||optical||n||2.5||215||fixed||n||4000||3.0||Y||n||Olympus E-400|
|Olympus E-300« »||optical||n||1.8||134||fixed||n||4000||2.5||Y||n||Olympus E-300|
One feature that is present on the 5D Mark IV, but is missing on the E-500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 5D Mark IV writes its imaging data to Compact Flash or SDXC cards, while the E-500 uses Compact Flash or xD Picture cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
Connectivity comparison: Canon 5D Mark IV vs Olympus E-500
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark IV and Olympus Evolt E-500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 5D Mark IV»||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Olympus E-500«||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-500|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Nikon D850« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D850|
|Nikon D810« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Nikon D810|
|Olympus E-410« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-410|
|Olympus E-510« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-510|
|Olympus E-330« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-330|
|Olympus E-400« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-400|
|Olympus E-300« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-300|
It is notable that the 5D Mark IV offers wifi support, while the E-500 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Canon 5D Mark IV (unlike the E-500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The 5D Mark IV is a recent model that features in the current product line-up of Canon. In contrast, the E-500 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-500 was succeeded by the Olympus E-510.
Review summary: Canon 5D Mark IV vs Olympus E-500
So what is the bottom line? Is there a clear favorite between the Canon 5D Mark IV and the Olympus E-500? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS 5D Mark IV:
- More detail: Offers more megapixels (30.1 vs 8MP) with a 98% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: Larger sensor generates images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 215k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 2.5 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (900 versus 750) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Reflects 10 years and 11 months of technical progress since the E-500 launch.
Reasons to prefer the Olympus Evolt E-500:
- More compact: Is smaller (130x95mm vs 151x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 411g or 46 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (83 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2005).
If the count of individual advantages (bullet points above) is taken as a guide, the 5D Mark IV is the clear winner of the match-up (20 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 5D Mark IV or the E-500 handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Canon 5D Mark IV vs Olympus E-500
This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Canon 5D Mark IV»||HiRec||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Olympus E-500«||76/100||HiRec||-||-||-||Sep 2005||599||-||Olympus E-500|
|Canon 6D Mark II« »||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||Canon 80D|
|Canon 5DS« »||Rec||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||Rec||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||HiRec||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||HiRec||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Nikon D850« »||HiRec||89/100||4.5/5||5/5||5/5||Jul 2017||3,299||Nikon D850|
|Nikon D810« »||-||86/100||5/5||4.5/5||4.5/5||Jun 2014||3,299||-||Nikon D810|
|Olympus E-410« »||86/100||HiRec||4/5||rev||4.5/5||Mar 2007||699||-||Olympus E-410|
|Olympus E-510« »||89/100||HiRec||3.5/5||rev||4.5/5||Mar 2007||799||-||Olympus E-510|
|Olympus E-330« »||-||Rec||rev||3.5/5||-||Jan 2006||999||-||Olympus E-330|
|Olympus E-400« »||85/100||-||4/5||-||4/5||Sep 2006||699||-||Olympus E-400|
|Olympus E-300« »||-||Rec||rev||rev||4.5/5||Sep 2004||799||-||Olympus E-300|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
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Specifications: Canon 5D Mark IV vs Olympus E-500
|Camera Model||Canon 5D Mark IV||Olympus E-500|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Four Thirds lenses|
|Launch Date||August 2016||September 2005|
|Launch Price||USD 3499||USD 599|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 24.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||30.1 Megapixels||8 Megapixels|
|Image Resolution||6720 x 4480 pixels||3264 x 2448 pixels|
|Pixel Pitch||5.36 μm||5.30 μm|
|Pixel Density||3.48 MP/cm2||3.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||100-32000 ISO||100-400 ISO|
|ISO Boost||50-102400 ISO||100-1600 ISO|
|Image Processor||DIGIC 6+||TruePic|
|DXO Sensor Quality (score)||91||..|
|DXO Color Depth (bits)||24.8||..|
|DXO Dynamic Range (EV)||13.6||..|
|DXO Low Light (ISO)||2995||..|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||n/a|
|Rear LCD Size||3.2 inch||2.5 inch|
|LCD Resolution||1620k dots||215k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Maximum Shutter Speed||1/8000s||1/4000s|
|Continuous Shooting||7 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDXC cards||CF or XD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||LP-E6N power pack||BLM-1 power pack|
|Battery Life (CIPA)||900 shots per charge||750 shots per charge|
151 x 116 x 76 mm
(5.9 x 4.6 x 3.0 in)
130 x 95 x 66 mm
(5.1 x 3.7 x 2.6 in)
|Camera Weight||890 g (31.4 oz)||479 g (16.9 oz)|
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