Canon 5D Mark IV vs T7
The Canon EOS 5D Mark IV and the Canon EOS Rebel T7 (labelled Canon 2000D in some countries) are two digital cameras that were announced, respectively, in August 2016 and February 2018. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (5D Mark IV) and an APS-C (T7) sensor. The 5D Mark IV has a resolution of 30.1 megapixels, whereas the T7 provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark IV and the Canon EOS Rebel T7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 5D Mark IV and the Canon T7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon T7 is notably smaller (26 percent) than the Canon 5D Mark IV. Moreover, the T7 is substantially lighter (47 percent) than the 5D Mark IV. It is worth mentioning in this context that the 5D Mark IV is splash and dust resistant, while the T7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor (as in the 5D Mark IV) will tend to go along with bigger and heavier lenses, while more compact options are available for the smaller-sensor camera (T7). You can compare the optics available in the Canon EF Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|2.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|3.||Canon SL3||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|4.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|5.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|6.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|7.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|8.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|9.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|10.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|11.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|12.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|13.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|14.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|15.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299|
|16.||Nikon D800||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||2,999|
|17.||Nikon D800E||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||3,299|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The T7 was launched at a markedly lower price (by 87 percent) than the 5D Mark IV, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 5D Mark IV features a full frame sensor and the Canon T7 an APS-C sensor. The sensor area in the T7 is 62 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of chip-set technology, the 5D Mark IV uses a more advanced image processing engine (DIGIC 6+) than the T7 (DIGIC 4+), with benefits for noise reduction, color accuracy, and processing speed.
With 30.1MP, the 5D Mark IV offers a higher resolution than the T7 (24MP), but the 5D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.36μm versus 3.72μm for the T7) due to its larger sensor. However, the T7 is a somewhat more recent model (by 1 year and 6 months) than the 5D Mark IV, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark IV for good quality output (200 dots per inch) amounts to 33.6 x 22.4 inches or 85.3 x 56.9 cm, for very good quality (250 dpi) 26.9 x 17.9 inches or 68.3 x 45.5 cm, and for excellent quality (300 dpi) 22.4 x 14.9 inches or 56.9 x 37.9 cm. The corresponding values for the Canon T7 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The 5D Mark IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 5D Mark IV has a native sensitivity range from ISO 100 to ISO 32000, which can be extended to ISO 50-102400. The corresponding ISO settings for the Canon EOS Rebel T7 are ISO 100 to ISO 6400, with the possibility to increase the ISO range to 100-12800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|5.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|8.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|10.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|11.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|12.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|13.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|14.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|15.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|16.||Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|17.||Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 5D Mark IV provides a higher video resolution than the T7. It can shoot video footage at 4K/30p, while the T7 is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The 5D Mark IV and the T7 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 5D Mark IV offers a wider field of view (100%) than the one in the T7 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 5D Mark IV has a higher magnification (0.71x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 5D Mark IV, the Canon T7, and comparable cameras.
|1.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0||n||n|
|2.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|3.||Canon SL3||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|4.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|5.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|6.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|7.||Canon SL2||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|8.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0||n||n|
|9.||Canon T6||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|10.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|11.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|12.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0||n||n|
|13.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9||n||n|
|14.||Canon 5D||optical||Y||2.5 / 230||fixed||n||1/8000s||3.0||n||n|
|15.||Nikon D850||optical||Y||3.2 / 2359||tilting||Y||1/8000s||9.0||n||n|
|16.||Nikon D800||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|17.||Nikon D800E||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
One feature that is present on the 5D Mark IV, but is missing on the T7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Canon 5D Mark IV has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark IV writes its imaging data to Compact Flash or SDXC cards, while the T7 uses SDXC cards. The 5D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the T7 only has one slot. The 5D Mark IV supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T7 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark IV and Canon EOS Rebel T7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|2.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|3.||Canon SL3||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|4.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|7.||Canon SL2||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|8.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|9.||Canon T6||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|10.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|11.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|12.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|13.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|14.||Canon 5D||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Nikon D850||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|16.||Nikon D800||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|17.||Nikon D800E||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
It is notable that the 5D Mark IV has a microphone port, which is missing on the T7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 5D Mark IV (unlike the T7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 5D Mark IV has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 5D Mark IV and the T7 are recent models that are part of the current product line-up. The 5D Mark IV replaced the earlier Canon 5D Mark III, while the T7 followed on from the Canon T6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So what conclusions can be drawn? Is there a clear favorite between the Canon 5D Mark IV and the Canon T7? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 5D Mark IV:
- More detail: Offers more megapixels (30.1 vs 24MP) with a 12% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better jpgs: Has a more modern image processing engine (DIGIC 6+ vs DIGIC 4+).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.50x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (900 versus 500) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been on the market for longer (launched in August 2016).
Arguments in favor of the Canon EOS Rebel T7:
- More compact: Is smaller (129x101mm vs 151x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 415g or 47 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (87 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 6 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the 5D Mark IV is the clear winner of the match-up (27 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark IV and the Canon T7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 5D Mark IV or the T7 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|2.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|3.||Canon SL3||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599|
|4.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|5.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|6.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899|
|7.||Canon SL2||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|8.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|9.||Canon T6||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449|
|10.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|11.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699|
|12.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|13.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|14.||Canon 5D||..||88/100||..||+ +||o||..||Aug 2005||3,299|
|15.||Nikon D850||4.5/5||+ +||5/5||89/100||4.5/5||5/5||Jul 2017||3,299|
|16.||Nikon D800||5/5||+ +||..||82/100||5/5||5/5||Feb 2012||2,999|
|17.||Nikon D800E||..||..||..||84/100||5/5||5/5||Feb 2012||3,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark IV vs Canon 6D Mark II
- Canon 5D Mark IV vs Canon G3 X
- Canon 5D Mark IV vs Nikon L840
- Canon 5D Mark IV vs Panasonic GX7
- Canon 5D Mark IV vs Sony H200
- Canon 5D Mark IV vs Sony NEX-3N
- Canon R5 vs Canon T7
- Canon T7 vs Nikon D3000
- Canon T7 vs Nikon Z6
- Canon T7 vs Panasonic G5
- Canon T7 vs Panasonic LX10
- Canon T7 vs Panasonic ZS200
Specifications: Canon 5D Mark IV vs Canon T7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark IV||Canon T7|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Canon EF mount lenses|
|Launch Date||August 2016||February 2018|
|Launch Price||USD 3,499||USD 449|
|Sensor Specs||Canon 5D Mark IV||Canon T7|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||22.3 x 14.9 mm|
|Sensor Area||864 mm2||332.27 mm2|
|Sensor Diagonal||43.3 mm||26.8 mm|
|Sensor Resolution||30.1 Megapixels||24 Megapixels|
|Image Resolution||6720 x 4480 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.36 μm||3.72 μm|
|Pixel Density||3.48 MP/cm2||7.22 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/30p Video|
|ISO Setting||100 - 32,000 ISO||100 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 12,800 ISO|
|Image Processor||DIGIC 6+||DIGIC 4+|
|DXO Sensor Quality (score)||91||..|
|DXO Color Depth (bits)||24.8||..|
|DXO Dynamic Range (EV)||13.6||..|
|DXO Low Light (ISO)||2995||..|
|Screen Specs||Canon 5D Mark IV||Canon T7|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1620k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 5D Mark IV||Canon T7|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||7 shutter flaps/s||3 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||100 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Canon 5D Mark IV||Canon T7|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 5D Mark IV||Canon T7|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||900 shots per charge||500 shots per charge|
151 x 116 x 76 mm
(5.9 x 4.6 x 3.0 in)
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
|Camera Weight||890 g (31.4 oz)||475 g (16.8 oz)|
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