Canon 500D vs Sony NEX-C3
The Canon EOS 500D (called Canon T1i in some regions) and the Sony Alpha NEX-C3 are two digital cameras that were officially introduced, respectively, in March 2009 and June 2011. The 500D is a DSLR, while the NEX-C3 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 15.1 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 500D and the Sony Alpha NEX-C3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 500D and the Sony NEX-C3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The NEX-C3 can be obtained in three different colors (black, silver, pink), while the 500D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-C3 is considerably smaller (48 percent) than the Canon 500D. Moreover, the NEX-C3 is substantially lighter (57 percent) than the 500D. In this context, it is worth noting that neither the 500D nor the NEX-C3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (500D) and the Sony E-Mount Lens Catalog (NEX-C3). Mirrorless cameras, such as the NEX-C3, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 500D||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|2.||Sony NEX-C3||110 mm||60 mm||33 mm||225 g||400||n||Jun 2011||599|
|3.||Canon 750D||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|4.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|5.||Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|6.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|7.||Canon 700D||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|8.||Canon 650D||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|9.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|10.||Canon 600D||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|11.||Canon 550D||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|12.||Canon 450D||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|13.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|14.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599|
|15.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699|
|16.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The NEX-C3 was launched at a somewhat lower price (by 25 percent) than the 500D, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-C3 is 10 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (500D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 16MP, the NEX-C3 offers a higher resolution than the 500D (15.1MP), but the NEX-C3 nevertheless has marginally larger individual pixels (pixel pitch of 4.78μm versus 4.69μm for the 500D) due to its larger sensor. Moreover, the NEX-C3 is a much more recent model (by 2 years and 2 months) than the 500D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The Canon EOS 500D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Sony Alpha NEX-C3 are ISO 100 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the NEX-C3 has a markedly higher DXO score than the 500D (overall score 10 points higher), which will translate into better image quality. The advantage is based on 1 bits higher color depth, 0.7 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|6.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|9.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 500D provides a higher video resolution than the NEX-C3. It can shoot video footage at 1080/20p, while the Sony is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 500D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the NEX-C3 relies on live view and the rear LCD for framing. That said, the NEX-C3 can be equipped with an optional viewfinder – the FDA-SV1. The following table reports on some other key feature differences and similarities of the Canon 500D, the Sony NEX-C3, and comparable cameras.
|1.||Canon 500D||optical||n||3.0 / 920||fixed||n||1/4000s||3.4||Y||n|
|2.||Sony NEX-C3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5||n||n|
|3.||Canon 750D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|4.||Canon 760D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|5.||Canon 1200D||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|6.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2||Y||Y|
|7.||Canon 700D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|8.||Canon 650D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|9.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9||Y||Y|
|10.||Canon 600D||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7||Y||n|
|11.||Canon 550D||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|12.||Canon 450D||optical||n||3.0 / 230||fixed||n||1/4000s||3.5||Y||n|
|13.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0||Y||n|
|14.||Sony NEX-F3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5||Y||n|
|15.||Sony NEX-5N||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0||n||n|
|16.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
|17.||Sony NEX-5||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The 500D has one, while the NEX-C3 does not. While the built-in flash of the 500D is not very powerful, it can at times be useful as a fill-in light.The NEX-C3 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 500D does not have a selfie-screen.
The 500D writes its imaging data to SDHC cards, while the NEX-C3 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 500D and Sony Alpha NEX-C3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 500D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|2.||Sony NEX-C3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 750D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon 760D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon 1200D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|6.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|7.||Canon 700D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon 650D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Canon 600D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon 550D||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|12.||Canon 450D||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
|14.||Sony NEX-F3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Sony NEX-5N||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
Both the 500D and the NEX-C3 have been discontinued, but can regularly be found used on eBay. The 500D was replaced by the Canon 550D, while the NEX-C3 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Is the Canon 500D better than the Sony NEX-C3 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 500D:
- Better video: Provides higher definition movie capture (1080/20p vs 720/30p).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More heavily discounted: Has been available for much longer (launched in March 2009).
Reasons to prefer the Sony Alpha NEX-C3:
- Better image quality: Scores markedly higher (10 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.5 vs 3.4 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (110x60mm vs 129x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 295g or 57 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was released into a lower priced segment (25 percent cheaper at launch).
- More modern: Reflects 2 years and 2 months of technical progress since the 500D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the NEX-C3 is the clear winner of the contest (11 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 500D and the Sony NEX-C3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 500D or the NEX-C3 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 500D||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|2.||Sony NEX-C3||3/5||+ +||..||74/100||4.5/5||4/5||Jun 2011||599|
|3.||Canon 750D||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|4.||Canon 760D||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|5.||Canon 1200D||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|6.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799|
|7.||Canon 700D||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|8.||Canon 650D||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|9.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799|
|10.||Canon 600D||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|11.||Canon 550D||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|12.||Canon 450D||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|13.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499|
|14.||Sony NEX-F3||4/5||..||..||74/100||4.5/5||4.5/5||May 2012||599|
|15.||Sony NEX-5N||3/5||+ +||..||79/100||4.5/5||4.5/5||Aug 2011||699|
|16.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599|
|17.||Sony NEX-5||3/5||+ +||..||71/100||4.5/5||4/5||May 2010||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds Mark III vs Sony NEX-C3
- Canon 500D vs Canon G9 X Mark II
- Canon 500D vs Canon SX740
- Canon 500D vs Olympus E-M10
- Canon 500D vs Panasonic FZ1000 II
- Canon 500D vs Sony A7 III
- Canon 500D vs Sony RX100 III
- Canon 6D vs Sony NEX-C3
- Canon G3 X vs Sony NEX-C3
- Panasonic TZ200 vs Sony NEX-C3
- Samsung NX500 vs Sony NEX-C3
- Sony A7S vs Sony NEX-C3
Specifications: Canon 500D vs Sony NEX-C3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 500D||Sony NEX-C3|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||March 2009||June 2011|
|Launch Price||USD 799||USD 599|
|Sensor Specs||Canon 500D||Sony NEX-C3|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.4 x 15.6 mm|
|Sensor Area||332.27 mm2||365.04 mm2|
|Sensor Diagonal||26.8 mm||28.1 mm|
|Sensor Resolution||15.1 Megapixels||16 Megapixels|
|Image Resolution||4752 x 3168 pixels||4912 x 3264 pixels|
|Pixel Pitch||4.69 μm||4.78 μm|
|Pixel Density||4.53 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/20p Video||720/30p Video|
|ISO Setting||100 - 6,400 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 12,800 ISO||no Enhancement|
|Image Processor||DIGIC 4||BIONZ|
|DXO Sensor Quality (score)||63||73|
|DXO Color Depth (bits)||21.7||22.7|
|DXO Dynamic Range (EV)||11.5||12.2|
|DXO Low Light (ISO)||663||1083|
|Screen Specs||Canon 500D||Sony NEX-C3|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 500D||Sony NEX-C3|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3.4 shutter flaps/s||5.5 shutter flaps/s|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDHC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon 500D||Sony NEX-C3|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 500D||Sony NEX-C3|
|Battery Life (CIPA)||400 shots per charge||400 shots per charge|
129 x 98 x 62 mm
(5.1 x 3.9 x 2.4 in)
110 x 60 x 33 mm
(4.3 x 2.4 x 1.3 in)
|Camera Weight||520 g (18.3 oz)||225 g (7.9 oz)|
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