Canon 500D vs Sony RX100 VI
The Canon EOS 500D (called Canon T1i in some regions) and the Sony Cyber-shot DSC-RX100 VI are two digital cameras that were officially introduced, respectively, in March 2009 and June 2018. The 500D is a DSLR, while the RX100 VI is a fixed lens compact. The cameras are based on an APS-C (500D) and an one-inch (RX100 VI) sensor. The Canon has a resolution of 15.1 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 500D||Sony RX100 VI|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-200mm f/2.8-4.5|
|15.1 MP, APS-C Sensor||20 MP, 1" Sensor|
|1080/20p Video||4K/30p Video|
|ISO 100-6400 (100-12800)||ISO 125-12800 (80-25600)|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|3.4 shutter flaps per second||24 shutter flaps per second|
|400 shots per battery charge||240 shots per battery charge|
|129 x 98 x 62 mm, 520 g||102 x 58 x 43 mm, 301 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 500D and the Sony Cyber-shot DSC-RX100 VI? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Canon 500D vs Sony RX100 VI
The physical size and weight of the Canon 500D and the Sony RX100 VI are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VI is considerably smaller (53 percent) than the Canon 500D. In this context, it is worth noting that neither the 500D nor the RX100 VI are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 VI has a lens built in, whereas the 500D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 500D and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 500D gets 400 shots out of its LP-E5 battery, while the RX100 VI can take 240 images on a single charge of its NP-BX1 power pack. The power pack in the RX100 VI can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 500D»||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon 500D|
|Sony RX100 VI«||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||Sony RX100 VI|
|Canon 750D« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon 750D|
|Canon 760D« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon 760D|
|Canon 1200D« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon 1200D|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon 700D« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon 700D|
|Canon 650D« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||-||Canon 650D|
|Canon G1 X« »||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799||-||Canon G1 X|
|Canon 600D« »||5.2 in||3.9 in||3.1 in||20.1 oz||440||n||Feb 2011||599||-||Canon 600D|
|Canon 550D« »||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699||-||Canon 550D|
|Canon 450D« »||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799||-||Canon 450D|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||-||Sony RX100 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Canon 500D vs Sony RX100 VI
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 500D features an APS-C sensor and the Sony RX100 VI an one-inch sensor. The sensor area in the RX100 VI is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the RX100 VI offers a higher resolution of 20 megapixels, compared with 15.1 MP of the 500D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.69μm for the 500D). However, it should be noted that the RX100 VI is much more recent (by 9 years and 2 months) than the 500D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony RX100 VI implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX100 VI for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Canon 500D are 23.8 x 15.8 inch or 60.4 x 40.2 cm for good quality, 19 x 12.7 inch or 48.3 x 32.2 cm for very good quality, and 15.8 x 10.6 inch or 40.2 x 26.8 cm for excellent quality prints.
The RX100 VI has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 500D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 VI are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 500D»||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon 500D|
|Sony RX100 VI«||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Canon 750D« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon 750D|
|Canon 760D« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon 760D|
|Canon 1200D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Canon G1 X Mark II« »||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon 700D« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon 700D|
|Canon 650D« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon 650D|
|Canon G1 X« »||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Canon 600D« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon 600D|
|Canon 550D« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon 550D|
|Canon 450D« »||APS-C||12.2||4272||2848||-||21.9||10.8||692||61||Canon 450D|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX100 II« »||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the RX100 VI provides a better video resolution than the 500D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/20p.
Feature comparison: Canon 500D vs Sony RX100 VI
Beyond body and sensor, cameras can and do differ across a range of features. For example, the RX100 VI has an electronic viewfinder (2359k dots), while the 500D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the RX100 VI offers a wider field of view (100%) than the one in the 500D (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 500D has a higher magnification (0.54x vs 0.22x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 500D and Sony RX100 VI along with similar information for a selection of comparators.
|Canon 500D»||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon 500D|
|Sony RX100 VI«||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y||Sony RX100 VI|
|Canon 750D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 750D|
|Canon 760D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 760D|
|Canon 1200D« »||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon 1200D|
|Canon G1 X Mark II« »||-||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon 700D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 700D|
|Canon 650D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 650D|
|Canon G1 X« »||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Canon 600D« »||optical||n||3.0||1040||swivel||n||1/4000s||3.7||Y||n||Canon 600D|
|Canon 550D« »||optical||n||3.0||1040||fixed||n||1/4000s||3.7||Y||n||Canon 550D|
|Canon 450D« »||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon 450D|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Leica C-LUX|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y||Sony RX100 V|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony RX100 II« »||-||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The RX100 VI has a touchscreen, while the 500D has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The RX100 VI has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 500D does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX100 VI is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The 500D writes its imaging data to SDHC cards, while the RX100 VI uses SDXC or Memory Stick PRO Duo cards. The RX100 VI supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 500D cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison: Canon 500D vs Sony RX100 VI
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 500D and Sony Cyber-shot DSC-RX100 VI and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 500D»||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 500D|
|Sony RX100 VI«||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Canon 750D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 750D|
|Canon 760D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 760D|
|Canon 1200D« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Canon G1 X Mark II« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon 700D« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 700D|
|Canon 650D« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 650D|
|Canon G1 X« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Canon 600D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 600D|
|Canon 550D« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 550D|
|Canon 450D« »||Y||-||-||-||-||mini||2.0||-||-||-||Canon 450D|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the 500D has a hotshoe, while the RX100 VI does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The RX100 VI is a recent model that features in the current product line-up of Sony. In contrast, the 500D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 500D was succeeded by the Canon 550D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
Review summary: Canon 500D vs Sony RX100 VI
So how do things add up? Is there a clear favorite between the Canon 500D and the Sony RX100 VI? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 500D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.54x vs 0.22x).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (400 versus 240) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in March 2009).
Arguments in favor of the Sony Cyber-shot DSC-RX100 VI:
- More detail: Has more megapixels (20 vs 15.1MP), which boosts linear resolution by 15%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/20p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (24 vs 3.4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 500D requires a separate lens.
- More compact: Is smaller (102x58mm vs 129x98mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 500D).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 9 years and 2 months of technical progress since the 500D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the RX100 VI is the clear winner of the contest (20 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 500D and the Sony RX100 VI place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 500D and the RX100 VI in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Canon 500D vs Sony RX100 VI
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 500D»||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon 500D|
|Sony RX100 VI«||+ +||83/100||4/5||-||4.5/5||Jun 2018||1,199||Sony RX100 VI|
|Canon 750D« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon 750D|
|Canon 760D« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon 760D|
|Canon 1200D« »||+||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon 1200D|
|Canon G1 X Mark II« »||+||77/100||4/5||4/5||4.5/5||Feb 2014||799||Canon G1 X Mark II|
|Canon 700D« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon 700D|
|Canon 650D« »||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon 650D|
|Canon G1 X« »||+||76/100||4/5||4/5||4.5/5||Jan 2012||799||-||Canon G1 X|
|Canon 600D« »||o||77/100||4.5/5||5/5||4.5/5||Feb 2011||599||-||Canon 600D|
|Canon 550D« »||+ +||77/100||4/5||5/5||4.5/5||Feb 2010||699||-||Canon 550D|
|Canon 450D« »||+ +||+ +||4/5||5/5||4.5/5||Jan 2008||799||-||Canon 450D|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Sony RX100 V« »||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 II« »||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 2000D vs Canon 500D
- Canon 250D vs Sony RX100 VI
- Canon 500D vs Canon M5
- Canon 500D vs Panasonic FZ1000 II
- Canon 5D Mark IV vs Sony RX100 VI
- Fujifilm X70 vs Sony RX100 VI
- Nikon D90 vs Sony RX100 VI
- Panasonic GX80 vs Sony RX100 VI
- Sony A7R III vs Sony RX100 VI
- Sony A7R vs Sony RX100 VI
- Sony A7S II vs Sony RX100 VI
- Sony NEX-5N vs Sony RX100 VI
Specifications: Canon 500D vs Sony RX100 VI
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 500D||Sony RX100 VI|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-200mm f/2.8-4.5|
|Launch Date||March 2009||June 2018|
|Launch Price||USD 799||USD 1199|
|Sensor Specs||Canon 500D||Sony RX100 VI|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.3 x 14.9 mm||13.2 x 8.8 mm|
|Sensor Area||332.27 mm2||116.16 mm2|
|Sensor Diagonal||26.8 mm||15.9 mm|
|Sensor Resolution||15.1 Megapixels||20 Megapixels|
|Image Resolution||4752 x 3168 pixels||5472 x 3648 pixels|
|Pixel Pitch||4.69 μm||2.41 μm|
|Pixel Density||4.53 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/20p Video||4K/30p Video|
|ISO Setting||100-6400 ISO||125-12800 ISO|
|ISO Boost||100-12800 ISO||80-25600 ISO|
|Image Processor||DIGIC 4||BIONZ X|
|DXO Sensor Quality (score)||63||..|
|DXO Color Depth (bits)||21.7||..|
|DXO Dynamic Range (EV)||11.5||..|
|DXO Low Light (ISO)||663||..|
|Screen Specs||Canon 500D||Sony RX100 VI|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 500D||Sony RX100 VI|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/2000/s|
|Continuous Shooting||3.4 shutter flaps/s||24 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDHC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 500D||Sony RX100 VI|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 500D||Sony RX100 VI|
|Battery Type||LP-E5 power pack||NP-BX1 power pack|
|Battery Life (CIPA)||400 shots per charge||240 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 98 x 62 mm
(5.1 x 3.9 x 2.4 in)
102 x 58 x 43 mm
(4.0 x 2.3 x 1.7 in)
|Camera Weight||520 g (18.3 oz)||301 g (10.6 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.