Canon 40D vs Panasonic GX7
The Canon EOS 40D and the Panasonic Lumix DMC-GX7 are two enthusiast cameras that were officially introduced, respectively, in August 2007 and August 2013. The 40D is a DSLR, while the GX7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (40D) and a Four Thirds (GX7) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 40D and the Panasonic Lumix DMC-GX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 40D and the Panasonic GX7. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GX7 can be obtained in two different colors (black, silver), while the 40D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is considerably smaller (45 percent) than the Canon 40D. Moreover, the GX7 is substantially lighter (51 percent) than the 40D. In this context, it is worth noting that neither the 40D nor the GX7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (40D) and the Micro Four Thirds Lens Catalog (GX7). Mirrorless cameras, such as the GX7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 40D||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299|
|2.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|3.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|4.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|5.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299|
|6.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449|
|7.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|8.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399|
|9.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|10.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499|
|11.||Canon 10D||150 mm||107 mm||75 mm||850 g||500||n||Feb 2003||1,999|
|12.||Nikon D90||132 mm||103 mm||77 mm||703 g||850||n||Aug 2008||1,299|
|13.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|14.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599|
|15.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|16.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|17.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GX7 was launched at a somewhat lower price (by 23 percent) than the 40D, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 40D features an APS-C sensor and the Panasonic GX7 a Four Thirds sensor. The sensor area in the GX7 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 40D has a native 3:2 aspect ratio, while the one in the GX7 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the GX7 offers a higher resolution of 15.8 megapixels, compared with 10.1 MP of the 40D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 5.73μm for the 40D). However, it should be noted that the GX7 is much more recent (by 5 years and 11 months) than the 40D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic GX7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GX7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Canon 40D are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.
The Canon EOS 40D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DMC-GX7 are ISO 125 to ISO 25600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the GX7 has a markedly higher DXO score than the 40D (overall score 6 points higher), which will translate into better image quality. The advantage is based on 0.5 bits higher color depth, 0.9 EV in additional dynamic range, and -0 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|13.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|14.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|15.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|16.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|17.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The GX7 indeed provides for movie recording, while the 40D does not. The highest resolution format that the GX7 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GX7 has an electronic viewfinder (2760k dots), while the 40D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GX7 offers a wider field of view (100%) than the one in the 40D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GX7 has a higher magnification (0.70x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 40D and Panasonic GX7 along with similar information for a selection of comparators.
|1.||Canon 40D||optical||Y||3.0 / 230||fixed||n||1/8000s||6.5||Y||n|
|2.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|3.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|4.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3||Y||n|
|5.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3||Y||n|
|6.||Canon XS||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|7.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5||Y||n|
|8.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||Y||n|
|9.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|10.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0||Y||n|
|11.||Canon 10D||optical||Y||1.8 / 118||fixed||n||1/4000s||3.0||Y||n|
|12.||Nikon D90||optical||Y||3.0 / 920||fixed||n||1/4000s||4.5||Y||n|
|13.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|14.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|15.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|16.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|17.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
One feature that is present on the 40D, but is missing on the GX7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 40D writes its imaging data to Compact Flash cards, while the GX7 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 40D and Panasonic Lumix DMC-GX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 40D||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|3.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|4.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|5.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|6.||Canon XS||Y||- / -||-||-||-||2.0||-||-||-|
|7.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|8.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|11.||Canon 10D||Y||- / -||-||-||-||1.1||-||-||-|
|12.||Nikon D90||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|17.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the GX7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 40D does not provide wifi capability.
Studio photographers will appreciate that the Canon 40D (unlike the GX7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 40D and the GX7 have been discontinued, but can regularly be found used on eBay. The 40D was replaced by the Canon 50D, while the GX7 was followed by the Panasonic GX85. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is the Canon 40D better than the Panasonic GX7 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS 40D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster burst: Shoots at higher frequency (6.5 vs 5 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (750 versus 350) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Advantages of the Panasonic Lumix DMC-GX7:
- More detail: Has more megapixels (15.8 vs 10.1MP), which boosts linear resolution by 23%.
- Better image quality: Scores markedly higher (6 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (0.9 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.59x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (123x71mm vs 146x108mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 420g or 51 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was released into a lower priced segment (23 percent cheaper at launch).
- More modern: Reflects 5 years and 11 months of technical progress since the 40D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GX7 is the clear winner of the contest (20 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 40D and the Panasonic GX7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 40D or the GX7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 40D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2007||1,299|
|2.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|3.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|4.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|5.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299|
|6.||Canon XS||..||82/100||..||+ +||3.5/5||4.5/5||Jun 2008||449|
|7.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|8.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399|
|9.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799|
|10.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499|
|11.||Canon 10D||..||..||..||+ +||..||..||Feb 2003||1,999|
|12.||Nikon D90||..||+ +||..||+ +||4/5||4.5/5||Aug 2008||1,299|
|13.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|14.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599|
|15.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|16.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|17.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 40D vs Canon 550D
- Canon 40D vs Canon SX410
- Canon 40D vs Canon T4i
- Canon 40D vs Fujifilm X-E3
- Canon 40D vs Leica M Typ 262
- Canon 40D vs Nikon D5500
- Canon 90D vs Panasonic GX7
- Canon SX730 vs Panasonic GX7
- Fujifilm GFX 50R vs Panasonic GX7
- Olympus E-PL3 vs Panasonic GX7
- Panasonic GX7 vs Panasonic GX8
- Panasonic GX7 vs Panasonic TZ95
Specifications: Canon 40D vs Panasonic GX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 40D||Panasonic GX7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||August 2007||August 2013|
|Launch Price||USD 1,299||USD 999|
|Sensor Specs||Canon 40D||Panasonic GX7|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||10.1 Megapixels||15.8 Megapixels|
|Image Resolution||3888 x 2592 pixels||4592 x 3448 pixels|
|Pixel Pitch||5.73 μm||3.77 μm|
|Pixel Density||3.03 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100 - 1,600 ISO||125 - 25,600 ISO|
|ISO Boost||100 - 3,200 ISO||no Enhancement|
|Image Processor||DIGIC 3||Venus|
|DXO Sensor Quality (score)||64||70|
|DXO Color Depth (bits)||22.1||22.6|
|DXO Dynamic Range (EV)||11.3||12.2|
|DXO Low Light (ISO)||703||718|
|Screen Specs||Canon 40D||Panasonic GX7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2760k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||230k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 40D||Panasonic GX7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||6.5 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 40D||Panasonic GX7|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 40D||Panasonic GX7|
|Battery Life (CIPA)||750 shots per charge||350 shots per charge|
146 x 108 x 74 mm
(5.7 x 4.3 x 2.9 in)
123 x 71 x 55 mm
(4.8 x 2.8 x 2.2 in)
|Camera Weight||822 g (29.0 oz)||402 g (14.2 oz)|
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