Canon 40D vs Olympus E-PM1
The Canon EOS 40D and the Olympus PEN E-PM1 are two digital cameras that were officially introduced, respectively, in August 2007 and June 2011. The 40D is a DSLR, while the E-PM1 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (40D) and a Four Thirds (E-PM1) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Olympus provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 40D and the Olympus PEN E-PM1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 40D and the Olympus E-PM1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-PM1 can be obtained in six different colors (black, silver, brown, pink, purple, white), while the 40D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-PM1 is considerably smaller (55 percent) than the Canon 40D. Moreover, the E-PM1 is substantially lighter (68 percent) than the 40D. In this context, it is worth noting that neither the 40D nor the E-PM1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (40D) and the Micro Four Thirds Lens Catalog (E-PM1). Mirrorless cameras, such as the E-PM1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 40D||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299||ebay.com|
|2.||Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499||ebay.com|
|3.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199||ebay.com|
|4.||Canon 1100D||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449||ebay.com|
|5.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399||ebay.com|
|6.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299||ebay.com|
|7.||Canon 450D||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799||ebay.com|
|8.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399||ebay.com|
|9.||Canon 400D||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799||ebay.com|
|10.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499||ebay.com|
|11.||Nikon D90||132 mm||103 mm||77 mm||703 g||850||n||Aug 2008||1,299||ebay.com|
|12.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499||ebay.com|
|13.||Olympus E-P3||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799||ebay.com|
|14.||Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599||ebay.com|
|15.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599||ebay.com|
|16.||Olympus E-PL1||115 mm||72 mm||42 mm||334 g||290||n||Feb 2010||599||ebay.com|
|17.||Olympus E-30||142 mm||108 mm||75 mm||701 g||750||n||Nov 2008||1,299||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-PM1 was launched at a markedly lower price (by 62 percent) than the 40D, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 40D features an APS-C sensor and the Olympus E-PM1 a Four Thirds sensor. The sensor area in the E-PM1 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 40D has a native 3:2 aspect ratio, while the one in the E-PM1 offers a 4:3 aspect.
Despite having a smaller sensor, the E-PM1 offers a higher resolution of 12.2 megapixels, compared with 10.1 MP of the 40D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.29μm versus 5.73μm for the 40D). However, it should be noted that the E-PM1 is much more recent (by 3 years and 10 months) than the 40D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Olympus E-PM1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-PM1 for good quality output (200 dots per inch) amounts to 20.2 x 15.1 inches or 51.2 x 38.4 cm, for very good quality (250 dpi) 16.1 x 12.1 inches or 41 x 30.7 cm, and for excellent quality (300 dpi) 13.4 x 10.1 inches or 34.1 x 25.6 cm. The corresponding values for the Canon 40D are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.
The Canon EOS 40D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Olympus PEN E-PM1 are ISO 100 to ISO 12800 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the 40D provides substantially higher image quality than the E-PM1, with an overall score that is 12 points higher. This advantage is based on 1.1 bits higher color depth, 1 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|12.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|13.||Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|14.||Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|15.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|16.||Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54|
|17.||Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The E-PM1 indeed provides for movie recording, while the 40D does not. The highest resolution format that the E-PM1 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 40D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the E-PM1 relies on live view and the rear LCD for framing. That said, the E-PM1 can be equipped with an optional viewfinder – the VF-2. The following table reports on some other key feature differences and similarities of the Canon 40D, the Olympus E-PM1, and comparable cameras.
|1.||Canon 40D||optical||Y||3.0 / 230||fixed||n||1/8000s||6.5/s||Y||n|
|2.||Olympus E-PM1||optional||n||3.0 / 460||fixed||n||1/4000s||5.5/s||n||Y|
|3.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|4.||Canon 1100D||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|6.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3/s||Y||n|
|7.||Canon 450D||optical||n||3.0 / 230||fixed||n||1/4000s||3.5/s||Y||n|
|8.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||Y||n|
|9.||Canon 400D||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|10.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0/s||Y||n|
|11.||Nikon D90||optical||Y||3.0 / 920||fixed||n||1/4000s||4.5/s||Y||n|
|12.||Olympus E-PM2||optional||n||3.0 / 460||fixed||Y||1/4000s||8.0/s||n||Y|
|13.||Olympus E-P3||optional||n||3.0 / 614||fixed||Y||1/4000s||3.0/s||Y||Y|
|14.||Olympus E-PL2||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||Y|
|15.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5/s||n||Y|
|16.||Olympus E-PL1||optional||n||2.7 / 230||fixed||n||1/2000s||3.0/s||Y||Y|
|17.||Olympus E-30||optical||Y||2.7 / 230||swivel||n||1/8000s||5.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The 40D has one, while the E-PM1 does not. While the built-in flash of the 40D is not very powerful, it can at times be useful as a fill-in light.
The 40D writes its imaging data to Compact Flash cards, while the E-PM1 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 40D and Olympus PEN E-PM1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 40D||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Olympus E-PM1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|4.||Canon 1100D||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|6.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|7.||Canon 450D||Y||- / -||-||-||mini||2.0||-||-||-|
|8.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Canon 400D||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|11.||Nikon D90||Y||mono / mono||-||-||mini||2.0||-||-||-|
|12.||Olympus E-PM2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Olympus E-P3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|14.||Olympus E-PL2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|15.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|16.||Olympus E-PL1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|17.||Olympus E-30||Y||- / -||-||-||-||2.0||-||-||-|
Studio photographers will appreciate that the Canon 40D (unlike the E-PM1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 40D and the E-PM1 have been discontinued, but can regularly be found used on ebay. The 40D was replaced by the Canon 50D, while the E-PM1 was followed by the Olympus E-PM2. Further information on the features and operation of the 40D and E-PM1 can be found, respectively, in the Canon 40D Manual (free pdf) or the online Olympus E-PM1 Manual.
So how do things add up? Is the Canon 40D better than the Olympus E-PM1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 40D:
- Better image quality: Scores substantially higher (12 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.1 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.5 stops ISO advantage).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (6.5 vs 5.5 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (750 versus 330) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Reasons to prefer the Olympus PEN E-PM1:
- More detail: Has more megapixels (12.2 vs 10.1MP), which boosts linear resolution by 8%.
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- More compact: Is smaller (110x64mm vs 146x108mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 557g or 68 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (62 percent cheaper at launch).
- More modern: Reflects 3 years and 10 months of technical progress since the 40D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the 40D emerges as the winner of the contest (12 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 40D and the Olympus E-PM1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 40D or the E-PM1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 40D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2007||1,299||ebay.com|
|2.||Olympus E-PM1||..||86/100||..||71/100||4.5/5||4.5/5||Jun 2011||499||ebay.com|
|3.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199||ebay.com|
|4.||Canon 1100D||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449||ebay.com|
|5.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399||ebay.com|
|6.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299||ebay.com|
|7.||Canon 450D||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799||ebay.com|
|8.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399||ebay.com|
|9.||Canon 400D||..||+ +||..||+ +||o||4/5||Aug 2006||799||ebay.com|
|10.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499||ebay.com|
|11.||Nikon D90||..||+ +||..||+ +||4/5||4.5/5||Aug 2008||1,299||ebay.com|
|12.||Olympus E-PM2||3/5||..||..||77/100||5/5||4.5/5||Sep 2012||499||ebay.com|
|13.||Olympus E-P3||..||83/100||..||74/100||4.5/5||4.5/5||Jun 2011||799||ebay.com|
|14.||Olympus E-PL2||3/5||83/100||..||71/100||4.5/5||4.5/5||Jan 2011||599||ebay.com|
|15.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599||ebay.com|
|16.||Olympus E-PL1||..||86/100||..||69/100||4/5||4.5/5||Feb 2010||599||ebay.com|
|17.||Olympus E-30||..||..||..||71/100||4.5/5||4/5||Nov 2008||1,299||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 40D vs Leica D-LUX 7
- Canon 40D vs Nikon D3200
- Canon 40D vs Nikon D5000
- Canon 40D vs Pentax 645D
- Canon 40D vs Sony H400
- Canon 40D vs Sony RX10 IV
- Canon SX740 vs Olympus E-PM1
- Fujifilm X-A7 vs Olympus E-PM1
- Fujifilm X-T2 vs Olympus E-PM1
- Fujifilm X100V vs Olympus E-PM1
- Nikon 1 V1 vs Olympus E-PM1
- Nikon D70 vs Olympus E-PM1
Specifications: Canon 40D vs Olympus E-PM1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 40D||Olympus E-PM1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||August 2007||June 2011|
|Launch Price||USD 1,299||USD 499|
|Sensor Specs||Canon 40D||Olympus E-PM1|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||10.1 Megapixels||12.2 Megapixels|
|Image Resolution||3888 x 2592 pixels||4032 x 3024 pixels|
|Pixel Pitch||5.73 μm||4.29 μm|
|Pixel Density||3.03 MP/cm2||5.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100 - 1,600 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 3,200 ISO||no Enhancement|
|Image Processor||DIGIC 3||TruePic VI|
|DXO Sensor Quality (score)||64||52|
|DXO Color Depth (bits)||22.1||21.0|
|DXO Dynamic Range (EV)||11.3||10.3|
|DXO Low Light (ISO)||703||499|
|Screen Specs||Canon 40D||Olympus E-PM1|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||230k dots||460k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 40D||Olympus E-PM1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||6.5 shutter flaps/s||5.5 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|Connectivity Specs||Canon 40D||Olympus E-PM1|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 40D||Olympus E-PM1|
|Battery Life (CIPA)||750 shots per charge||330 shots per charge|
146 x 108 x 74 mm
(5.7 x 4.3 x 2.9 in)
110 x 64 x 34 mm
(4.3 x 2.5 x 1.3 in)
|Camera Weight||822 g (29.0 oz)||265 g (9.3 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.