Canon 250D vs Fujifilm GFX 100
The Canon EOS 250D (called Canon SL3 in some regions) and the Fujifilm GFX 100 are two digital cameras that were announced, respectively, in April 2019 and May 2019. The 250D is a DSLR, while the GFX 100 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (250D) and a medium format (GFX 100) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 101.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 250D||Fujifilm GFX 100|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Fujifilm G mount lenses|
|24 MP, APS-C Sensor||101.8 MP, Medium Format Sensor|
|4K/25p Video||4K/30p Video|
|ISO 100-25600 (100-51200)||ISO 100-12800 (50-102400)|
|Optical viewfinder||Viewfinder optional|
|3.0" LCD, 1040k dots||3.2" LCD, 2360k dots|
|Swivel touchscreen||Tilting touchscreen|
|5 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|1070 shots per battery charge||800 shots per battery charge|
|122 x 93 x 70 mm, 449 g||156 x 144 x 75 mm, 1320 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 250D and the Fujifilm GFX 100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 250D and the Fujifilm GFX 100 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The 250D can be obtained in two different colors (black, white), while the GFX 100 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100 is considerably larger (98 percent) than the Canon 250D. Moreover, the GFX 100 is substantially heavier (194 percent) than the 250D. It is noteworthy in this context that the GFX 100 is splash and dust-proof, while the 250D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 250D gets 1070 shots out of its LP-E17 battery, while the GFX 100 can take 800 images on a single charge of its NP-T125 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the 250D, there are third party battery grips available as optional accessories (see here on eBay). The power pack in the GFX 100 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 250D»||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599||Canon 250D|
|Fujifilm GFX 100«||6.1 in||5.7 in||3.0 in||46.6 oz||800||Y||May 2019||9,999||Fujifilm GFX 100|
|Canon 850D« »||5.2 in||4.1 in||3.0 in||18.2 oz||800||n||Feb 2020||749||Canon 850D|
|Canon 2000D« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon 2000D|
|Canon 4000D« »||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399||Canon 4000D|
|Canon M50« »||4.6 in||3.5 in||2.3 in||13.8 oz||235||n||Feb 2018||779||Canon M50|
|Canon SX70« »||5.0 in||3.6 in||4.6 in||21.4 oz||325||n||Sep 2018||549||Canon SX70|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899||Canon 77D|
|Canon 200D« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||Canon 200D|
|Canon 800D« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon 800D|
|Canon 760D« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||Canon 760D|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Fujifilm GFX 50R« »||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499||Fujifilm GFX 50R|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599||Fujifilm X-T100|
|Fujifilm GFX 50S« »||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499||Fujifilm GFX 50S|
|Pentax 645Z« »||6.1 in||4.6 in||4.8 in||54.7 oz||650||Y||Apr 2014||8,499||Pentax 645Z|
|Pentax 645D« »||6.1 in||4.6 in||4.7 in||52.2 oz||800||Y||Mar 2010||9,995||Pentax 645D|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 250D was launched at a markedly lower price (by 94 percent) than the GFX 100, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 250D features an APS-C sensor and the Fujifilm GFX 100 a medium format sensor. The sensor area in the GFX 100 is 334 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 250D has a native 3:2 aspect ratio, while the one in the GFX 100 offers a 4:3 aspect.
With 101.8MP, the GFX 100 offers a higher resolution than the 250D (24MP), but the GFX 100 nevertheless has marginally larger individual pixels (pixel pitch of 3.76μm versus 3.72μm for the 250D) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inch or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inch or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inch or 98.6 x 74 cm. The corresponding values for the Canon 250D are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.
The Canon EOS 250D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm GFX 100 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 250D||APS-C||24.0||6000||4000||4K/25p||..||..||..||..||Canon 250D|
|Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..||Fujifilm GFX 100|
|Canon 850D||APS-C||24.0||6000||4000||4K/24p||..||..||..||..||Canon 850D|
|Canon 2000D||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Canon 4000D||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Canon M50||APS-C||24.0||6000||4000||4K/24p||..||..||..||..||Canon M50|
|Canon SX70||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Canon SX70|
|Canon 77D||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon 200D||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Canon 800D||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Canon 800D|
|Canon 760D||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon 760D|
|Fujifilm X-H1||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-H1|
|Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..||Fujifilm GFX 50R|
|Fujifilm X-T100||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm X-T100|
|Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..||Fujifilm GFX 50S|
|Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101||Pentax 645Z|
|Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82||Pentax 645D|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GFX 100 provides a faster frame rate than the 250D. It can shoot movie footage at 4K/30p, while the Canon is limited to 4K/25p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 250D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The following table reports on some other key feature differences and similarities of the Canon 250D, the Fujifilm GFX 100, and comparable cameras.
|Canon 250D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 250D|
|Fujifilm GFX 100||optional||Y||3.2||2360||tilting||Y||1/4000s||5.0||n||Y||Fujifilm GFX 100|
|Canon 850D||optical||n||3.0||1040||swivel||Y||1/4000s||7.5||Y||n||Canon 850D|
|Canon 2000D||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 2000D|
|Canon 4000D||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 4000D|
|Canon M50||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon SX70||2360||n||3.0||922||swivel||n||1/2000s||10.0||Y||Y||Canon SX70|
|Canon 77D||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon 200D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 200D|
|Canon 800D||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 800D|
|Canon 760D||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 760D|
|Fujifilm X-H1||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n||Fujifilm GFX 50R|
|Fujifilm X-T100||2360||n||3.0||1040||full-flex||Y||1/4000s||6.0||Y||n||Fujifilm X-T100|
|Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n||Fujifilm GFX 50S|
|Pentax 645Z||optical||Y||3.2||1037||tilting||n||1/4000s||3.0||n||n||Pentax 645Z|
|Pentax 645D||optical||Y||3.0||921||fixed||n||1/4000s||1.1||n||n||Pentax 645D|
One difference between the cameras concerns the presence of an on-board flash. The 250D has one, while the GFX 100 does not. While the built-in flash of the 250D is not very powerful, it can at times be useful as a fill-in light.The 250D has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 100 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 250D and the Fujifilm GFX 100 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 250D and the GFX 100 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 250D only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the 250D can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 250D and Fujifilm GFX 100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 250D||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon 250D|
|Fujifilm GFX 100||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm GFX 100|
|Canon 850D||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon 850D|
|Canon 2000D||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Canon 4000D||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Canon M50||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon SX70||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon SX70|
|Canon 77D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon 200D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Canon 800D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 800D|
|Canon 760D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 760D|
|Fujifilm X-H1||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y||Fujifilm GFX 50R|
|Fujifilm X-T100||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-T100|
|Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Fujifilm GFX 50S|
|Pentax 645Z||Y||stereo||mono||Y||-||mini||3.0||-||-||-||Pentax 645Z|
|Pentax 645D||Y||stereo||none||-||-||none||2.0||-||-||-||Pentax 645D|
It is notable that the GFX 100 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 250D lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the 250D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 250D and the GFX 100 are recent models that are part of the current product line-up. The 250D replaced the earlier Canon 200D, while the GFX 100 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 250D and the Fujifilm GFX 100? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 250D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (122x93mm vs 156x144mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 871g or 66 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (1070 versus 800) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (94 percent cheaper at launch).
Arguments in favor of the Fujifilm GFX 100:
- More detail: Has more megapixels (101.8 vs 24MP), which boosts linear resolution by 102%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (4K/30p versus 4K/25p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100 is the clear winner of the contest (20 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 250D and the Fujifilm GFX 100 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 250D or the GFX 100 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 250D vs Canon T7
- Canon 250D vs Leica M8
- Canon 250D vs Nikon 1 V1
- Canon 250D vs Nikon D70s
- Canon 250D vs Nikon D7100
- Canon 250D vs Olympus E-PL2
- Canon 250D vs Olympus E-PM1
- Canon 250D vs Pentax K-70
- Canon 250D vs Sony A9 II
- Canon 40D vs Fujifilm GFX 100
- Fujifilm GFX 100 vs Olympus E-M10
- Fujifilm GFX 100 vs Olympus E-PL10
Specifications: Canon 250D vs Fujifilm GFX 100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 250D||Fujifilm GFX 100|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm G mount lenses|
|Launch Date||April 2019||May 2019|
|Launch Price||USD 599||USD 9999|
|Sensor Specs||Canon 250D||Fujifilm GFX 100|
|Sensor Format||APS-C Sensor||Medium Format Sensor|
|Sensor Size||22.3 x 14.9 mm||43.8 x 32.9 mm|
|Sensor Area||332.27 mm2||1441.02 mm2|
|Sensor Diagonal||26.8 mm||54.8 mm|
|Sensor Resolution||24 Megapixels||101.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||11648 x 8736 pixels|
|Pixel Pitch||3.72 μm||3.76 μm|
|Pixel Density||7.22 MP/cm2||7.06 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/25p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||100-12800 ISO|
|ISO Boost||100-51200 ISO||50-102400 ISO|
|Image Processor||DIGIC 8||X-Processor 4|
|Screen Specs||Canon 250D||Fujifilm GFX 100|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||1040k dots||2360k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon 250D||Fujifilm GFX 100|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||5 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon 250D||Fujifilm GFX 100|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon 250D||Fujifilm GFX 100|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||1070 shots per charge||800 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
156 x 144 x 75 mm
(6.1 x 5.7 x 3.0 in)
|Camera Weight||449 g (15.8 oz)||1320 g (46.6 oz)|
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