Canon 200D vs Sony A7 II
The Canon EOS 200D (called Canon SL2 in some regions) and the Sony Alpha A7 II are two digital cameras that were revealed to the public, respectively, in June 2017 and November 2014. The 200D is a DSLR, while the A7 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (200D) and a full frame (A7 II) sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 200D and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 200D and the Sony A7 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The 200D can be obtained in two different colors (black, white), while the A7 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is notably larger (7 percent) than the Canon 200D. Moreover, the A7 II is markedly heavier (32 percent) than the 200D. It is noteworthy in this context that the A7 II is splash and dust-proof, while the 200D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (200D) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the A7 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 200D gets 650 shots out of its LP-E17 battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A7 II can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|2.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|3.||Canon 250D||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|4.||Canon 2000D||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|5.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|6.||Canon 800D||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749|
|7.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|8.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|9.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|10.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|11.||Canon 100D||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|12.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499|
|13.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|14.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|15.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|16.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|17.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 200D was launched at a markedly lower price (by 73 percent) than the A7 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 200D features an APS-C sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 158 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
Even though the A7 II has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the A7 II has a lower pixel density and larger individual pixels (with a pixel pitch of 5.97μm versus 3.72μm for the 200D), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the 200D is much more recent (by 2 years and 7 months) than the A7 II, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The Canon EOS 200D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7 II offers substantially better image quality than the 200D (overall score 11 points higher). The advantage is based on 1.3 bits higher color depth, 0.2 EV in additional dynamic range, and 1.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|7.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|13.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|14.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|15.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|16.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|17.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7 II has an electronic viewfinder (2400k dots), while the 200D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7 II offers a wider field of view (100%) than the one in the 200D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7 II has a higher magnification (0.71x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 200D, the Sony A7 II, and comparable cameras.
|1.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|2.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
|3.||Canon 250D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|4.||Canon 2000D||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|5.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|6.||Canon 800D||optical||n||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|7.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2||Y||Y|
|8.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1||Y||n|
|9.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0||Y||n|
|10.||Canon 760D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|11.||Canon 100D||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|12.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|13.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0||n||Y|
|14.||Sony A9||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0||n||Y|
|15.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|16.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|17.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The 200D has one, while the A7 II does not. While the built-in flash of the 200D is not very powerful, it can at times be useful as a fill-in light.The 200D has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7 II does not have a selfie-screen.
The 200D writes its imaging data to SDXC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 200D and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|2.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon 250D||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|4.||Canon 2000D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon 800D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|7.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|8.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|9.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|10.||Canon 760D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|11.||Canon 100D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|13.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony A9||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|15.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 200D lacks such a headphone port.
Both the 200D and the A7 II have been discontinued, but can regularly be found used on eBay. The A7 II was replaced by the Sony A7 III, while the 200D was followed by the Canon 250D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 200D and the Sony A7 II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 200D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less heavy: Is lighter (by 146g or 24 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (650 versus 350) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (73 percent cheaper at launch).
- More modern: Reflects 2 years and 7 months of technical progress since the A7 II launch.
Advantages of the Sony Alpha A7 II:
- Better image quality: Scores substantially higher (11 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.3 bits more color depth).
- Better low-light sensitivity: Can shoot in dim conditions (1.2 stops ISO advantage).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.54x).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More heavily discounted: Has been around for much longer (launched in November 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the A7 II is the clear winner of the contest (14 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 200D and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 200D and the A7 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|2.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|3.||Canon 250D||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599|
|4.||Canon 2000D||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|5.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899|
|6.||Canon 800D||4.5/5||..||3.5/5||80/100||4.5/5||4/5||Feb 2017||749|
|7.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|8.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499|
|9.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979|
|10.||Canon 760D||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|11.||Canon 100D||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|12.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499|
|13.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|14.||Sony A9||5/5||+ +||4.8/5||89/100||5/5||5/5||Apr 2017||4,499|
|15.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|16.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|17.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 200D vs Canon 5DS
- Canon 200D vs Canon D30
- Canon 200D vs Fujifilm X100V
- Canon 200D vs Sony A7C
- Canon 200D vs Sony A7S II
- Canon 200D vs Sony RX100 VI
- Canon 300D vs Sony A7 II
- Leica M Typ 262 vs Sony A7 II
- Panasonic FZ2000 vs Sony A7 II
- Panasonic GX1 vs Sony A7 II
- Panasonic S5 vs Sony A7 II
- Pentax K-50 vs Sony A7 II
Specifications: Canon 200D vs Sony A7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 200D||Sony A7 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||June 2017||November 2014|
|Launch Price||USD 549||USD 1,999|
|Sensor Specs||Canon 200D||Sony A7 II|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.3 x 14.9 mm||35.8 x 23.9 mm|
|Sensor Area||332.27 mm2||855.62 mm2|
|Sensor Diagonal||26.8 mm||43 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||5.97 μm|
|Pixel Density||7.22 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 25,600 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||50 - 51,200 ISO|
|Image Processor||DIGIC 7||BIONZ X|
|DXO Sensor Quality (score)||79||90|
|DXO Color Depth (bits)||23.6||24.9|
|DXO Dynamic Range (EV)||13.4||13.6|
|DXO Low Light (ISO)||1041||2449|
|Screen Specs||Canon 200D||Sony A7 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1230k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 200D||Sony A7 II|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||5 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 200D||Sony A7 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon 200D||Sony A7 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||650 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||453 g (16.0 oz)||599 g (21.1 oz)|
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