Canon 200D versus Olympus E-300
The Canon EOS 200D (called Canon SL2 in some regions) and the Olympus Evolt E-300 are two digital cameras that were officially introduced, respectively, in June 2017 and September 2004. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (200D) and a Four Thirds sensor. The Canon has a resolution of 24 megapixel, whereas the Olympus provides 8 MP.
The side-by-side display below illustrates the physical size and weight of the Canon 200D and the Olympus E-300. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the 200D – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-300 is notably larger (10 percent) than the Canon 200D. Moreover, the E-300 is substantially heavier (38 percent) than the 200D. In this context, it is worth noting that neither the 200D nor the E-300 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (200D) and the Four Thirds Lens Catalog (E-300).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon 200D (⇒ rgt)||122 mm||93 mm||70 mm||453 g||650||no||2017||549||latest||check|
|Olympus E-300 (⇒ lft)||147 mm||85 mm||64 mm||624 g||750||no||2004||799||discont.||check|
|Canon 2000D (⇒ lft | rgt)||129 mm||101 mm||78 mm||475 g||500||no||2018||449||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||98 mm||58 mm||31 mm||206 g||235||no||2017||529||latest||check|
|Canon 800D (⇒ lft | rgt)||131 mm||100 mm||76 mm||532 g||600||no||2017||749||latest||check|
|Canon 77D (⇒ lft | rgt)||131 mm||100 mm||76 mm||540 g||600||no||2017||899||latest||check|
|Canon M100 (⇒ lft | rgt)||108 mm||67 mm||35 mm||302 g||295||no||2017||499||latest||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Canon 750D (⇒ lft | rgt)||132 mm||101 mm||78 mm||555 g||440||no||2015||749||discont.||check|
|Canon 100D (⇒ lft | rgt)||117 mm||91 mm||69 mm||407 g||380||no||2013||549||discont.||check|
|Canon XT (⇒ lft | rgt)||127 mm||94 mm||64 mm||540 g||400||no||2005||899||discont.||check|
|Nikon D3400 (⇒ lft | rgt)||124 mm||98 mm||76 mm||445 g||1200||no||2016||499||latest||check|
|Olympus E-330 (⇒ lft | rgt)||140 mm||87 mm||72 mm||637 g||750||no||2006||999||discont.||check|
|Olympus E-500 (⇒ lft | rgt)||130 mm||95 mm||66 mm||479 g||750||no||2005||599||discont.||check|
|Olympus E-1 (⇒ lft | rgt)||141 mm||104 mm||81 mm||738 g||750||YES||2003||1,699||discont.||check|
|Panasonic L1 (⇒ lft | rgt)||146 mm||87 mm||64 mm||606 g||750||no||2006||999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 200D was launched at a markedly lower price (by 31 percent) than the E-300, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 200D features an APS-C sensor and the Olympus E-300 a Four Thirds sensor. The sensor area in the E-300 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 200D has a native 3:2 aspect ratio, while the one in the E-300 offers a 4:3 aspect.
With 24MP, the 200D offers a higher resolution than the E-300 (8MP), but the 200D has smaller individual pixels (pixel pitch of 3.72μm versus 5.30μm for the E-300). However, the 200D is a somewhat more recent model (by 12 years and 9 months) than the E-300, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 200D (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79|
|Olympus E-300 (⇒ lft)||Four Thirds||8.0||3264||2448||no||-||-||-||-|
|Canon 2000D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||..||..||..||..|
|Canon G9 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon 800D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon 77D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon M100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon 750D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon 100D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Canon XT (⇒ lft | rgt)||APS-C||8.0||3456||2304||no||21.8||10.8||637||60|
|Nikon D3400 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86|
|Olympus E-330 (⇒ lft | rgt)||Four Thirds||7.4||3136||2352||no||-||-||-||-|
|Olympus E-500 (⇒ lft | rgt)||Four Thirds||8.0||3264||2448||no||-||-||-||-|
|Olympus E-1 (⇒ lft | rgt)||Four Thirds||4.9||2560||1920||no||-||-||-||-|
|Panasonic L1 (⇒ lft | rgt)||Four Thirds||7.4||3136||2352||no||-||-||-||-|
Many modern cameras cannot only take still pictures, but also record videos. The 200D indeed provides movie recording capabilities, while the E-300 does not. The highest resolution format that the 200D can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The 200D and the E-300 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The adjacent table lists some of the other core features of the Canon 200D and Olympus E-300 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon 200D (⇒ rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||9.8||no|
|Olympus E-300 (⇒ lft)||optical||no||1.8||134||fixed||no||4000||2.5||11||no|
|Canon 2000D (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.0||9.2||no|
|Canon G9 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||8.2||6||YES|
|Canon 800D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||6.0||12||no|
|Canon 77D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.0||12||no|
|Canon M100 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.1||5||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon 750D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon 100D (⇒ lft | rgt)||optical||no||3.0||1040||fixed||YES||4000||4.9||9.4||no|
|Canon XT (⇒ lft | rgt)||optical||no||1.8||115||fixed||no||4000||3.0||13||no|
|Nikon D3400 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||5.0||7||no|
|Olympus E-330 (⇒ lft | rgt)||optical||no||2.5||215||tilting||no||4000||3.0||13||no|
|Olympus E-500 (⇒ lft | rgt)||optical||no||2.5||215||fixed||no||4000||2.5||13||no|
|Olympus E-1 (⇒ lft | rgt)||optical||YES||1.8||134||fixed||no||4000||3.0||no||no|
|Panasonic L1 (⇒ lft | rgt)||optical||no||2.5||207||fixed||no||4000||3.0||13||no|
The 200D is a current model that online retailers, such as amazon, will have in stock. In contrast, the E-300 has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-300 was succeeded by the Olympus E-330.
So how do things add up? Is there a clear favorite between the Canon 200D and the Canon 200D? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 200D:
- More detail: Offers more megapixels (24 vs 8MP) with a 77% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 134k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (5 vs 2.5 flaps/sec) to capture the decisive moment.
- Less heavy: Is lighter (by 171g or 27 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (31 percent cheaper at launch).
- More modern: Reflects 12 years and 9 months of technical progress since the E-300 launch.
Arguments in favor of the Olympus Evolt E-300:
- Longer lasting: Gets more shots (750 versus 650) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in September 2004).
If the count of relative strengths (bullet points above) is taken as a measure, the 200D is the clear winner of the match-up (11 : 2 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the 200D and the E-300 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon 200D (⇒ rgt)||HiRec||78/100 Silver||4.5/5||-||4.5/5||2017||549||latest||check|
|Olympus E-300 (⇒ lft)||-||Rec||reviewed||reviewed||4.5/5||2004||799||discont.||check|
|Canon 2000D (⇒ lft | rgt)||..||..||..||..||3.5/5||2018||449||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||..||75/100||4.5/5||4.5/5||4.5/5||2017||529||latest||check|
|Canon 800D (⇒ lft | rgt)||..||80/100 Gold||4.5/5||..||4/5||2017||749||latest||check|
|Canon 77D (⇒ lft | rgt)||..||82/100 Silver||4.5/5||4.5/5||4/5||2017||899||latest||check|
|Canon M100 (⇒ lft | rgt)||Rec||..||4/5||..||3.5/5||2017||499||latest||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon 750D (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon 100D (⇒ lft | rgt)||Rec||78/100 Gold||4/5||4/5||4/5||2013||549||discont.||check|
|Canon XT (⇒ lft | rgt)||80/100||HiRec||reviewed||reviewed||-||2005||899||discont.||check|
|Nikon D3400 (⇒ lft | rgt)||Rec||76/100||4/5||4.5/5||4.5/5||2016||499||latest||check|
|Olympus E-330 (⇒ lft | rgt)||-||Rec||reviewed||3.5/5||-||2006||999||discont.||check|
|Olympus E-500 (⇒ lft | rgt)||76/100||HiRec||-||-||-||2005||599||discont.||check|
|Olympus E-1 (⇒ lft | rgt)||-||Rec||reviewed||reviewed||-||2003||1,699||discont.||check|
|Panasonic L1 (⇒ lft | rgt)||85/100||Rec||-||reviewed||3.5/5||2006||999||discont.||check|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, please contact me, and I will try to add information on that model to the database.
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