Canon 200D versus Leica Digilux 3
The Canon EOS 200D (called Canon SL2 in some regions) and the Leica Digilux 3 are two digital cameras that were revealed to the public, respectively, in June 2017 and September 2006. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (200D) and a Four Thirds (Digilux 3) sensor. The Canon has a resolution of 24 megapixel, whereas the Leica provides 7.4 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Canon 200D vs Leica Digilux 3
An illustration of the physical size and weight of the Canon 200D and the Leica Digilux 3 is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the 200D – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica Digilux 3 is notably larger (12 percent) than the Canon 200D. Moreover, the Digilux 3 is markedly heavier (34 percent) than the 200D. In this context, it is worth noting that neither the 200D nor the Digilux 3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (200D) and the Four Thirds Lens Catalog (Digilux 3).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Canon 200D»||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549|
|Leica Digilux 3«||5.7 in||3.4 in||3.0 in||21.4 oz||750||n||Sep 2006||1,499||-|
|Canon 2000D« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449|
|Canon G9 X Mark II« »||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529|
|Canon 800D« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979|
|Canon 750D« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-|
|Canon 100D« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499|
|Olympus E-330« »||5.5 in||3.4 in||2.8 in||22.5 oz||750||n||Jan 2006||999||-|
|Olympus E-500« »||5.1 in||3.7 in||2.6 in||16.9 oz||750||n||Sep 2005||599||-|
|Olympus E-300« »||5.8 in||3.3 in||2.5 in||22.0 oz||750||n||Sep 2004||799||-|
|Panasonic L10« »||5.3 in||3.8 in||3.1 in||19.6 oz||450||n||Aug 2007||599||-|
|Panasonic L1« »||5.7 in||3.4 in||2.5 in||21.4 oz||750||n||Feb 2006||999||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 200D was launched at a markedly lower price (by 63 percent) than the Digilux 3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 200D vs Leica Digilux 3
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 200D features an APS-C sensor and the Leica Digilux 3 a Four Thirds sensor. The sensor area in the Digilux 3 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 200D has a native 3:2 aspect ratio, while the one in the Digilux 3 offers a 4:3 aspect.
With 24MP, the 200D offers a higher resolution than the Digilux 3 (7.4MP), but the 200D has smaller individual pixels (pixel pitch of 3.72μm versus 5.51μm for the Digilux 3). However, the 200D is a somewhat more recent model (by 10 years and 9 months) than the Digilux 3, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Leica Digilux 3«||Four Thirds||7.4||3136||2352||-||-||-||-||-|
|Canon 2000D« »||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71|
|Canon G9 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon 800D« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon 750D« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon 100D« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86|
|Olympus E-330« »||Four Thirds||7.4||3136||2352||-||-||-||-||-|
|Olympus E-500« »||Four Thirds||8.0||3264||2448||-||-||-||-||-|
|Olympus E-300« »||Four Thirds||8.0||3264||2448||-||-||-||-||-|
|Panasonic L10« »||Four Thirds||10.0||3648||2736||-||21.3||10.8||429||55|
|Panasonic L1« »||Four Thirds||7.4||3136||2352||-||-||-||-||-|
Many modern cameras are not only capable of taking still images, but can also record movies. The 200D indeed provides movie recording capabilities, while the Digilux 3 does not. The highest resolution format that the 200D can use is 1080/60p.
Feature comparison: Canon 200D vs Leica Digilux 3
Beyond body and sensor, cameras can and do differ across a range of features. The 200D and the Digilux 3 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The table below summarizes some of the other core capabilities of the Canon 200D and Leica Digilux 3 in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Leica Digilux 3«||optical||n||2.5||207||fixed||n||4000||3.0||Y||n|
|Canon 2000D« »||optical||n||3.0||920||fixed||n||4000||3.0||Y||n|
|Canon G9 X Mark II« »||-||n||3.0||1040||fixed||Y||2000||8.2||Y||Y|
|Canon 800D« »||optical||n||3.0||1040||swivel||Y||4000||6.0||Y||n|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||4000||6.0||Y||n|
|Canon M100« »||-||n||3.0||1040||tilting||Y||4000||6.1||Y||n|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||4000||9.0||Y||n|
|Canon 750D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n|
|Canon 100D« »||optical||n||3.0||1040||fixed||Y||4000||4.9||Y||n|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||4000||5.0||Y||n|
|Olympus E-330« »||optical||n||2.5||215||tilting||n||4000||3.0||Y||n|
|Olympus E-500« »||optical||n||2.5||215||fixed||n||4000||2.5||Y||n|
|Olympus E-300« »||optical||n||1.8||134||fixed||n||4000||2.5||Y||n|
|Panasonic L10« »||optical||n||2.5||207||swivel||n||4000||3.0||Y||n|
|Panasonic L1« »||optical||n||2.5||207||fixed||n||4000||3.0||Y||n|
The 200D is a current model that online retailers, such as amazon, will have in stock. In contrast, the Digilux 3 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the Digilux 3 from Leica.
Review summary: Canon 200D vs Leica Digilux 3
So how do things add up? Is there a clear favorite between the Canon 200D and the Leica Digilux 3? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 200D:
- More detail: Offers more megapixels (24 vs 7.4MP) with a 84% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 207k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (122x93mm vs 146x87mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 153g or 25 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (63 percent cheaper at launch).
- More modern: Reflects 10 years and 9 months of technical progress since the Digilux 3 launch.
Reasons to prefer the Leica Digilux 3:
- Longer lasting: Gets more shots (750 versus 650) out of a single battery charge.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2006).
If the count of relative strengths (bullet points above) is taken as a measure, the 200D is the clear winner of the match-up (12 : 3 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the 200D and the Digilux 3 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Canon 200D»||HiRec||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549|
|Leica Digilux 3«||-||-||-||-||-||Sep 2006||1,499||-|
|Canon 2000D« »||rev||-||3.5/5||-||3.5/5||Feb 2018||449|
|Canon G9 X Mark II« »||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529|
|Canon 800D« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899|
|Canon M100« »||Rec||-||4/5||-||3.5/5||Aug 2017||499|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon M5« »||Rec||82/100||4/5||4.5/5||4/5||Sep 2016||979|
|Canon 750D« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-|
|Canon 100D« »||Rec||78/100||4/5||4/5||4/5||Mar 2013||549||-|
|Nikon D3400« »||Rec||76/100||4/5||4.5/5||4.5/5||Aug 2016||499|
|Olympus E-330« »||-||Rec||rev||3.5/5||-||Jan 2006||999||-|
|Olympus E-500« »||76/100||HiRec||-||-||-||Sep 2005||599||-|
|Olympus E-300« »||-||Rec||rev||rev||4.5/5||Sep 2004||799||-|
|Panasonic L10« »||85/100||Rec||3.5/5||rev||4/5||Aug 2007||599||-|
|Panasonic L1« »||85/100||Rec||-||rev||3.5/5||Feb 2006||999||-|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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