Canon 2000D vs Pentax K-3 II
The Canon EOS 2000D (called Canon T7 in some regions) and the Pentax K-3 II are two digital cameras that were announced, respectively, in February 2018 and April 2015. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Canon has a resolution of 24 megapixels, whereas the Pentax provides 24.1 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 2000D||Pentax K-3 II|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Pentax K mount lenses|
|24 MP, APS-C Sensor||24.1 MP, APS-C Sensor|
|1080/30p Video||1080/60i Video|
|ISO 100-6400 (100-12800)||ISO 100-51200|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 920k dots||3.2" LCD, 1037k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|3 shutter flaps per second||8.3 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|500 shots per battery charge||720 shots per battery charge|
|129 x 101 x 78 mm, 475 g||131 x 100 x 77 mm, 800 g|
Body comparison: Canon 2000D vs Pentax K-3 II
The side-by-side display below illustrates the physical size and weight of the Canon 2000D and the Pentax K-3 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 2000D and the Pentax K-3 II are of equal size. However, the K-3 II is substantially heavier (68 percent) than the 2000D. It is noteworthy in this context that the K-3 II is splash and dust-proof, while the 2000D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 2000D»||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449||Canon 2000D|
|Pentax K-3 II«||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099||Pentax K-3 II|
|Canon 4000D« »||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399||Canon 4000D|
|Canon 77D« »||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||Canon 77D|
|Canon 200D« »||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||Canon 200D|
|Canon 800D« »||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749||Canon 800D|
|Canon G9 X Mark II« »||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon M100« »||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499||Canon M100|
|Canon 80D« »||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||Canon 80D|
|Canon 1300D« »||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449||-||Canon 1300D|
|Canon 750D« »||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749||-||Canon 750D|
|Canon 760D« »||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||849||-||Canon 760D|
|Canon 1200D« »||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||-||Canon 1200D|
|Pentax KP« »||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099||Pentax KP|
|Pentax K-70« »||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649||Pentax K-70|
|Pentax K-3« »||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299||-||Pentax K-3|
|Pentax K-5« »||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099||-||Pentax K-5|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 2000D was launched at a markedly lower price (by 59 percent) than the K-3 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 2000D vs Pentax K-3 II
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the K-3 II is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (2000D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24.1MP, the K-3 II offers a higher resolution than the 2000D (24MP), but the K-3 II nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 3.72μm for the 2000D) due to its larger sensor. However, the 2000D is a much more recent model (by 2 years and 10 months) than the K-3 II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-3 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the 2000D, the K-3 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 2000D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Pentax K-3 II are ISO 100 to ISO 51200 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the K-3 II has a markedly higher DXO score than the 2000D (overall score 9 points higher), which will translate into better image quality. The advantage is based on 1 bits higher color depth, 1.7 EV in additional dynamic range, and 0.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 2000D»||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Pentax K-3 II«||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80||Pentax K-3 II|
|Canon 4000D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon 200D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Canon 800D« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon 800D|
|Canon G9 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon 1300D« »||APS-C||17.9||5184||3456||1080/30p||-||-||-||-||Canon 1300D|
|Canon 750D« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon 750D|
|Canon 760D« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon 760D|
|Canon 1200D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Pentax KP« »||APS-C||24.1||6016||4000||1080/60i||-||-||-||-||Pentax KP|
|Pentax K-70« »||APS-C||24.0||6000||4000||1080/60i||-||-||-||-||Pentax K-70|
|Pentax K-3« »||APS-C||24.1||6016||4000||1080/60i||23.7||13.4||1216||80||Pentax K-3|
|Pentax K-5« »||APS-C||16.1||4928||3264||1080/25p||23.7||14.1||1162||82||Pentax K-5|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the K-3 II provides a faster frame rate than the 2000D. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Feature comparison: Canon 2000D vs Pentax K-3 II
Apart from body and sensor, cameras can and do differ across a range of features. The 2000D and the K-3 II are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The following table reports on some other key feature differences and similarities of the Canon 2000D, the Pentax K-3 II, and comparable cameras.
|Canon 2000D»||optical||n||3.0||920||fixed||n||4000||3.0||Y||n||Canon 2000D|
|Pentax K-3 II«||optical||Y||3.2||1037||fixed||n||8000||8.3||n||Y||Pentax K-3 II|
|Canon 4000D« »||optical||n||2.7||230||fixed||n||4000||3.0||Y||n||Canon 4000D|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||4000||6.0||Y||n||Canon 77D|
|Canon 200D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 200D|
|Canon 800D« »||optical||n||3.0||1040||swivel||Y||4000||6.0||Y||n||Canon 800D|
|Canon G9 X Mark II« »||-||n||3.0||1040||fixed||Y||2000||8.2||Y||Y||Canon G9 X Mark II|
|Canon M100« »||-||n||3.0||1040||tilting||Y||4000||6.1||Y||n||Canon M100|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 80D|
|Canon 1300D« »||optical||n||3.0||920||fixed||n||4000||3.0||Y||n||Canon 1300D|
|Canon 750D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 750D|
|Canon 760D« »||optical||Y||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 760D|
|Canon 1200D« »||optical||n||3.0||460||fixed||n||4000||3.0||Y||n||Canon 1200D|
|Pentax KP« »||optical||n||3.0||921||tilting||n||6000||7.0||Y||Y||Pentax KP|
|Pentax K-70« »||optical||n||3.0||921||swivel||n||6000||6.0||Y||Y||Pentax K-70|
|Pentax K-3« »||optical||Y||3.2||1037||fixed||n||8000||8.3||Y||Y||Pentax K-3|
|Pentax K-5« »||optical||Y||3.0||921||fixed||n||8000||7.0||Y||Y||Pentax K-5|
One difference between the cameras concerns the presence of an on-board flash. The 2000D has one, while the K-3 II does not. While the built-in flash of the 2000D is not very powerful, it can at times be useful as a fill-in light.
Concerning the storage of imaging data, both the 2000D and the K-3 II write their files to SDXC cards. The K-3 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the 2000D only has one slot.
Connectivity comparison: Canon 2000D vs Pentax K-3 II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 2000D and Pentax K-3 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 2000D»||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Pentax K-3 II«||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3 II|
|Canon 4000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon 200D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Canon 800D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 800D|
|Canon G9 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon 1300D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 1300D|
|Canon 750D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 750D|
|Canon 760D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 760D|
|Canon 1200D« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Pentax KP« »||Y||stereo||mono||Y||-||-||2.0||Y||-||-||Pentax KP|
|Pentax K-70« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Pentax K-70|
|Pentax K-3« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Pentax K-3|
|Pentax K-5« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Pentax K-5|
It is notable that the 2000D offers wifi support, while the K-3 II does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Pentax K-3 II (unlike the 2000D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 2000D and the K-3 II are recent models that feature in their makers' current product line-up. The K-3 II replaced the earlier Pentax K-3, while the 2000D followed on from the Canon 1300D.
Review summary: Canon 2000D vs Pentax K-3 II
So how do things add up? Which of the two cameras – the Canon 2000D or the Pentax K-3 II – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 2000D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Less heavy: Is lighter (by 325g or 41 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (59 percent cheaper at launch).
- More modern: Reflects 2 years and 10 months of technical progress since the K-3 II launch.
Arguments in favor of the Pentax K-3 II:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores markedly higher (9 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.7 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (8.3 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (720 versus 500) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in April 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the K-3 II is the clear winner of the contest (19 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 2000D or the K-3 II handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Canon 2000D vs Pentax K-3 II
This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Canon 2000D»||rev||-||3.5/5||-||3.5/5||Feb 2018||449||Canon 2000D|
|Pentax K-3 II«||-||-||5/5||4.5/5||5/5||Apr 2015||1,099||Pentax K-3 II|
|Canon 4000D« »||rev||-||3.5/5||-||3.5/5||Feb 2018||399||Canon 4000D|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon 200D« »||HiRec||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||Canon 200D|
|Canon 800D« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon 800D|
|Canon G9 X Mark II« »||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529||Canon G9 X Mark II|
|Canon M100« »||Rec||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||Canon 80D|
|Canon 1300D« »||rev||73/100||4/5||3.5/5||4/5||Mar 2016||449||-||Canon 1300D|
|Canon 750D« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon 750D|
|Canon 760D« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||849||-||Canon 760D|
|Canon 1200D« »||Rec||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon 1200D|
|Pentax KP« »||-||82/100||5/5||-||4.5/5||Jan 2017||1,099||Pentax KP|
|Pentax K-70« »||-||79/100||4.5/5||4/5||4.5/5||Jun 2016||649||Pentax K-70|
|Pentax K-3« »||-||83/100||5/5||4.5/5||5/5||Oct 2013||1,299||-||Pentax K-3|
|Pentax K-5« »||-||83/100||5/5||4.5/5||4.5/5||Sep 2010||1,099||-||Pentax K-5|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
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- Fujifilm X-T20 vs Sony RX100 III
- Leica Q Typ 116 vs Fujifilm GFX 50R
- Nikon D40X vs Nikon D7000
- Nikon D750 vs Nikon D100
- Panasonic G3 vs Panasonic GF2
- Panasonic G7 vs Nikon D70
- Sony A7R II vs Pentax 645Z
- Sony HX99 vs Canon M50
- Sony NEX-F3 vs Canon 200D
Specifications: Canon 2000D vs Pentax K-3 II
|Camera Model||Canon 2000D||Pentax K-3 II|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Pentax K mount lenses|
|Launch Date||February 2018||April 2015|
|Launch Price||USD 449||USD 1099|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 14.9 mm|
|Sensor Area||332.27 mm2||366.6 mm2|
|Sensor Diagonal||26.8 mm||28.2 mm|
|Sensor Resolution||24 Megapixels||24.1 Megapixels|
|Image Resolution||6000 x 4000 pixels||6016 x 4000 pixels|
|Pixel Pitch||3.72 μm||3.90 μm|
|Pixel Density||7.22 MP/cm2||6.56 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||100-6400 ISO||100-51200 ISO|
|ISO Boost||100-12800 ISO||no Enhancement|
|Image Processor||DIGIC 4+||PRIME III|
|DXO Sensor Quality (score)||71||80|
|DXO Color Depth (bits)||22.6||23.6|
|DXO Dynamic Range (EV)||11.9||13.6|
|DXO Low Light (ISO)||1009||1106|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||920k dots||1037k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Maximum Shutter Speed||1/4000s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||8.3 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||LP-E10 power pack||D-LI90 power pack|
|Battery Life (CIPA)||500 shots per charge||720 shots per charge|
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
131 x 100 x 77 mm
(5.2 x 3.9 x 3.0 in)
|Camera Weight||475 g (16.8 oz)||800 g (28.2 oz)|
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